| Terence Hill | ... | Don Camillo | |
| Colin Blakely | ... | Peppone | |
| Mimsy Farmer | ... | Jo Magro | |
| Andy Luotto | ... | Smilzo | |
| Lew Ayres | ... | Doc | |
| Sam Whipple | ... | Gigio | |
| Joseph Ragno | ... | Brusco | |
| Jennifer Hingel | ... | Lilly | |
| Franco Diogene | ... | Binella (as Frank Diogene) | |
| Monica Gravina | ... | Bride | |
| Mauro Gravina | ... | Groom | |
| Roberto Boninsegna | ... | Angel soccer player | |
| Carlo Ancelotti | ... | Devil soccer player | |
| Roberto Pruzzo | ... | Devil soccer player | |
| Luciano Spinosi | ... | Devil soccer player | |
| Allan Arbus | ... | Christ (voice) | |
| Ross Hill | ... | Magrino | |
| Cyril Cusack | ... | Bishop | |
| Lorenza Residori | ... | Gabriella | |
| Silvia Umbrinozzi | ... | Nina | |
| Siria Betti | ... | Nicolina | |
| Jess Hill | ... | Phantom | |
| Bianca Doria | ... | Doc's maid | |
| Adria Mortari | ... | Spokeswoman | |
| Anita Zagaria | ... | Nicolina's daughter | |
| Laura Colombo | ... | First mother | |
| Odette Ralli | ... | Second mother | |
| Amilcare Simonazzi | ... | Nicolina's son | |
| Giovanne Bagassi | ... | Peppone's son | |
| David Mills | ... | Folini | |
| Veronica Wells | ... | Mrs. Folini | |
| Italo Preti | ... | Filotti | |
| Teresa Assandri | ... | Bird lady | |
| Philip Raclin | ... | Pilot | |
| Ernesto Poli | ... | Monsignore | |
| Alberto Favagrossa | ... | First old man | |
| Andrea Dall'Asta | ... | Second old man | |
| Giuseppe Toscani | ... | Third old man | |
| Daisy Mari | ... | Council woman | |
| Gaia Mariani | ... | Nurse | |
| Claudia Amdasasi | ... | Rock dancer | |
| Ginetto Bonesi | ... | Rock dancer |
Directed by | |||
| Terence Hill | |||
Writing credits | ||
| Giovanni Guareschi | (books) | |
| Lori Hill | (screenplay) | |
Produced by | |||
| Terence Hill | .... | producer | |
| Mark Johnson | .... | co-producer | |
Original Music by | |||
| Pino Donaggio | |||
Cinematography by | |||
| Franco Di Giacomo | |||
Film Editing by | |||
| Jack Fitzstephens | |||
| Camilla Toniolo | |||
Casting by | |||
| Ruth Carter | |||
| Ellen Chenoweth | |||
Production Design by | |||
| Mario Garbuglia | |||
Costume Design by | |||
| Vera Marzot | |||
Makeup Department | |||
| Fausto De Lisio | .... | hair stylist | |
| Mauro Menconi | .... | assistant makeup artist (as Mauro Meniconi) | |
| Franco Napoli | .... | assistant makeup artist (as Francesco Napoli) | |
| Gino Zamprioli | .... | makeup artist | |
Production Management | |||
| Lucio Bompani | .... | executive in charge of production | |
| Ennio Di Meo | .... | unit manager | |
| Giovanni Loffreda | .... | unit manager | |
| Arduino Mercuri | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Roberto Pariante | .... | assistant director | |
| Joseph Spencer | .... | second assistant director | |
Art Department | |||
| Barbara Agreman | .... | assistant set designer | |
| Bruno Aller | .... | assistant set designer | |
| Gilberto Carbonaro | .... | construction master | |
| Tiziana Cassoni | .... | assistant set dresser | |
| Nicola Di Salvo | .... | construction worker | |
| Carlo Gervasi | .... | set designer | |
| Guglielmo Modestini | .... | painter | |
| Bruno Schiavi | .... | draperies | |
| Peiti Yeh | .... | assistant set designer | |
Sound Department | |||
| Nick Alexander | .... | sound editor | |
| Fausto Ancillai | .... | sound mixer | |
| Roberto Arcangeli | .... | additional sound effects | |
| Mario Bramonti | .... | sound mixer | |
| Giuseppe Muratori | .... | boom operator | |
Special Effects by | |||
| Pasquale Sarao | .... | special effects | |
Stunts | |||
| Salvatore Borghese | .... | stunt coordinator | |
| Jess Hill | .... | stunts | |
Camera and Electrical Department | |||
| Giancarlo Bachetti | .... | electrician | |
| Eraldo Barbona | .... | grip | |
| Alessandro Bianchi | .... | parachute camera operator | |
| Sandro Borni | .... | still photographer | |
| Elio Bosi | .... | grip | |
| Marcello Cardarelli | .... | electrician | |
| Alessandro Chiara | .... | assistant camera | |
| Stefano Coletta | .... | assistant camera | |
| Sergio Conti | .... | grip | |
| Augusto Diamanti | .... | key grip | |
| Albertino Funari | .... | gaffer | |
| Massimo Garzia | .... | electrician | |
| Valerio Garzia | .... | chief electrician | |
| Rolando Marcheggiani | .... | electrician | |
| Anteo Pacini | .... | electrician | |
| Roberto Pizzi | .... | grip | |
| Carlo Tafani | .... | camera operator | |
| Gianfranco Transunto | .... | Steadicam operator (as Franco Transunto) | |
Costume and Wardrobe Department | |||
| Stella Battista | .... | wardrobe | |
| Valeria Sponsali | .... | wardrobe | |
Editorial Department | |||
| Eugenio Alabiso | .... | supervising editor | |
| Deborah Catts | .... | assistant editor | |
| Teresa Negozio | .... | assistant editor | |
| Giuseppe Romano | .... | assistant editor | |
| Paolo Vochicievich | .... | editing coordinator (as Paolo Wochicievich) | |
| Jess Hill | .... | assistant editor (uncredited) | |
| Neil Kirk | .... | assistant film editor (uncredited) | |
Music Department | |||
| Maurizio Guarini | .... | musician: keyboards | |
| Natale Massara | .... | conductor | |
Transportation Department | |||
| Nicola Massimi | .... | transportation coordinator | |
Other crew | |||
| Roberto Boninsegna | .... | soccer team coach | |
| Eolo Capacci | .... | publicist | |
| Leonardo Caracciolo | .... | location manager | |
| Ruth Carter | .... | publicist | |
| Don Fulvio Goffredi | .... | religious consultant | |
| Piero Gounellini | .... | runner | |
| Paolo Gozlino | .... | choreographer | |
| Maurizio Guarini | .... | synthesizer programmer | |
| Raffaele Mottola | .... | continuity (as Ray Mottola) | |
| Ernesto Poli | .... | paymaster | |
| Helen Scourby | .... | diction teacher | |
| Elena Sedlak | .... | choreographer (as Helen Sedlak) | |
| Daniele Tiberi | .... | administrator | |
Thanks | |||
| Giuseppe Colizzi | .... | film dedicated to | |
| Recent Posts (updated daily) | User |
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| IMDb Action section | IMDb Italy section | Add this title to MyMovies |
This movie lacks the charm and the warmth of the original stories by Guareschi. Transporting the context 30 years forward into present-day (that is: 1980s) Italy was probably the right thing to do, since the distance in time wasn't big enough to film this as a period piece, but turning Don Camillo into such a cool dude rips the heart out of these stories. Mario Girotti plays the character in Trinity style, aloof, quirky, dead-pan; but this Camillo is barely recognisable as the passionately caring priest of the books. I don't think the earlier Camillo incarnation by Fernandel was right either (e.g. Fernandel's Camillo was not physical enough), but at least it exuded the required warmth.
A cool Don Camillo creates another problem: what happens with his constant little battles with Peppone and his party? Peppone's communist shenanigans are similarly toned down and as a result the antagonism between the two sides does not ring true - at least not to the extent the stories require. Thus, this film version also lacks the tension, conflict and hatred between the two camps. Perhaps there was some sensitivity here towards the American market: no children's movies with real communists in them, please!
A few changes to cater for the international market are also embarrassing: the two soccer teams are called "Angels" and "Devils" (in English!) and a couple of the songs performed in Church are in English as well. This is situated in rural Italy!