7.1/10
944
10 user 11 critic

Rasputin (1981)

Agoniya (original title)
Details the life of the Russian monk Rasputin. The film shows his rise to power and how it corrupted him. His sexual perversions and madness ultimatly leads to his gruesome assasination.

Director:

Reviews

On Disc

at Amazon

1 win. See more awards »

Photos

Learn more

People who liked this also liked... 

Proshchanie (1983)
Drama
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

Matyora is a small village on a beautiful island with the same name. The existence of the village is threatened with flooding by the construction of a dam. This is the story of the ... See full summary »

Director: Elem Klimov
Stars: Stefaniya Stanyuta, Lev Durov, Aleksey Petrenko
Larisa (1980)
Short | Biography
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts ... See full summary »

Director: Elem Klimov
Stars: Elem Klimov, Valentin Rasputin, Stefaniya Stanyuta
Comedy
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

The young dentist Chesnokov has a knack for painlessly removing teeth, much to the dismay of other dentists, who fear unemployment and start to challenge Chesnokov.

Director: Elem Klimov
Stars: Andrey Myagkov, Vera Vasileva, Alisa Freyndlikh
Come and See (1985)
Drama | War
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

After finding an old rifle, a young boy joins the Soviet resistance movement against ruthless German forces and experiences the horrors of World War II.

Director: Elem Klimov
Stars: Aleksey Kravchenko, Olga Mironova, Liubomiras Laucevicius
Documentary | Comedy | Sport
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

Half documentary half fiction film about sport and its importance in people with the eye of the 'Come and see' director Elem Klimov.

Director: Elem Klimov
Stars: Zinoviy Gerdt, Georgiy Svetlani, Yelena Novozhilova
Documentary | History | War
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

A documentary about the rise and fall of fascism and the effects of Nazism on German society.

Director: Mikhail Romm
Stars: Mikhail Romm, Marlene Dietrich, Joseph Goebbels
Action | Adventure | Drama
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

Set during the Civil War between the Reds and the Whites that followed the 1917 revolution in Russia

Director: Nikita Mikhalkov
Stars: Yuri Bogatyryov, Nikita Mikhalkov, Sergey Shakurov
Krylya (1966)
Drama
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A fascinating and human portrayal of a once-famous fighter pilot and loyal Stalinist named Nadezhda Petrovna. Now a 41-year-old provincial schoolmistress, she has so internalized the ... See full summary »

Director: Larisa Shepitko
Stars: Mayya Bulgakova, Sergey Nikonenko, Zhanna Bolotova
Drama
    1 2 3 4 5 6 7 8 9 10 8/10 X  

Early in the 20th century, family and friends gather at the country estate of a general's widow, Anna Petrovna. Sofia, the new wife of Anna's step-son, recognizes Misha, the brother-in-law ... See full summary »

Director: Nikita Mikhalkov
Stars: Aleksandr Kalyagin, Elena Solovey, Evgeniya Glushenko
Chapaev (1934)
Biography | Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

This film is based on the book about Vasili Ivanovich Chapaev (1887 - 1919) who was in real life the Commander of the 25th Division of the Red Army. Chapaev is an uneducated peasant and a ... See full summary »

Directors: Sergey Vasilev, Georgi Vasilyev
Stars: Boris Babochkin, Leonid Kmit, Varvara Myasnikova
Romance
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A newly appointed Russian literature teacher develops a strong connection with one of her flagging students.

Directors: Marlen Khutsiev, Feliks Mironer
Stars: Nina Ivanova, Nikolai Rybnikov, Vladimir Gulyaev
Action | Adventure | Comedy
    1 2 3 4 5 6 7 8 9 10 8/10 X  

At the end of the Russian Civil War, Red Army soldier Fyodor Sukhov is ordered to guard the harem of a Caspian Sea guerrilla leader.

Director: Vladimir Motyl
Stars: Anatoliy Kuznetsov, Spartak Mishulin, Kakhi Kavsadze
Edit

Cast

Cast overview, first billed only:
...
Anatoliy Romashin ...
Velta Line ...
...
Aleksandr Romantsov ...
Yusupov (as A. Romantsov)
Yuriy Katin-Yartsev ...
...
Manasevich-Manuilov
Pavel Pankov ...
Manus
Mikhail Danilov ...
Andronnikov
...
Terekhov
Nelli Pshyonnaya ...
Baroness
...
Vospitatel cesarevitcha
Lyudmila Polyakova ...
Paraskeva
Olga Grigoreva ...
Yurodivaya
...
Balashov
Edit

Storyline

Russia, 1916. Be it by craft or madness, Rasputin exercises power over the indecisive Nicholas, and the religious Czarina worships the Siberian as God. He manipulates the Czar in his relations with the Duma and influences the choice of a new premier. Rasputin assaults a baroness; her husband is jailed for defending her, and she must offer sexual favors to Rasputin to save her husband. The Czar finally orders Rasputin from St. Petersburg, but somehow he enters the palace and, in a disheveled trance, convinces the Czar to make a disastrous change in war strategy. A cadre of nobles take matters into their own hands and arrange a last dinner party for the interloping monk. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Monk.Heretic.Messiah.Madman.


Certificate:

See all certifications »
Edit

Details

Country:

Language:

Release Date:

15 November 1985 (USA)  »

Also Known As:

Agony: The Life and Death of Rasputin  »

Filming Locations:


Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Sovcolor)

Aspect Ratio:

2.35 : 1
See  »
Edit

Did You Know?

Goofs

The episode where Rasputin was lured into a trap by clergymen didn't take place in 1916 but 5 years previously. It didn't go exactly as shown in the picture (no singing 'female lure' has ever been mentioned), though accounts differ as to what actually happened during the encounter. See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
An intriguing film
30 June 2008 | by (Trivandrum, Kerala, India) – See all my reviews

Many may not be aware that this film was considered "worthless" in the Soviet Union after it was made and shelved for years. Director Elem Klimov made several changes to the 1975 original version and it was ultimately released in 1981 and shown at the Venice Film Festival 1982 (where it won the FIPRESCI prize) out of competition.

The original name of the film was Agony (Agoniya) and not Rasputin, a name by which the film was marketed for a while. The title Agony was evidently in line with what the director had in mind. If we were to accept that argument, was the director's original film about the spiritual agony of the controversial holy man? Or was it meant to reflect the agony of Czar Nicholas, who could not go against the Czarina's total faith in Rasputin? Was the title meant to depict the agony of a great nation afflicted by the abysmal corruption among the monarchists who were there to make money while the poor starved and the indecisive Czar painted flowers to distract himself from the more pressing political problems (One fine sequence in the film soon after the Duma castigates the Czar shows the silent but mentally tortured Czar, with tear filled eyes looking for comfort in the sympathetic gaze of his loyal butler). Was the title also to depict the agony of the Russian Orthodox Church which was suddenly losing its grip on the worshippers with the rise of the Bolsheviks and "holy men" like Rasputin? We will never know unless we see the original version the director made. My guess is the director wanted to combine all these agonies and that Rasputin, the individual, dominated only a segment of the agonizing events. What we do know is that this film and its many versions that were put out by Soviet and the post-Perestroika Russian authorities were at no point of time expected to depict Rasputin as the sole villain that led to the to the 1916 October Revolution.

The film does offer several insights into the enigmatic character of Rasputin. He did indeed accept bribes from those wanting favors from the Czar, while the film distinctly indicates that it is debatable that he loved money and wealth. He was least concerned about getting rich, because he could get what he desired without pelf. Rasputin had an ability to foresee the future but could totally misread his dreams (The film includes an interesting sequence where he rolls in a pool of stagnant water, as he can foresee his fall from grace at the Czar's palace). He could perform small miracles, could utter saintly statements ("the cowl does not make a monk") and believed like a village bumpkin that you could sin and then start life with a clean slate! No wonder the Russian Orthodox Church saw in him an evil rascal. What happens to him after the Church traps him is totally unclear in the version of the film I saw. Was he castrated? Klimov's Rasputin is unusual--he is an animal waiting to ravish a beautiful woman one moment, and then a religious zealot throwing out the woman for having tried to seduce him the very next moment.

I am convinced that Klimov's film is less about Rasputin than about the people that surrounded him. Take the Czar, for one.

Klimov's cinematic essay shows him scurrying away from a meeting on war preparations in dark passageways behind wall-maps worried equally about his haemophiliac son Alexei, the crown prince who is depicted as a brat. The personal worries of the Czar (in the photography dark room, in his relationship with the Orthodox Church, his empathies for his worried wife doting on her children) have been given importance, unlike Franklin Schaffner's Nicholas and Alexandra that seemed to focus on the Czarina (Janet Suzman) more than the Czar. Interestingly, Klimov's film downplays the Czarina's role focusing more on the Czar.

Klimov's range of agonies does not end here. Even the assassins of Rasputin are agonizingly guilt-ridden. Most Russians are Church-going Orthodox Christians and Klimov understood his audience quite well. The dubious role of the Orthodox Church in those troubled times are pitch forked into prominence—the film shows the burial of Rasputin officiated by the Church in the presence of the Czar.

Finally, Klimov spliced documentary footage to show the agonies of the common man at every given interval to add validity to his essay on the varied agonies he captures on celluloid.

While Klimov's film shows patches of brilliance, one needs to recall that he initially made his mark as filmmaker decades before Agoniya having made remarkable satirical comedies like Adventures of a dentist. (I have yet to see the latter film; however, what both films have in common is that wonderful Russian actress Alisa Frejnlikh, who played the Stalker's wife in Tarkovsky's Stalker.) His last few films Agoniya and Idi o simotri (Go and see/Come and see) proved that he was now looking at life grimly. He was then working closely with his wife, actor and director Larisa Shepitko and was reported to be a devoted husband. Equally enigmatic is the role of Lady Vyrubova played by Alisa Frejnlikh. What was the relationship between Rasputin and Vyrubova? Probably the answers lie in the director's cut of Agoniya, which is possibly lost for ever.

I was privileged to have met Klimov at Hyderabad, India, in 1986 during a Film Festival. It was after his wife's death. I recall that he was withdrawn and less than forthcoming to questions. Was he afraid to talk? Was he a genius who was never allowed to prove it, because of political pressures? This is probably why both Agoniya and Klimov remain enigmatic for me to this day.


10 of 15 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for:
?