| Photos (See all 47 | slideshow) | Videos (see all 3) |
| Robert De Niro | ... | David 'Noodles' Aaronson | |
| James Woods | ... | Maximilian 'Max' Bercovicz | |
| Elizabeth McGovern | ... | Deborah Gelly | |
| Joe Pesci | ... | Frankie Manoldi | |
| Burt Young | ... | Joe | |
| Tuesday Weld | ... | Carol | |
| Treat Williams | ... | James Conway O'Donnell | |
| Danny Aiello | ... | Police Chief Vincent Aiello | |
| Richard Bright | ... | Chicken Joe | |
| James Hayden | ... | Patrick 'Patsy' Goldberg | |
| William Forsythe | ... | Philip 'Cockeye' Stein | |
| Darlanne Fluegel | ... | Eve (as Darlanne Fleugel) | |
| Larry Rapp | ... | 'Fat' Moe Gelly | |
| Richard Foronjy | ... | Officer 'Fartface' Whitey (as Richard Foronji) | |
| Robert Harper | ... | Sharkey | |
| Dutch Miller | ... | Van Linden | |
| Gerard Murphy | ... | Crowning | |
| Amy Ryder | ... | Peggy | |
| Olga Karlatos | ... | Woman in the Puppet Theatre | |
| Mario Brega | ... | Mandy | |
| Ray Dittrich | ... | Trigger | |
| Frank Gio | ... | Beefy | |
| Karen Shallo | ... | Lucy Aiello | |
| Angelo Florio | ... | Willie The Ape | |
| Scott Schutzman Tiler | ... | Young Noodles (as Scott Tiler) | |
| Rusty Jacobs | ... | Young Max / David Bailey | |
| Brian Bloom | ... | Young Patsy | |
| Adrian Curran | ... | Young Cockeye | |
| Mike Monetti | ... | Young Fat Moe | |
| Noah Moazezi | ... | Dominic | |
| James Russo | ... | Bugsy | |
| Frankie Caserta | ... | Bugsy's Gang | |
| Joey Marzella | ... | Bugsy's Gang | |
| Clem Caserta | ... | Al Capuano | |
| Frank Sisto | ... | Fred Capuano | |
| Jerry Strivelli | ... | Johnny Capuano | |
| Julie Cohen | ... | Young Peggy | |
| Marvin Scott | ... | Interviewer | |
| Mike Gendel | ... | Irving Gold | |
| Paul Herman | ... | Monkey | |
| Ann Neville | ... | Girl in Coffin | |
| Joey Faye | ... | Adorable Old Man | |
| Linda Ipanema | ... | Nurse Thompson | |
| Tandy Cronyn | ... | Reporter 1 (as Tandy Cronin) | |
| Richard Zobel | ... | Reporter 2 | |
| Baxter Harris | ... | Reporter 3 | |
| Arnon Milchan | ... | Chauffeur | |
| Bruno Iannone | ... | Thug | |
| Marty Licata | ... | Cemetery Caretaker | |
| Marcia Jean Kurtz | ... | Max's Mother | |
| Estelle Harris | ... | Peggy's Mother | |
| Gerritt Debeer | ... | Drunk | |
| Jennifer Connelly | ... | Young Deborah | |
| Alexander Godfrey | ... | Newstand Man | |
| Cliff Cudney | ... | Mounted Policeman | |
| Paul Farentino | ... | 2nd Mounted Policeman | |
| Bruce Bahrenburg | ... | Sgt. P. Halloran | |
| Mort Freeman | ... | Street Singer | |
| Sandra Solberg | ... | Friend of Young Deborah | |
| Jay Zeely | ... | Foreman | |
| Massimo Liti | ... | Young Macrò | |
| rest of cast listed alphabetically: | |||
| Susan Spafford | ... | Nurse | |
| Salvatore Billa | ... | One of Beefy's Thugs (uncredited) | |
| Matteo Cafiso | ... | Boy in Park (uncredited) | |
| Nelson Camp | ... | Newspaper Salesman (uncredited) | |
| Scott Coffey | ... | Teenager (uncredited) | |
| Francesca Leone | ... | David Bailey's Girlfriend (uncredited) | |
| Chuck Low | ... | Deborah Gelly's Father (uncredited) | |
| Ron Nummi | ... | Waiter (uncredited) | |
| Fabio Roscioli | ... | (uncredited) | |
Directed by | |||
| Sergio Leone | |||
Writing credits | ||
| Harry Grey | (novel "The Hoods") | |
| Leonardo Benvenuti | & | |
| Piero De Bernardi | & | |
| Enrico Medioli | & | |
| Franco Arcalli | & | |
| Franco Ferrini | & | |
| Sergio Leone | ||
| Stuart Kaminsky | (additional dialogue) | |
| Ernesto Gastaldi | uncredited | |
Produced by | |||
| Claudio Mancini | .... | executive producer | |
| Arnon Milchan | .... | producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Tonino Delli Colli | |||
Film Editing by | |||
| Nino Baragli | |||
Casting by | |||
| Cis Corman | |||
| Joy Todd | |||
Art Direction by | |||
| Carlo Simi | |||
Costume Design by | |||
| Gabriella Pescucci | |||
Makeup Department | |||
| Vincenzo Cardella | .... | hair stylist (as Enzo Cardella) | |
| Randy Coronato | .... | hair stylist: New York | |
| Randy Coronato | .... | makeup artist: New York | |
| Maria Teresa Corridoni | .... | hair stylist | |
| Henry R. Dwork | .... | dental makeup artist: New York | |
| Nilo Jacoponi | .... | makeup artist | |
| Renata Magnanti | .... | hair stylist | |
| Manlio Rocchetti | .... | makeup artist | |
| Gino Zamprioli | .... | makeup artist | |
| Giancarlo De Leonardis | .... | hair stylist: James Wood and Tuesday Weld (uncredited) | |
Production Management | |||
| Fred C. Caruso | .... | executive in charge of production (as Fred Caruso) | |
| Mario Cotone | .... | production supervisor | |
| Ginette Hardy | .... | production manager: Montreal | |
| Walter Massi | .... | unit manager | |
Art Department | |||
| Bruno Cesari | .... | set dresser | |
| Osvaldo Desideri | .... | set dresser | |
| Ronald Fauteux | .... | prop man: Montreal | |
| Gianni Fiumi | .... | property master | |
| Alain Giguère | .... | scenic painter: Montreal | |
| Nello Giorgetti | .... | swing gang | |
| Otto Jacoby | .... | set builder: New York | |
| Steven Kirshoff | .... | prop man: New York | |
| Walter Klymkiw | .... | chief carpenter: Montreal | |
| Joey Litto | .... | construction coordinator: New York | |
| Tullio Lullo | .... | construction coordinator | |
| Domenico Mancino | .... | blacksmith | |
| George Messaris | .... | set builder: New York | |
| Elouise Meyer | .... | scenic chargeperson: New York | |
| Giovanni Natalucci | .... | set designer | |
| Gretchen Rau | .... | set decorator: New York | |
| Claude Simard | .... | chief carpenter: Montreal | |
| James T. Singelis | .... | art director: New York (as James Singelis) | |
| Rejean Brochu | .... | construction supervisor (uncredited) | |
| Clément Hurel | .... | poster artist (uncredited) | |
| Tom Jung | .... | poster artist (uncredited) | |
| Dan Mahoney | .... | construction grip (uncredited) | |
| Kathy Wolf | .... | head painter (uncredited) | |
Sound Department | |||
| Fabio Ancillai | .... | second assistant boom operator | |
| Fausto Ancillai | .... | sound recording mixer | |
| Bruno Charier | .... | boom operator | |
| Daniele Quadroli | .... | sound effects editor | |
| Robert Rietty | .... | dubbing editor | |
| Jean-Pierre Ruh | .... | sound engineer (as Jean Pierre Ruhu) | |
| Paul J. Zydel | .... | adr sound: New York (as Paul Zydel) | |
| Chris David | .... | stereo sound consultant: Dolby (uncredited) | |
| Elliot Tyson | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Louis Craig | .... | special effects assistant: Montreal | |
| Gabe Videla | .... | special effects: Montreal | |
| Danilo Bollettini | .... | special effects (uncredited) | |
| Brian Campbell | .... | special effects crew (uncredited) | |
| Giovanni Corridori | .... | special effects (uncredited) | |
| Jacques Godbout | .... | special effects (uncredited) | |
Stunts | |||
| Benito Stefanelli | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Steve Baker | .... | key grip: New York | |
| Sandro Battaglia | .... | assistant camera | |
| Rodney Bauer | .... | grip | |
| Augusto Diamanti | .... | key grip | |
| Amato Gabotti | .... | grip | |
| Normand Guy | .... | key grip: Montreal | |
| Walter Klymkiw | .... | gaffer: Montreal | |
| Romano Mancini | .... | gaffer | |
| John Newby | .... | gaffer: New York | |
| Crescenzo G.P. Notarile | .... | assistant camera: New York (as Crescenzo Notarile) | |
| Angelo Novi | .... | still photographer | |
| Antonio Scaramuzza | .... | assistant camera | |
| Carlo Tafani | .... | camera operator | |
| Carlo Vinciguerra | .... | gaffer | |
| Eraldo Barbona | .... | grip (uncredited) | |
| Edward Cohen | .... | electrician (uncredited) | |
| Jean Courteau | .... | electrician (uncredited) | |
Casting Department | |||
| Sylvie Bourque | .... | extras casting: Montreal | |
| Flo Gallant | .... | extras casting: Montreal | |
Costume and Wardrobe Department | |||
| Richard Bruno | .... | associate costume designer: New York | |
| Helen P. Butler | .... | costumer: New York (as Helen Butler) | |
| Marina Frassine | .... | assistant costume designer | |
| Raffaella Leone | .... | assistant costume designer | |
| Umberto Tirelli | .... | wardrobe costumes | |
Editorial Department | |||
| Gabrio Astori | .... | postint editor | |
| Alessandro Baragli | .... | assistant editor | |
| Patrizia Ceresani | .... | assistant editor (as Patricia Cerasani) | |
| Ornella Chistolini | .... | assistant editor | |
| Maurizio Mancini | .... | editing coordinator | |
| Zach Staenberg | .... | additional editor (re-cut) | |
| Nicholas Stevenson | .... | postint editor | |
| Elvira Tonini | .... | first assistant editor (as Vivi Tonini) | |
| Giorgio Venturoli | .... | assistant editor | |
| J. Kathleen Gibson | .... | first assistant editor (uncredited) | |
| Howard Heard | .... | assistant film editor (uncredited) | |
Music Department | |||
| Edda Dell'Orso | .... | vocal | |
| Sergio Marcotulli | .... | music recording mixer | |
| Ennio Morricone | .... | musical director | |
| Gheorghe Zamfir | .... | musician: pan flute | |
Transportation Department | |||
| James Giblin | .... | transportation captain: New York | |
| Patrick Hogan | .... | transportation captain: second unit (uncredited) | |
| Bobby Marsh | .... | driver (uncredited) | |
Thanks | |||
| Hedy Martinelli | .... | special thanks | |
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| The Godfather: Part II | Golgo 13 | Cidade de Deus | The Departed | Scarface |
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This film is a profound expression of truth regarding friendship and betrayal. Noodles, played by Robert De Niro and Scott Tiler (during childhood), is a simple man and a thug with one credo: you can battle the entire world but you never betray a friend. During the course of this film we experience various pieces of Noodles's life, from childhood, through young adulthood and old age. We learn what happens to his friends, his foes and the love of his life, Deborah. The time span considered is long, including Noodles's childhood shortly after the turn of the century, through the prohibition era, and finally the 1960's.
The film is about relationships; the many years Noodles spends away from his friends receive only a cursory mention. The film, like life and memories, unfolds slowly and reflectively. Sergio Leone's cuts are long and each scene is beautifully amplified my Ennio Morricone's haunting score. The story is not told chronologically. Instead, the chapters of the story are slowly revealed like pieces of a great jigsaw puzzle. Each delicious piece might make us laugh, or cry, or smile, or feel shock. But, as each piece falls into place, a mystery unfolds. When the final piece is revealed, the true essence of the story becomes clear and a sad and beautiful tapestry comes into view.
This film is a true masterpiece, expressing a profound statement about friendship and betrayal, with fantastic acting, writing, directing and music. There is a shortened, two-and-a-half-hour version of the film released that is a disaster. It is like trying to understand a jigsaw puzzle with half of the pieces missing. The original four-hour film can be viewed and enjoyed several times and each time the viewer will see something new.