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Directed by | |||
| James Cameron | |||
Writing credits | ||
| Harlan Ellison | (The Outer Limits teleplays "Soldier" and "Demon with a Glass Hand") originally uncredited | |
| James Cameron | (written by) & | |
| Gale Anne Hurd | (written by) | |
| William Wisher Jr. | (additional dialogue) (as William Wisher) | |
Produced by | |||
| John Daly | .... | executive producer | |
| Derek Gibson | .... | executive producer | |
| Gale Anne Hurd | .... | producer | |
Original Music by | |||
| Brad Fiedel | |||
Cinematography by | |||
| Adam Greenberg | |||
Film Editing by | |||
| Mark Goldblatt | |||
Casting by | |||
| Stanzi Stokes | |||
Art Direction by | |||
| George Costello | |||
Set Decoration by | |||
| Maria Rebman Caso | |||
Costume Design by | |||
| Hilary Wright | |||
Makeup Department | |||
| Jeff Dawn | .... | makeup department head (as Jefferson Dawn) | |
| Peter Tothpal | .... | hair stylist | |
| Kyle Rae Tucy | .... | hair stylist: second unit (as Kyle Tucy) | |
| Kyle Rae Tucy | .... | makeup artist: second unit (as Kyle Tucy) | |
| Ellis Burman | .... | electrical effects: Terminator (uncredited) | |
| Brian Wade | .... | special makeup effects artist: Stan Winston Studios (uncredited) | |
Production Management | |||
| Bruce M. Kerner | .... | executive in charge of production | |
| Donna Smith | .... | post-production supervisor | |
| Donna Smith | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Thomas A. Irvine | .... | additional first assistant director (as Thomas Irvine) | |
| Betsy Magruder | .... | first assistant director | |
| Jean-Paul Ouellette | .... | second unit director: action | |
| Robert Roda | .... | second assistant director | |
| Stan Winston | .... | second unit director: effects unit | |
Art Department | |||
| Shay Austin | .... | assistant art director | |
| John S. Curran | .... | construction supervisor (as John Curran) | |
| Tommy Estridge | .... | property master | |
| Mark Freedman | .... | carpenter | |
| Kerry Jennings | .... | assistant property master | |
| Amy McGary | .... | scenic artist | |
| Kristen McGary | .... | scenic artist | |
| Kurt Meisenbach | .... | art assistant | |
| Jewel Myrow | .... | art assistant | |
| Joe Rainey | .... | assistant to the art director | |
| Cynthia C. Rebman | .... | set dresser (as Cindy Rebman) | |
| David Reece | .... | carpenter | |
| Stephen Reece | .... | carpenter | |
| Stephen Rinehart | .... | art assistant | |
| Jennie Ryan | .... | art assistant | |
| Gary Schoeneck | .... | lead man | |
| Linda Schoeneck | .... | art assistant | |
| Gregory R. Wolf | .... | set dresser (as Greg Wolf) | |
| Christopher Gilman | .... | property maker (uncredited) | |
Special Effects by | |||
| Jack Bricker | .... | terminator special effects | |
| Frank DeMarco | .... | special effects | |
| Ernest D. Farino | .... | special effects coordinator | |
| Roger George | .... | special effects | |
| Richard J. Landon | .... | terminator special effects (as Richard Landon) | |
| Ron Macinnes | .... | assistant mechanical effects: Terminator | |
| Shane Mahan | .... | terminator special effects | |
| David B. Miller | .... | mechanical effects (as David Miller) | |
| John Rosengrant | .... | terminator special effects | |
| Joe Viskocil | .... | pyrotechnics and fire effects: Fantasy II Film Effects (as Joseph Viskocil) | |
| Brian Wade | .... | terminator special effects | |
| Tom Woodruff Jr. | .... | terminator special effects (as Tom Woodruff) | |
| R. Bruce Steinheimer | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Doug Beswick | .... | stop motion terminator model: Fantasy II Film Effects | |
| Don Bland | .... | production assistant: Fantasy II Film Effects | |
| Phil Huff | .... | optical effects: Fantasy II Film Effects | |
| John Huneck | .... | camera operator: Fantasy II Film Effects | |
| Leslie Huntley | .... | production supervisor: Fantasy II Film Effects | |
| Michael Joyce | .... | model shop supervisor: Fantasy II Film Effects | |
| Paul Kassler | .... | model maker: Fantasy II Film Effects | |
| Pete Kleinow | .... | terminator stop motion: Fantasy II Film Effects (as Peter Kleinow) | |
| Laurel Klick | .... | optical effects: Fantasy II Film Effects | |
| Ken Marschall | .... | matte artist: Fantasy II Film Effects | |
| Jane A. Pahlman | .... | production assistant: Fantasy II Film Effects | |
| Gary Rhodaback | .... | model maker: Fantasy II Film Effects | |
| Mark Sawicki | .... | special optical consultant: Fantasy II Film Effects | |
| Gene Warren Jr. | .... | special effects supervisor: Fantasy II Film Effects | |
| Kris Brown | .... | visual effects engineer (uncredited) | |
| Sam Longoria | .... | stop-motion electronics (uncredited) | |
| Austin McKinney | .... | visual effects (uncredited) | |
| Bret Mixon | .... | animation assistant (uncredited) | |
Stunts | |||
| Tony Cecere | .... | stunts | |
| Jeffrey J. Dashnaw | .... | stunts (as Jeff Dashnow) | |
| Hill Farnsworth | .... | stunts | |
| J. Suzanne Fish | .... | stunts | |
| Ken Fritz | .... | stunt coordinator | |
| Ken Fritz | .... | stunt coordinator: second unit | |
| Ken Fritz | .... | stunt double: Michael Biehn | |
| Marian Green | .... | stunts (as Marion Green) | |
| Gene Hartline | .... | stunts | |
| Tom Hart | .... | stunts | |
| Jean Malahni | .... | stunts | |
| Gary McLarty | .... | stunts | |
| Frank Orsatti | .... | stunts | |
| Jim Stern | .... | stunts | |
| Pete Turner | .... | stunts (as Peter Turner) | |
| Cynthia Brannon | .... | stunts (uncredited) | |
| Monty Jordan | .... | stunt driver (uncredited) | |
| Peter Kent | .... | stunt double: Arnold Schwarzenegger (uncredited) | |
| Lee Waddell | .... | utility stunts (uncredited) | |
Animation Department | |||
| Ernest D. Farino | .... | graphic effects animator | |
Casting Department | |||
| Gregory Robbins | .... | extras casting coordinator | |
Costume and Wardrobe Department | |||
| Deborah Everton | .... | costume supervisor | |
| Julia Gombert | .... | costumer: second unit | |
| Virginia Hartman | .... | costume production assistant | |
Editorial Department | |||
| Lorna Anderson | .... | first assistant editor | |
| Michael Bloecher | .... | associate editor | |
| Spike Allison Hooper | .... | assistant editor | |
| Mary Nelson-Duerrstein | .... | negative cutter (as Mary Nelson) | |
| Peter Silverman | .... | color consultant | |
Music Department | |||
| Budd Carr | .... | music consultant | |
| Robert Randles | .... | music post-production coordinator | |
| Emilie Robertson | .... | music editor | |
Transportation Department | |||
| Wayne Nelson | .... | transportation captain | |
| Wayne Stone | .... | transportation coordinator | |
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| Terminator 2: Judgment Day | Terminator 3: Rise of the Machines | Children of Men | The Departed | Batoru rowaiaru |
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For the gift of `Aliens' and `The Terminator' I am willing to forgive Cameron's `Titanic'. The key plot concept is beautifully simple - machines take over the earth in the future. Machines are eventually over thrown by one man. Machines travel back in time to kill man's mother, thus preventing him being born and stopping their own defeat. One human also travels back to stop the machines from killing his leader's mother.
`The Terminator' is a classic good versus evil struggle, with little in the way of greys clouding the issue. The terminator is an unstoppable brutal remorseless killer, and it perfectly suits Arnold Schwarzenegger's limited acting abilities. His few lines, including the infamous `I'll be back' are all well judged and timed, and give a great feeling of precision and inhumanity to his character. Coupled with his chiselled features, he's the best choice for the role. Michael Biehn is playing a character type that he'd reprise two years later in Cameron's `Aliens' - the human tough guy: he's got the fight, but still the ability to love and care for people. His features are well chosen for this and although his delivery of lines is hardly exceptional - they tend to come out in the same tone of voice - he's able to carry his part. Linda Hamilton is the woman-thrown-into-chaos, somewhat reminiscent of Sigourney Weaver's Ripley character in `Alien', although Hamilton doesn't have Weaver's strength of presence. All the actors are, for an action science fiction, above average and so never distract.
It's the script, with Cameron's force behind it that lifts the movie from mediocrity. Yes, there's a certain amount of corniness - the `we loved a life time' element for example - but the movie has a real sense of conviction present. The movie believes in itself and, through its passion, will make you believe too. There's a general sense of darkness in the movie - rarely do we see daylight, and, when we do, it's often the soft light of dawn. There's a nice sense of tension in the action scenes, helped not only by Cameron's camera work but also by an excellent electronic score (including a fantastic brooding credit sequence). Sure some of the SFX look clunky in these days of `Attack of the Clones' and `The Fellowship of the Ring', but they still work. There's a certain sense of inevitability, intertwined with hope, permeating the picture that creates a mood I particularly enjoyed and that's harder to find in the current crop of science fiction movies.
`The Terminator' is not a perfect picture. The movie lags in some parts, and the romance element is fairly contrived. Despite all that the movie brims with energy and promise, a script that mostly delivers, characters you can enjoy, and the ultimate Arnie role. Well worth catching. 8/10.