| Photos (see all 115 | slideshow) | Videos (see all 6) |
Melissa Mathison (written by)
11 June 1982 (USA) more
He is afraid. He is totally alone. He is 3 million light years from home. more
A group of Earth children help a stranded alien botanist return home. full summary | full synopsis
Won 4 Oscars. Another 38 wins & 27 nominations more
Lucy Dahl Says Screenwriter Melissa Mathison Trying to Adapt Bfg (Big Friendly Giant) For Producer Kathleen Kennedy
(From Collider.com. 4 November 2009, 4:11 PM, PST)
AFI's 100 Years ...100 Movie Quotes
(From Extra. 4 November 2009, 4:45 AM, PST)
Still Blows Me Away to this Day more (388 total)
| Henry Thomas | ... | Elliott | |
| Dee Wallace | ... | Mary | |
| Robert MacNaughton | ... | Michael (as Robert Macnaughton) | |
| Drew Barrymore | ... | Gertie | |
| Peter Coyote | ... | Keys | |
| K.C. Martel | ... | Greg | |
| Sean Frye | ... | Steve | |
| C. Thomas Howell | ... | Tyler (as Tom Howell) | |
| David M. O'Dell | ... | Schoolboy (as David O'Dell) | |
| Richard Swingler | ... | Science Teacher | |
| Frank Toth | ... | Policeman | |
| Robert Barton | ... | Ultrasound Man | |
| Michael Darrell | ... | Van Man | |
| rest of cast listed alphabetically: | |||
| David Berkson | ... | Medic | |
| Susan Cameron | ... | Medic | |
| David Carlberg | ... | Medic | |
| Erika Eleniak | ... | Pretty Young Girl | |
| Will Fowler Jr. | ... | Medic | |
| Barbara Hartnett | ... | Medic | |
| Milt Kogan | ... | Big Medic (as Milt Kogan, M.D.) | |
| Alexander Lampone | ... | Medic | |
| Diane Lampone | ... | Medic (as Di Ann Lampone) | |
| Rhoda Makoff | ... | Medic | |
| Robert Murphy | ... | Medic | |
| Richard Pesavento | ... | Medic | |
| Tom Sherry | ... | Medic | |
| Mary Stein | ... | Medic | |
| Mitch Suskin | ... | Medic (as Mitchell Suskin) | |
| Ted Grossman | ... | Government Agent (uncredited) | |
| Jean-Paul Hellendall | ... | Student (uncredited) | |
| Michael Lepre | ... | Pizza Man (uncredited) | |
| Anne Lockhart | ... | Nurse (uncredited) | |
| Pat Welsh | ... | E.T. (voice) (uncredited) | |
Directed by | |||
| Steven Spielberg | |||
Writing credits | ||
| Melissa Mathison | (written by) | |
Produced by | |||
| Kathleen Kennedy | .... | producer | |
| Melissa Mathison | .... | associate producer | |
| Steven Spielberg | .... | producer | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| Allen Daviau | (director of photography) | ||
Film Editing by | |||
| Carol Littleton | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
| Marci Liroff | |||
Production Design by | |||
| James D. Bissell | |||
Set Decoration by | |||
| Jackie Carr | |||
Makeup Department | |||
| Lola 'Skip' McNalley | .... | hair stylist | |
| Robert Sidell | .... | makeup supervisor | |
| Jim Gillespie | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Frank Marshall | .... | production supervisor | |
| Wallace Worsley Jr. | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Daniel Attias | .... | second assistant director | |
| Katy Emde | .... | first assistant director | |
| John Flynn | .... | dga trainee | |
| Glenn Randall Jr. | .... | second unit director (as Glenn H. Randall Jr.) | |
| Jerram A. Swartz | .... | first assistant director: second unit | |
Art Department | |||
| Leslie Butcher | .... | greensman | |
| Ernest Depew | .... | construction manager | |
| Michael Dunn | .... | assistant propertyman | |
| Russell Goble | .... | property manager | |
| Eero Hautanen | .... | propmaker foreman | |
| Jack Jennings | .... | propmaker foreman | |
| Ralph McQuarrie | .... | scenic artist/spaceship designer | |
| James Moss | .... | paint foreman | |
| Craig Reardon | .... | special artistic consultant | |
| Sandra Renfroe | .... | set dressing leadwoman | |
| Clark Shindel | .... | labor foreman | |
| William James Teegarden | .... | set designer (as William Teegarden) | |
| Ed Verreaux | .... | unit illustrator | |
| John Villarino | .... | propmaker foreman | |
| Ken Walker | .... | assistant propertyman | |
| Claudia Gilligan Ivanjack | .... | stand-by painter (uncredited) | |
| Drew Struzan | .... | poster artist (uncredited) | |
Special Effects by | |||
| Robert Avila | .... | E.T. operator | |
| Gary Crawford | .... | special effects assistant | |
| Eugene Crum | .... | E.T. operator | |
| Dale L. Martin | .... | special effects coordinator | |
| Andrew Miller | .... | special effects assistant | |
| Carlo Rambaldi | .... | E.T. operator | |
| Frank Schepler | .... | E.T. operator | |
| Bob Townsend | .... | E.T. operator | |
| Steven Willis | .... | E.T. operator (as Steve Willis) | |
| Robert E. Worthington | .... | special effects assistant | |
| Richard Zarro | .... | E.T. operator | |
| Ronald Zarro | .... | E.T. operator | |
Visual Effects by | |||
| Al Bailey | .... | digital compositor (special edition) | |
| Charles Bailey | .... | chief model maker | |
| Craig Barron | .... | matte photography assistant | |
| David Berry | .... | optical printer operator | |
| Jessie Boberg | .... | model maker | |
| Colin Brady | .... | animation supervisor: ILM (2002 special edition) | |
| Marty Brenneis | .... | model electronics | |
| Ronn Brown | .... | digital matte artist: ILM: re-release 2002 | |
| Conrad Buff IV | .... | effects editorial supervisor | |
| Dave Childers | .... | stage technician | |
| Bob Chrisoulis | .... | optical technician | |
| Mike Cochrane | .... | model maker | |
| Harold Cole | .... | stage technician | |
| Samuel Comstock | .... | animation supervisor | |
| Ryan Cook | .... | assistant technical director: ILM (2002 special edition) | |
| Andrew Doucette | .... | character animator: ILM (2002 special edition) | |
| Dick Dova | .... | stage technician | |
| Don Dow | .... | visual effects camera operator | |
| Selwyn Eddy | .... | visual effects camera assistant | |
| John Ellis | .... | optical printer engineer | |
| Robert Elswit | .... | visual effects camera operator | |
| Christopher Evans | .... | matte painting artist | |
| Bob Finley III | .... | stage technician | |
| Pat Fitzsimmons | .... | stage technician | |
| Warren Franklin | .... | visual effects production coordinator | |
| Michael Fulmer | .... | chief model maker | |
| Tim Geideman | .... | optical technician | |
| Bill George | .... | visual effects supervisor: ILM (2002 special edition) | |
| Ralph Gordon | .... | optical printer line-up | |
| Michael J. Halsted | .... | CG artist: ILM (re-release) (as Michael Halsted) | |
| Karl Herrmann | .... | visual effects camera assistant | |
| Edward Hirsh | .... | stage technician | |
| Lars Jensvold | .... | assistant visual effects editor (2002 special edition) | |
| Russell Koonce | .... | digital effects artist (20th Anniversary re-release 2002) | |
| Neil Krepela | .... | matte photography | |
| Greg Kyle | .... | animator: ILM (2002 special edition) | |
| Gary Leo | .... | model electronics | |
| Scott Marshall | .... | model maker | |
| Kevin Martel | .... | animator (2002 special edition) | |
| Michael J. McAlister | .... | visual effects camera operator: ILM | |
| Glen McIntosh | .... | character animator (2002 special edition) | |
| John McLeod | .... | special effects technician: ILM | |
| Duncan Meyers | .... | optical technician | |
| Ted Moehnke | .... | supervising stage technician | |
| Thaine Morris | .... | stage technician | |
| Dennis Muren | .... | visual effects supervisor | |
| Jennifer Maryam Nona | .... | digital artist (20th Anniversary re-release 2002) | |
| Frank Ordaz | .... | matte painting artist | |
| Randy Ottenberg | .... | model maker | |
| Michael Owens | .... | visual effects camera assistant | |
| Ease Owyeung | .... | model maker | |
| Michael Pangrazio | .... | visual effects matte painting supervisor | |
| Suzanne Pastor | .... | model maker | |
| Lorne Peterson | .... | model shop supervisor | |
| Magali Rigaudias | .... | digital character animator (2002 restoration) | |
| Kenneth Smith | .... | optical photography supervisor | |
| Michael Smith | .... | equipment maintenance | |
| Thomas G. Smith | .... | general manager: ILM (as Tom Smith) | |
| Tom St. Amand | .... | visual effects go-motion figures | |
| Michael Steffe | .... | model maker | |
| Sam Stewart | .... | digital restoration artist: ILM (re-release) | |
| Peter Stolz | .... | stage technician | |
| Mitch Suskin | .... | optical effects coordinator (as Mitchell Suskin) | |
| Pat Sweeney | .... | visual effects camera assistant | |
| Catherine Tate | .... | Sabre artist: ILM (2002 special edition) | |
| Marc Toscano | .... | CG artist: ILM (2002 re-release) | |
| Alan Travis | .... | 2D paint artist | |
| Alan Travis | .... | rotoscoper | |
| David Valentin | .... | visual effects production coordinator (20th anniversary edition) | |
| Michael Van Eps | .... | roto/paint lead (2002 special addition) | |
| Laurie Vermont | .... | visual effects production coordinator | |
| Eric Voegels | .... | digital artist: ILM (20th anniversary release 2002) | |
| Andy Wang | .... | digital artist: ILM (2002 special edition) | |
| Gene Whiteman | .... | optical printer engineer | |
| Julie Adrianson-Neary | .... | digital artist (special edition) (uncredited) | |
| Kris Brown | .... | visual effects engineer: ILM (uncredited) | |
| Carey Burens | .... | visual effects assistant editor (uncredited) | |
| Zachary Cole | .... | technical support: ILM (uncredited) | |
| Bill Gilman | .... | digital compositor (2002 special edition) (uncredited) | |
| Peter Mitchell Rubin | .... | visual effects art director (uncredited) (2002 special edition) | |
| Jeff Shank | .... | digital effects: ILM (20th anniversary edition, 2002) (uncredited) | |
| Hoyt Yeatman | .... | motion control photographer (uncredited) | |
Stunts | |||
| Richard E. Butler | .... | stunts | |
| Bennie E. Dobbins | .... | stunts | |
| Ted Grossman | .... | stunts | |
| Keith Harvey | .... | stunts | |
| Fred Lerner | .... | stunts | |
| Bobby Porter | .... | stunts | |
| Glenn Randall Jr. | .... | stunt coordinator (as Glenn H. Randall Jr.) | |
| Glenn Randall Jr. | .... | stunts | |
| Felix Silla | .... | stunts | |
| Chuck Waters | .... | stunts | |
| Al Wyatt Jr. | .... | stunts (as Alan Wyatt Jr.) | |
| Bob Haro | .... | stunts (uncredited) | |
| Kevin Jessup | .... | stunts (uncredited) | |
| Michael R. Long | .... | stunts (uncredited) | |
| Eddie Paul | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Joseph Capshaw | .... | lighting best boy | |
| Terry Chostner | .... | still photographer | |
| John J. Connor | .... | camera operator | |
| Rick Fee | .... | second assistant camera (as Richard Fee) | |
| John Fleckenstein | .... | camera operator | |
| Donald L. Hartley | .... | dolly grip | |
| Gene Kearney | .... | key grip | |
| Bruce McBroom | .... | still photographer | |
| Bob Munoz | .... | best boy grip | |
| James Plannette | .... | gaffer | |
| Steven Shaw | .... | first assistant camera | |
| Ernest Holzman | .... | film loader (uncredited) | |
Animation Department | |||
| Miguel A. Fuertes | .... | animator | |
| Jack Mongovan | .... | animator | |
| Peggy Tonkonogy | .... | animator | |
| Gary Waller | .... | animator (as Garry Waller) | |
| Terry Windell | .... | animator | |
Costume and Wardrobe Department | |||
| Dan Moore | .... | assistant costumer | |
| Deborah Lynn Scott | .... | costumer | |
| Phyllis Corcoran-Woods | .... | costume assistant (uncredited) | |
| Katherine Dover | .... | additional costumer (uncredited) | |
Music Department | |||
| Kenneth Hall | .... | music editor | |
| Herbert W. Spencer | .... | orchestrator | |
| Don McVay | .... | musician (uncredited) | |
| Angela Morley | .... | additional orchestrator (uncredited) | |
| Angela Morley | .... | composer: additional music (uncredited) | |
| David Newman | .... | musician: violin (uncredited) | |
| Jim Self | .... | musician: tuba (uncredited) | |
Transportation Department | |||
| John Feinblatt | .... | transportation captain | |
| Eugene Schwartz | .... | transportation manager | |
Other crew | |||
| 'Little Pat' Bilon | .... | special e.t. movement (as Pat Bilon) | |
| Laura Buff | .... | production accountant (as Laura Kaysen) | |
| Michael J. Burmeister | .... | production associate | |
| Corey Burton | .... | adr loop group | |
| Ben Burtt | .... | e.t.'s voice design | |
| Richard L. Calkins | .... | harvey's owner/trainer | |
| David Carlberg | .... | medical unit consultant | |
| Matthew De Meritt | .... | special e.t. movement | |
| Tamara De Treaux | .... | special e.t. movement | |
| Denise Durham | .... | assistant: Ms. Kennedy | |
| Sue Dwiggins | .... | production coordinator | |
| Henry Feinberg | .... | communicator design | |
| Lyla Foggia | .... | unit publicist | |
| Jane Goe | .... | assistant accountant | |
| Dennis Grisco | .... | animal talent | |
| Beverley Hoffman | .... | e.t. eyes design | |
| Jerry Jeffress | .... | electronic systems design | |
| Adria Later | .... | teacher | |
| Phyllis Levin | .... | first aid | |
| Nancy MacLean | .... | special e.t. movement | |
| Roberto McGrath | .... | still lab technician | |
| Kerry Nordquist | .... | still lab technician | |
| Ramon Pahoyo | .... | craft service | |
| Tina Palmer | .... | special e.t. movement | |
| Janice Pober | .... | assistant: Mr. Spielberg | |
| Bonne Radford | .... | unit accountant | |
| Pattee Roedig | .... | representative: Cine Guarantors (as Patricia Roedig) | |
| Caprice Rothe | .... | e.t. movement coordinator | |
| Patty Rumph | .... | assistant: Mr. Marshall | |
| Robert W. Scholler | .... | medical unit consultant | |
| Robert Short | .... | additional E.T. effects | |
| Steve Townsend | .... | special e.t. effects manager | |
| Richard Vane | .... | location services | |
| Esther Vivante | .... | script supervisor | |
| Pam Ybarra | .... | special e.t. movement | |
| Lance Young | .... | production associate | |
| Howie Hammerman | .... | voice: ET belch (uncredited) | |
| Ken Mura | .... | voice: drunk ET vocalizations (uncredited) | |
| Debra Winger | .... | voice: partially-retained E.T. temp track (uncredited) | |
A Boy's Life (USA) (working title)
E.T. (USA) (short title)
E.T. and Me (USA) (working title)
E.T. the Extra- Terrestrial: The 20th Anniversary (USA) (longer version)
Night Skies (USA) (working title)
E.T., el extraterrestre (Argentina) (Peru) (Spain) [es]
хМНОКЮМЕРЪМХМ (Soviet Union: Russian title) [ru]
E.T. (Turkey: Turkish title) [tr]
E.T. - Der Außerirdische (West Germany) [de]
E.T. - O Extra-Terrestre (Portugal) [pt]
E.T. - O Extraterrestre (Brazil) [pt]
E.T. - gjesten fra verdensrommet (Norway) [no]
E.T. l'extra-terrestre (Italy) [it]
E.T. l'extraterrestre (Canada: French title) [fr]
E.T. l'extraterrestre (Spain: Catalan title) [ca]
E.T. mimozemstan (Czechoslovakia: Czech title) [cs]
E.T. o exogiinos (Greece) [el]
E.T. the Extra-Terrestrial (Finland) [fi]
E.T., l'extra-terrestre (France) [fr]
more
Rated PG for language and mild thematic elements. (2002 edited version)
115 min | USA:120 min (extended version)
1.85 : 1 more
70 mm 6-Track (70 mm prints) | Dolby Digital EX (re-release) | Dolby (35 mm prints) (original release) | SDDS (re-release) | DTS-ES (re-release)
Canada:F (Ontario) (video rating) (1996) (2002) | Canada:G (Nova Scotia) (original rating) | Canada:G (British Columbia) (2002) | Canada:PG (Manitoba) | Canada:PG (Nova Scotia) (re-rating) (2002) | Canada:PG (Ontario) (original rating) | Canada:PG (Alberta) (2002) | Iceland:LH | Malaysia:U | Portugal:M/6 | Spain:T | Mexico:A | South Korea:All | West Germany:6 (f) | Argentina:Atp | Australia:G | Australia:PG (20th anniversary edition) | Brazil:Livre | Chile:TE | Finland:K-7 (20th anniversary special edition) | France:U | Hong Kong:I | Netherlands:AL | Norway:12 | Norway:7 (20th anniversary special edition) | Peru:14 | Philippines:G | Singapore:G (20th anniversary edition) | Singapore:PG (original rating) | Sweden:11 | Sweden:7 (2001) | Switzerland:7 (canton of Geneva) (20th anniversary edition) | Switzerland:7 (canton of Vaud) (20th anniversary edition) | Switzerland:8 (canton of the Grisons) (20th anniversary edition) | UK:U | USA:PG (certificate #26717) (original rating) | USA:PG (certificate #38656) (20th anniversary edition)
7121 Lonzo Street, Tujunga, Los Angeles, California, USA more
E.T.'s voice was provided by Pat Welsh, an elderly woman who lived in Marin County, California. Welsh smoked two packets of cigarettes a day, which gave her voice a quality that sound effects creator Ben Burtt liked. She spent nine-and-a-half hours recording her part, and was paid $380 by Burtt for her services. Burtt also recorded 16 other people and various animals to create E.T.'s "voice". These included Spielberg; Debra Winger; Burtt's sleeping wife, who had a cold; a burp from his USC film professor; as well as raccoons, sea otters and horses. more
Audio/visual unsynchronized: When Mary reads "Peter Pan" to Gertie, there's a view of her silhouette on the closet door slats. Her lips don't match the narration. more
[first lines]
Steve:
[reading dice] Five.
Michael:
Oh, great.
Steve:
So you got an arrow right in your chest.
more
Referenced in Dangerous Days: Making Blade Runner (2007) (V) more
Papa Oom Mow Mow more
|
|
|
|
|
| Mondmann | The Ewok Adventure | Star Wars: Episode VI - Return of the Jedi | Transformers | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
| Add this title to MyMovies |
E.T. is one of my all time favorite movies. This movie blew me out of my seat as a kid, and still kills me every time I watch it. Only four or five movies have made me cry, much less sob uncontrollably. When I returned from seeing E.T. for the first time, I couldn't talk for the rest of the day. I laid in my bed and cried for about five hours.
The movie still makes tears well up in my eyes and gives me a lump in my throat. I still find it profoundly moving. It's heart-breakingly sad, yet phenomenally uplifting at the same time. I had no idea a movie could be so powerful when I saw this in the movies for the first time when I was eleven.
There are a few movies that actually changed the course of my life. THE GODFATHER PART I and II, TOMMY, NIGHT OF THE LIVING DEAD and ERASERHEAD all pushed me in the direction of becoming a filmmaker, but it was E.T., at that impressionable age, that made me want to create. Man, if I could some day make something that extraordinary, I would be complete.
What I think makes E.T. so powerful for me know, is the heart-wrenching way it has of making me long to be a kid again. I refuse to ever completely grow up, and my memories are my own, but man does this movie make me wish I was eleven again, when riding my bike was a pleasure, Matchbox cars were the greatest thing in the world, Halloween was a night of mystery and creepy fun I looked forward to all year, going to the movies was an adventure, and looking up at the stars could be a mind-blowing experience.
E.T. keeps those feeling alive for me. So do a lot of other things, but E.T. is the champ. As much as my cynical adult side may want to slap Steven Spielberg around sometimes, I would happily give him a hug for his timeless gift to the world, E.T. THE EXTRA TERRESTRIAL.
If you can find it check out the now out of print DVD. Just DON'T watch the "restored" version, unless you want the movie to be ruined. Those technical rapists known as CGI artists have mauled the movie with completely unnecessary special effects and completely destroyed the illusion that E.T. is alive, ironically, by trying to make him look more realistic. They fail miserably.
Apparently, Spielberg and company thought E.T. looked better with a phony cartoon face and exaggerated facial expressions. The scene at the beginning when E.T. flees in terror from the UFO investigators is also ruined. In the original version, E.T. glides along the ground in an eerily otherworldy manner, and it looked great. Now, he actually runs as though he's leaping over little hurtles, and it looks absurd.
Oh, well. They can do what they want. I feel that some things are sacred. STAR WARS, for example. But E.T. was perfect...PERFECT... the way it was. Why can't people leave well enough alone?
Regardless, I love E.T. I love Spielberg for making it. So much so, that I even forgive him for ruining it.