It is the year 1839. Architect Jonathan Criswell receives a letter from his old friend Roderick Usher asking Jonathan to come and see him. Arriving along with his newlywed wife Jennifer, ...
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A traveller arrives at the Usher mansion to visit his old friend, Roderick Usher. Upon arriving, however, he discovers that Roderick and his sister, Madeline, have been afflicted with a ... See full summary »
Allan visits the sinister Usher family mansion, where his friend Roderick is painting a portrait of his sickly wife Madeline. The portrait seems to be draining the life out of Madeline, slowly leading to her death.
An updated version of the classic horror tale by Edgar Allen Poe. Ryan and his girlfriend Molly are going to visit Ryan's uncle, Roderick Usher, at his mansion. They find, however, that ... See full summary »
In the tradition of Edgar Allen Poe join the Usher family as they descend into madness. Set in the 1880s a traveler returns to the Usher mansion to try to reconnect with his childhood friends and find out what killed his sister.
Victor Reynolds arrives at the notorious House of Usher, whereupon he is greeted by old acquaintances Roderick and Madeline Usher and their servant, Markus. As Victor uncovers more about ... See full summary »
It is the year 1839. Architect Jonathan Criswell receives a letter from his old friend Roderick Usher asking Jonathan to come and see him. Arriving along with his newlywed wife Jennifer, Jonathan finds Roderick and his sister Madeleine aged beyond their years. Roderick tells him how they have both been maddened by a crippling hyper-alertness of senses. In trying to find a way of bolstering the Usher house against frequent earth tremors, Jonathan learns of the unspeakable atrocities and devil worship practiced by Roderick's ancestors. These have brought a curse on the House of Usher, meaning that none of the family can live beyond their 37th year. Jonathan must try to save the house in doing so he will be helping save his friend Roderick and his sister before the Usher curse takes them. Written by
This telefilm version of the Edgar Allan Poe classic was originally telecast as one in a series of telefilms loosely based on the old "Illustrated Classics" comic books(HUCKLEBERRY FINN and THE LAST OF THE MOHICANS were two other adaptations). No, it isn't high art, but it is an admirable effort given the constraints of the medium. The plot and spooky atmosphere was enough to keep this(then)10-year old fixated. The whole effort reminds me of the Hammer horror films, just scaled down for television.
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