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Directed by | |||
| Akira Kurosawa | |||
Writing credits(in alphabetical order) | ||
| Masato Ide | ||
| Akira Kurosawa | ||
Produced by | |||
| Audie Bock | .... | assistant producer | |
| Francis Ford Coppola | .... | executive producer: international version | |
| Akira Kurosawa | .... | executive producer | |
| Akira Kurosawa | .... | producer | |
| George Lucas | .... | executive producer: international version | |
| Tomoyuki Tanaka | .... | executive producer | |
Original Music by | |||
| Shinichirô Ikebe | |||
Cinematography by | |||
| Takao Saitô | |||
| Shôji Ueda | (as Shoji Ueda) | ||
Art Direction by | |||
| Yoshirô Muraki | |||
Costume Design by | |||
| Seiichiro Hagakusawa | |||
Makeup Department | |||
| Yoshiko Matsumoto | .... | hair stylist | |
| Shigeo Tamura | .... | hair stylist | |
| Junjiro Yamada | .... | hair stylist | |
Production Management | |||
| Akira Fujita | .... | unit production manager | |
| Toshiaki Hashimoto | .... | production manager | |
| Toshiaki Hashimoto | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Ishirô Honda | .... | second unit director | |
| Hideyuki Inoue | .... | assistant director | |
| Takashi Koizumi | .... | assistant director | |
| Fumiryo Okada | .... | chief assistant director | |
| Takao Okawara | .... | assistant director | |
Art Department | |||
| Aki Saburagi | .... | assistant art director | |
| Hatsumi Yamamoto | .... | property master | |
Sound Department | |||
| Ichirô Minami | .... | sound effects editor | |
| Mamoru Yamada | .... | assistant sound recordist | |
| Fumio Yanoguchi | .... | sound recordist | |
Camera and Electrical Department | |||
| Naomi Hashiyama | .... | still photographer | |
| Satoshi Kurikihara | .... | assistant lighting technician | |
| Tamio Matsuo | .... | assistant camera | |
| Kazuo Miyagawa | .... | consultant: photography | |
| Asakazu Nakai | .... | consultant: photography | |
| Takeji Sano | .... | lighting technician | |
Editorial Department | |||
| Yoshihiro Iwatani | .... | assistant editor | |
| Tome Minami | .... | negative cutter | |
Music Department | |||
| Kotaro Saito | .... | conductor | |
Transportation Department | |||
| Isamu Miwano | .... | transportation | |
Other crew | |||
| Audie Bock | .... | assistant to producer (international version) | |
| Francis Ford Coppola | .... | presenter | |
| Masa Furugawara | .... | scene shifter | |
| Toshi Hasegawa | .... | horseback riding instructor | |
| Shinobu Hashimoto | .... | production advisor | |
| Hiroaki Honda | .... | acting office | |
| Ishirô Honda | .... | directorial advisor | |
| Ishirô Honda | .... | production coordinator | |
| Ryû Kuze | .... | instructor: samurai etiquette | |
| George Lucas | .... | presenter | |
| Teruyo Nogami | .... | assistant to producer | |
| Teruyo Nogami | .... | script supervisor | |
| Donald Richie | .... | subtitle supervisor (US version) | |
| Donald Richie | .... | subtitler (international version) | |
| Takao Saitô | .... | production advisor | |
| Tamihei Shirai | .... | horseback riding instructor | |
| Ishirô Honda | .... | creative consultant (uncredited) | |
| Michael Rich | .... | assistant to director (uncredited) | |
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| Ran | Shichinin no samurai | The Last Samurai | Kumonosu-jô | Gone with the Wind |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Japan section |
After spending a decade (or so) in solitary confinement from the Japanese Film Industry Akira Kurosawa returns to make his semi-masterpiece "Kagemusha", which he called a dress-rehearsal for "Ran", made in 1985.
Kagemusha is, probably, the best example of cinematic overkill where nobody actually cares. Cinematic overkill is when someone constructs a complex multi-layered movie, stage epic-battles, introduce likeable and complex characters without having a very complicated message. The message of "Kagemusha" is simply this: If you pretend long enough to be something else you'll become it. Too simple, maybe, for what's delivered.
Not that "Kagemusha" is a bad movie. It's haunting, it's spectacular and it's just great. I keep thinking about it over and over. I can't get it out of my head. Simply put "Kagemusha" is a masterpiece, albeit one up for debate. Not all Kurosawa fans would like it, but that's they're business. Personally, this is one of the movies currently that I'd really like to see again.
PS: Thank goodness for George Lucas and Francis Ford Copolla who funded this movie.