TRON (1982)

Director:

Steven Lisberger

Writers:

Steven Lisberger (story) and
Bonnie MacBird (story)

Release Date:

9 July 1982 (USA)

Genre:

Action | Adventure | Sci-Fi | Thriller

Tagline:

The Electronic Gladiator

Plot:

A hacker is literally abducted into the world of a computer and forced to participate in gladiatorial games where his only chance of escape is with the help of a heroic security program.

Plot Keywords:

Computer | Video Game | Computer Programmer | Alter Ego | Cyberspace

Awards:

Nominated for 2 Oscars. Another 1 win & 6 nominations

Cast

Jeff Bridges	...	Kevin Flynn / Clu
Bruce Boxleitner	...	Alan Bradley / Tron
David Warner	...	Ed Dillinger / Sark / Master Control Program
Cindy Morgan	...	Lora / Yori
Barnard Hughes	...	Dr. Walter Gibbs / Dumont
Dan Shor	...	Ram / Popcorn Co-Worker
Peter Jurasik	...	Crom
Tony Stephano	...	Peter / Sark's Lieutenant
Craig Chudy	...	Warrior #1
Vince Deadrick Jr.	...	Warrior #2 (as Vince Deadrick)
Sam Schatz	...	Expert Disc Warrior
Jackson Bostwick	...	Head Guard
David S. Cass Sr.	...	Factory Guard (as Dave Cass)
Gerald Berns	...	Guard #1
Bob Neill	...	Guard #2

Also Known As:

Tron (UK)
Tron: The Electronic Gladiator (Australia)
Tron (Argentina) (Spain) [es]
Tron (West Germany) [de]
Tron (France) [fr]
Tron (Sweden) [sv]
Tron (Finland) [fi]
Tron (Netherlands) [nl]
Tron (Italy) [it]
Tron - Uma Odisséia Eletrônica (Brazil) [pt]
Tron, el guerrero electrónico (Spain) (alternative title) [es]

Runtime:

96 min

Country:

USA | Taiwan

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)

Certification:

Netherlands:MG6 (20th anniversary collector's edition) | Iceland:L | Peru:PT | South Korea:15 | Brazil:Livre | Argentina:Atp | Australia:G | Chile:TE | Finland:K-12 | Sweden:11 | UK:A (original rating) | UK:PG (video rating) | USA:PG | West Germany:12 | Singapore:PG | Canada:G (Nova Scotia/Quebec) | Canada:PG (Manitoba/Ontario)

Filming Locations:

Lawrence Livermore National Laboratory - 7000 East Avenue, Livermore, California, USA

Company:

Lisberger/Kushner

Trivia:

In the "solar sailer" sequence, you'll see, for a brief moment, the silhouette of Mickey Mouse on the ground made to look like part of the terrain.

Goofs:

Continuity: The readout on Dillinger's desk/computer showing that he stole the videogame programs from Flynn changes between shots. In the close-up of the screen, the readout is identical to Flynn's printout. In the wider shot, it is a more complex, database-like list. (see also Trivia)

Quotes:

[first lines]
Boy in Video Game Arcade: All right, give me room. Here we go.

Movie Connections:

Referenced in South Park: Imaginationland (2008) (V)

Soundtrack:

Only Solutions

Beautiful film that presaged the future of film making.

I was terribly excited about Tron when it came out theatrically; I was all of 8 years old, but was already a computer geek. 15 years later, I ended up purchasing the $100 Archive Edition laserdisc box set as my very first LD. Tron definitely made an impact on me.

Tron has survived the years- more so than many other contemporary SF films, and more than I think most critics would have guessed. Instead of looking out-dated and corny, as the years have passed, Tron has aged gracefully. Sure, the monochrome-screen terminals might look a bit old, and the arcade is a distant, fond memory, but the SFX are still beautiful, and the storyline, in this era of the Internet, seems shockingly modern.

One of the reasons Tron's SFX have aged so well is because they did not try to simulate anything already existing. We have no basis to determine if the architecture of the MCP's world is out-dated or not-hip; everything is styled so uniquely that it's never going to look wrong. Much like the design of Maria in Metropolis, the look of Tron is never going to be laughable or quaint.

The storyline is lacking a little bit; you can see the ideas the script writers wanted to insert, but there are too many ideas for only 2 hours of film. There are quite a few points in the film that are mentioned and then ignored (Grid bugs, anyone?), and occasionally the film digresses from the plot for no other reason than to digress- the digressions being unimportant to the story at hand. But, despite the problems, the philosophy of user/program interaction, and the handling of technophobia are both handled admirably.

I recommend every video game, computer, and SF fan to watch Tron at least once. I echo the call for it to be the widescreen version, but I am disappointed with the DVD's extra features- or lack thereof. The LD is much more full featured, and better for fans, despite the side breaks every 30 minutes.