A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
A mentally unstable Vietnam War veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze feeds his urge for violent action, while attempting to save a twelve-year-old prostitute in the process.
Robert De Niro,
Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that puts everyone in the hotel in a nervous situation. While Jack slowly gets more violent and angry of his life, his son, Danny, tries to use a special talent, the "Shining", to inform the people outside about whatever that is going on in the hotel. Written by
J. S. Golden
Denver media was used twice in the film. While driving up to Sidewinder in a blinding snowstorm, Dick Hallorann (Scatman Crothers) is listening to AM disc jockeys Hal Moore and Charley Martin. Denver's KHOW was top 40 pop music at that time, and Hal and Charley were actually morning drive-time DJs. They used elements of their show in a scripted segment for the audio. Also, the television in the Overlook Hotel was able to pick up Denver's channel 9. On-air talent Bertha Lynn and Bill Custer taped a scripted segment for use on the Overlook's television. The weather report that Dick Hallorann watched in Miami featured Glen Rinker, who was a well-known Florida news anchor at the time. See more »
At the bar when Jack is asking for a Bourbon on the rocks the bartender is clearly seen pouring from a bottle of Jack Daniels. JD is a whiskey, not a Bourbon. See more »
Hi, I've got an appointment with Mr. Ullman. My name is Jack Torrance.
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The party music plays over the closing credits. After it ends, we hear the Overlook Hotel ghosts applaud. They then talk amongst themselves until their voices fade away. See more »
When this film first came out in 1980, I remember going to see it on opening night. The sheer terror that I experienced in viewing "The Shining" was enough to make me go to bed with the lights turned ON every night for an entire summer. This movie just scared the life out of me, which is what still happens every time I rent the video for a re-watch. I have seen The Shining at least six or seven times, and I still believe it to be simultaneously and paradoxically one of the most frightening and yet funniest films I've ever seen. Frightening because of the extraordinarily effective use of long shots to create feelings of isolation, convex lens shots to enhance surrealism, and meticulously scored music to bring tension levels to virtually unbearable levels. And "funny" because of Jack Nicholson's outrageous and in many cases ad-libbed onscreen antics. It never ceases to amaze me how The Shining is actually two films in one, both a comedy AND a horror flick. Ghostly apparitions of a strikingly menacing nature haunt much of the first half of the film, which gradually evolve into ever more serious physical threats as time progresses. Be that as it may, there is surprisingly little violence given the apparent intensity, but that is little comfort for the feint of heart as much of the terror is more implied than manifest. The Shining is a truly frightening movie that works symbolically on many levels, but is basically about human shortcomings and the way they can be exploited by unconscious forces combined with weakness of will. This film scares the most just by using suggestion to turn your own imagination against you. The Shining is a brilliant cinematic masterpiece, the likes of which have never been seen before or since. Highly, highly recommended. - Paul
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