| Photos (see all 1 | slideshow) |
| Sandra Wey | ... | 'O' | |
| Rosa Valenty | ... | Dotty Pembroke | |
| Manuel de Blas | ... | James Pembroke II | |
| Carole James | ... | Carol Pembroke | |
| Eduardo Bea | |||
| Rubén Blanco | |||
| Christian Cid | ... | Larry Pembroke | |
| Tomás Picó | |||
| Alicia Príncipe | |||
| Frank Sussman | |||
| Frank Braña | |||
| Walter Finley | |||
| Emilio Linder | |||
| Elmer Modling | |||
| Luis Suárez | |||
| Irene Teppa | |||
| rest of cast listed alphabetically: | |||
| Catherine Basseti | |||
| Agustín Bravo | |||
| Malgozarta Dobosz | |||
| Pepita Full James | |||
| Mariano Vidal Molina | |||
Directed by | |||
| Éric Rochat | |||
Writing credits(in alphabetical order) | ||
| Dominique Aury | novel "L'Histoire d'O" (as Pauline Réage) | |
| Jeffrey O'Kelly | writer | |
| Éric Rochat | writer | |
Produced by | |||
| Éric Rochat | .... | producer | |
| Carlos Silva Da Silva | .... | executive producer (as Carlos Da Silva) | |
Original Music by | |||
| Stanley Myers | |||
| Hans Zimmer | |||
Cinematography by | |||
| Andrés Berenguer | |||
Film Editing by | |||
| Alfonso Santacana | |||
Casting by | |||
| Carlos da Silva | |||
Production Design by | |||
| Jean Claude Hoerner | |||
Costume Design by | |||
| Claude Challe | |||
Makeup Department | |||
| Cristóbal Criado | .... | makeup artist | |
| Luis Criado | .... | assistant makeup artist | |
| Adrian Delgado | .... | hair stylist | |
| María Luisa García | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Iñigo Botas | .... | third assistant director | |
| Roberto Parra | .... | first assistant director | |
| Manuel Pinilla | .... | second assistant director | |
Art Department | |||
| Antonio Cañete | .... | sculptures | |
| Elias Piñon | .... | paintings | |
| Aurelio Teno | .... | sculptures | |
Sound Department | |||
| Antonio Bloch | .... | sound | |
| José María Bloch | .... | boom operator | |
| Eduardo Fernández | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Avelino Carla | .... | first assistant camera | |
| José Ramón Delgado | .... | video assist operator | |
| Casimiro Dengra | .... | gaffer | |
| Arturo López | .... | second assistant camera | |
| Simón López | .... | still photographer | |
| Eduardo Noé | .... | camera operator | |
Costume and Wardrobe Department | |||
| Sara Fernandez | .... | wardrobe | |
Music Department | |||
| Ron Asprey | .... | musician: saxophone solo | |
| Alan Murphy | .... | musician: guitar solo | |
Other crew | |||
| Rosa M. Amigo | .... | production assistant | |
| Juan Estelrich | .... | production assistant | |
| Filine Ledeboer | .... | assistant to producer | |
| Karen Morgan | .... | dialogue coach: English | |
| Isabel Ruiz Capillas | .... | script supervisor (as Maribel Ruiz Capilla) | |
| José Maria Sanchez | .... | accountant | |
Thanks | |||
| Simon Azoulay | .... | special thanks | |
| Domingo Cordoba | .... | special thanks | |
| Vincent Dare | .... | special thanks | |
| Junko Shimada | .... | special thanks | |
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| Joy et Joan | Parties chaudes | Soumission | Les besoins de la chair | Les félines |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb France section | Add this title to MyMovies |
Personally I hated the original "Story of O" with a passion, and I only saw this in-name-only "sequel" by accident. Thankfully, the treatment of the subjects is a little more tasteful this time. Not that there aren't some unpleasant scenes here, but at least some of the women (especially "O") are allowed to have a more balanced, sometimes even dominant role. And when the film seems to go into inexcusable territory near the end, it pulls the rug out from under your feet. It's a strange, interesting but confused and largely pointless film. Why pointless? Because most people looking for an examination of money, power, sex and politics will choose to watch something else, and those looking for a 100% erotic film won't be very satisfied either. (**)