Escape from New York (1981)

Director:

John Carpenter

Writers:

John Carpenter (written by) and
Nick Castle (written by)

Release Date:

10 July 1981 (USA)

Genre:

Action | Adventure | Crime | Sci-Fi | Thriller

Tagline:

The world's greatest leader is a hostage in the most dangerous place on Earth. Now only the deadliest man alive can save him.

Plot:

In 1997, when the US President crashes into Manhattan, now a giant max. security prison, a convicted bank robber is sent in for a rescue.

Plot Keywords:

Snake | Prison | Rescue | New York City | Bridge

Awards:

4 nominations

Cast

Kurt Russell	...	Snake Plissken
Lee Van Cleef	...	Hauk
Ernest Borgnine	...	Cabbie
Donald Pleasence	...	President
Isaac Hayes	...	The Duke
Season Hubley	...	Girl in Chock Full O'Nuts
Harry Dean Stanton	...	Brain
Adrienne Barbeau	...	Maggie
Tom Atkins	...	Rehme
Charles Cyphers	...	Secretary of State
Joe Unger	...	Taylor (scenes deleted)
Frank Doubleday	...	Romero
John Strobel	...	Cronenberg
John Cothran Jr.	...	Gypsy #1
Garrett Bergfeld	...	Gypsy #2

Also Known As:

John Carpenter's Escape from New York (USA) (complete title)
Die Klapperschlange (Austria) (West Germany) [de]
New York 1997 (Canada: French title) (France) [fr]
1997: Rescate en Nueva York (Spain) [es]
1997: fuga da New York (Italy) [it]
Apodrasi apo ti Nea Yorki (Greece) [el]
Bekstvo iz Njujorka (Serbia) [sr]
Escape de Nueva York (Venezuela) [es]
Flugtaktion New York (Denmark) [da]
Flykten från New York (Sweden) [sv]
Fuga de Nova York (Brazil) [pt]
Ha-Briha M'New-York (Israel: Hebrew title) [iw]
Menekülés New Yorkból (Hungary) [hu]
New York 1997 (Norway) [no]
New York'tan kaçis (Turkey: Turkish title) [tr]
Nova Iorque 1997 (Portugal) [pt]
Pako New Yorkista (Finland) [fi]
Ucieczka z Nowego Jorku (Poland) [pl]

Runtime:

99 min

Country:

UK | USA

Language:

English

Color:

Color (Metrocolor)

Aspect Ratio:

1.33 : 1

Sound Mix:

Dolby

Certification:

Canada:AA (Ontario) | Canada:R (Manitoba) (director's cut) | Canada:R (Nova Scotia) | Canada:13+ (Quebec) | Canada:PA (Manitoba) | Iceland:16 | UK:15 (video rating) | UK:AA (original rating) | Germany:16 | Brazil:14 | Finland:K-15 (DVD rating) | Netherlands:16 | New Zealand:R16 | Australia:M | Norway:15 | Norway:16 (original rating) | Sweden:15 | USA:R | West Germany:16 (w) | Singapore:PG

Filming Locations:

California Institute of the Arts, Valencia, California, USA

Company:

AVCO Embassy Pictures

Trivia:

The skeletal weapons being carried by the police guards in the beginning of the movie are M16A1 rifles with the ventilated hand-guards and gas tubes removed. Though the rifles can fire without the handguards, they are unable to fire with the gas tube removed (at least in real life) Actually, the M16 can fire single shots, cocking manually, even with the gas tube removed, but would not work in semi-auto, full auto or burst (M16A2) mode.

Goofs:

Continuity: The interiors shots of the plane before the crash are from a wide-body airliner. However, the wrecked fuselage seen on the ground is not a wide-body.

Quotes:

Computer Voice: Attention. You are now entering the Debarkation Area. No talking. No smoking. Follow the orange line to the Processing Area. The next scheduled departure to the prison is in two hours. You now have the option to terminate and be cremated on the premises. If you elect this option, notify the Duty Sergeant in your Processing Area.

Movie Connections:

Spoofed in "The Middleman: The Palindrome Reversal Palindrome (#1.12)" (2008)

Soundtrack:

Bandstand Boogie

A Snake, a Brain, a Cabbie, a Duke and the President Of The USA,

It's 1997 and Manhattan Island is a walled off prison, during the flight of Air Force One, the president's plane is taken over by a terrorist and the president ejects out in the safety pod. Sadly for him he lands right in the middle of Manhattan Island, when an armed unit lands inside the walls they are told that the president has been taken hostage and they must get out of their prison ASAP. At a loss what to do, the authorities decide to send one man in alone, ex war hero turned criminal, Snake Plissken, not only does he have to contend with surviving the incredibly hostile prison, he also has a time bomb implanted in his body that, should he not get the president out safely within 24 hours, will explode and mean no more Snake Plissken!.

Made in 1981 and set in 1997, it's safe to say John Carpenter is not the best predictor of the future around. However his vision of a future where America has thrown all it's criminals on one island, where they create their own society out of harms way, has to rank as an incredibly adroit piece of work. This place is grim and deadly, the flotsam and jetsam of society thrust together in this bleak and desolate place of class separation. What Carpenter has achieved with his usual minimal budget allowance is a smouldering sci-fi classic that may be as daft as they come, but it pulses with cool and cheekily slaps you round the face with its cheeky satirical edginess. I must give kudos at this point to the great production design from Joe Alves, who along with Carpenter has crafted this brilliantly dirty netherworld of crime.

Our anti-hero of the piece, Snake Plissken, is superbly played by Kurt Russell, the original choice interestingly was Tommy Lee Jones, but Russell fuels Plissken's mantra to make him one of the eighties coolest grumpy bastards!, and his work here is first class in terms of the films apocalyptic structure. Surroundning Russell is a wealth of quality performers each adding their personal bits to this tick-tock stew, Lee Van Cleef, Ernest Borgnine, Donald Pleasance, Harry Dean Stanton, Adrienne Barbeau and Isaac Hayes all earn their money and flesh out the story to the end.

Calling Escape From New York an action picture would be setting first time viewers up for a real let down, what action there is is minimal but highly effective, the machismo flourishes acting more as a point of reference to the pictures time bomb urgency. I like to think of the film as more a sci-fi adventure yarn laced with darkly comic humour, with of course machismo thrown in as a side salad to accentuate the bleakness of it all, wonderful. 9/10