Sans soleil (1983)

User Rating:

8.0/10   

Director:

Chris Marker

Writer:

Chris Marker (writer)

Release Date:

2 March 1983 (France)

Genre:

Documentary

Plot:

"He wrote me...." A woman narrates the thoughts of a world traveler, meditations on time and memory...

Plot Keywords:

Time | Memory | Japan | Sex | Museum

Awards:

2 wins

Cast

Florence Delay	...	Narrator (French version) (voice)
Arielle Dombasle	...	Herself
Riyoko Ikeda	...	Narrator (Japanese version) (voice)
Charlotte Kerr	...	Narrator (German version) (voice)
Kim Novak	...	Herself / Madeleine Elster / Judy Burton (archive footage)
Alexandra Stewart	...	Narrator (English version) (voice)
James Stewart	...	Himself / John 'Scottie' Ferguson (archive footage)

Also Known As:

Bez solntsa Sunless Sans soleil (complete title)
Sunless
Without Sun (International: English title)
Sans Soleil - Unsichtbare Sonne (West Germany) [de]
Sem Sol (Brazil) [pt]
Vailla aurinkoa (Finland) (TV title) [fi]

Runtime:

USA:100 min

Country:

France

Language:

French | Japanese | English

Color:

Black and White (archive footage) | Color

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono

Certification:

Brazil:18 | Singapore:M18

Filming Locations:

Cape Verde

Company:

Argos Films

Quotes:

Narrator: I will have spent my life trying to understand the function of remembering, which is not the opposite of forgetting, but rather its lining. We do not remember. We rewrite memory much as history is rewritten. How can one remember thirst?

Movie Connections:

Features Pac-Man (1982) (VG)

Documentaries record the real; this is beyond 'real'.

When is a documentary not a documentary? SANS SOLEIL is a film comprising 'real' images, narrated with 'real' observations. The subject-matter is Japan, post-modernism, the erasion of memory, the flattening-out of history, decentring, surface, pastiche. It records life-styles, trends, habits, rites, artistic movements with the rigour of an anthropologist. It is a film about travel: throughout the world, throughout time. It is science fiction (Terry Gilliam's TWELVE MONKEYS fleshes out an anecdote here). It is a Borgesian fantasy, (the filmmaker is actually a fictional creation , Sandor Krasna). To call it a documentary, or even a film, would be like calling the Sistine Chapel a ceiling.