It's the first week of winter in 1982. An American Research Base is greeted by an alien force, that can assimilate anything it touches. It's up to the members to stay alive, and be sure of who is human, and who has become one of the Things.
After a space merchant vessel perceives an unknown transmission as distress call, their landing on the source moon finds one of the crew attacked by a mysterious lifeform. Continuing their journey back to Earth with the attacked crew having recovered and the critter deceased, they soon realize that its life cycle has merely begun.
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Several people are hunted by a cruel serial killer who kills his victims in their dreams. While the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A US research station, Antarctica, early-winter 1982. The base is suddenly buzzed and attacked by a helicopter from the nearby Norwegian research station. They appeared to be trying to kill one of the dogs from the US base. Having dealt with the threat, the members of the US team fly to the Norwegian base, only to discover them all dead or missing. They do find the remains of a strange creature the Norwegians burned. The Americans take it to their base and deduce that it an alien life form. After a while it is apparent that the alien can take over and assimilate into other life forms, including humans, and can spread like a virus. This means that anyone at the base could be inhabited by The Thing, and tensions escalate. Written by
This is the first of John Carpenter's films which he did not score himself. The film's original choice of composer was Jerry Goldsmith, but he passed and Ennio Morricone composed a very low-key Carpenter-like score filled with brooding, menacing bass chords. See more »
(at around 18 mins) At the Norwegian base, when Mac and the doctor enter the room with the ax in the door, you see the door closing in the background, but in a later camera shot, you see the door still wide open. See more »
[as to MacReady's blood test... ]
This is pure nonsense. Doesn't prove a thing.
I thought you'd feel that way, Garry. You were the only one who could've got to that blood. We'll do you last.
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This is another one of those films that I remember staying up late to watch on TV, scaring the crap out of myself at the impressionable age of 12 or so and dooming myself thereafter to a life of horror movie obsession. This is a GREAT movie, and stands as living proof that there were indeed realistic effects before CGI.
Set on an isolated base in Antarctica, this version seems almost to pick up where the original version (The Thing From Another World) left off. The American scientists discover a decimated Norwegian base some miles distant. Everyone is dead, and only the half charred remains of some unidentifiable thing left to smolder outside the compound might offer any answers to what may have happened. The Thing is brought back to the American base and, too late, the scientists realize that it is alive and lethal. The Thing thaws out and is off, not only killing anyone and anything that crosses Its path, but also absorbing them, making Itself into whoever and whatever it wants. The film then turns into a brilliant paranoia piece. Everyone is suspect, anyone can be The Thing, and no one trusts anyone anymore. Gone is the strength and security found when human beings band together in spite of their differences to battle a monster. The group splinters and fear rules supreme. Who is the Thing?
The gore effects here are absolutely amazing and messily realistic. I could have done without the dogs head splitting open like a banana peel, but that's just the animal lover in me being picky: kill all the humans you want, but leave the kitties and puppies alone. Sanity and reason disintegrate rapidly as, one by one, the humans are taken over by the shapeshifting alien. The power of this film lies in its paranoia, and although I liked the original version, I prefer this one; the real threat lies within, and is scarier for the fact that it cannot be seen or easily detected. When it is forced out of hiding, it's wrath is huge and the results are horrific.
This is one of Carpenters best films, right up there with The Fog and Halloween. All of the actors give strong, realistic performances and the special effects are so powerful that they stand as their own main character. This film has something for any lover of the horror genre. Don't miss it.
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