A sergeant must deal with his desires to save the lives of young soldiers being sent to Vietnam. Continuously denied the chance to teach the soldiers about his experiences, he settles for trying to help the son of an old army buddy.
Francis Ford Coppola
James Earl Jones
Hank and Frannie don't seem to be able to live together anymore. After a five-year relationship, lustful and dreamy Fanny leaves down-to-earth Hank on the anniversary of their relationship.... See full summary »
The Cotton Club was a famous night club in Harlem. The story follows the people that visited the club, those that ran it, and is peppered with the Jazz music that made it so famous. Written by
Colin Tinto <firstname.lastname@example.org>
Richard Sylbert claimed that he told Robert Evans not to hire Francis Ford Coppola because "he resents being in the commercial, narrative, Hollywood movie business". Coppola claimed that he had letters from Sylbert that asked him to work on the film because Evans was crazy. The director also said that "Evans set the tone for the level of extravagance long before I got there". See more »
During the montage song Ill Wind there is a shot of coins and bills being poured out. The dimes in the shot are Eisenhower dimes, a president in the 50's. See more »
[violently accosting a racist guard]
This uppity nigger is buying you a drink!
[flushes his head down the toilet]
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One of Francis Coppola's best and underrated films
The Cotton Club is such a well-made movie, you have to wonder why so many critics and audiences ignored it when it was first released. Was it because of the murder case surrounding its production? Or did some people feel that a mixture of gangster films and Hollywood musicals didn't mix? Whatever the reason, The Cotton Club deserves to be watched again and again, not just for its music and dancing, but for the great performances, scenery, cars, costumes...and tommy-guns. The movie was nominated for two Oscars, but a third nomination should have gone to Bob Hoskins, for his brilliant performance as Owney Madden. Despite his few film credits, James Remar is brilliant as Dutch Schultz and comes across as the sort of person you wouldn't want to meet in a dark alley.
There are rumours the film may be re-released with scenes and music that were cut from the original version. If this is true, would the film finally become a hit? After all, Robert Evans, the film's producer, apparently told one reporter..."How can it miss? It's got gangsters, music and girls." Well said, Robert.
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