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Directed by | |||
| Robert Zemeckis | |||
Writing credits | ||
| Robert Zemeckis | (written by) & | |
| Bob Gale | (written by) | |
Produced by | |||
| Neil Canton | .... | producer | |
| Bob Gale | .... | producer | |
| Kathleen Kennedy | .... | executive producer | |
| Frank Marshall | .... | executive producer | |
| Steven Spielberg | .... | executive producer | |
Original Music by | |||
| Alan Silvestri | |||
Cinematography by | |||
| Dean Cundey | |||
Film Editing by | |||
| Harry Keramidas | |||
| Arthur Schmidt | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
| Judy Taylor | |||
Production Design by | |||
| Lawrence G. Paull | |||
Art Direction by | |||
| Todd Hallowell | |||
Set Decoration by | |||
| Hal Gausman | |||
Costume Design by | |||
| Deborah Lynn Scott | (as Deborah L. Scott) | ||
Makeup Department | |||
| Dorothy Byrne | .... | hair stylist | |
| Ken Chase | .... | makeup designer | |
Production Management | |||
| Jack Grossberg | .... | unit production manager | |
| Dennis E. Jones | .... | unit production manager | |
| Arthur F. Repola | .... | post-production supervisor (as Arthur Repola) | |
Second Unit Director or Assistant Director | |||
| Mitchell Bock | .... | first assistant director: second unit | |
| Pamela M. Eilerson | .... | second assistant director (as Pamela Eilerson) | |
| Frank Marshall | .... | second unit director | |
| David McGiffert | .... | first assistant director | |
| Concetta Rinaldo-Williams | .... | dga trainee (as Concetta Rinaldo) | |
Art Department | |||
| Cameron Birnie | .... | set designer | |
| Ernest Depew | .... | construction coordinator (as Ernie Depew) | |
| Al Gaynor | .... | graphic artist | |
| Al Gaynor | .... | scenic artist | |
| Kirk D. Hansen | .... | paint foreman | |
| Joseph E. Hubbard | .... | set designer | |
| Dick Lasley | .... | production illustrator | |
| Margie Stone McShirley | .... | set designer (as Marjorie Stone McShirley) | |
| James Passanante | .... | stand-by painter (as Jim Passanante) | |
| Joe Pfaltzgraf | .... | assistant property master | |
| Andrew Probert | .... | production illustrator | |
| Michael Scheffe | .... | construction coordinator: DeLorean | |
| Arthur Smedley | .... | lead person (as Art Smedley) | |
| 'Dangerous' Bob Widin | .... | assistant property master | |
| John Zemansky | .... | property master | |
| Robert Misetich | .... | paint foreman (uncredited) | |
| Drew Struzan | .... | poster artist (uncredited) | |
Special Effects by | |||
| Sam Adams | .... | special effects | |
| Richard Chronister | .... | special effects | |
| William A. Klinger | .... | special effects (as William Klinger) | |
| Kevin Pike | .... | special effects supervisor | |
| Kimberley Pike | .... | special effects | |
| Neil Smith | .... | special effects foreman | |
| Steve Suits | .... | special effects | |
| David Wischnack | .... | special effects foreman | |
| Neil Trifunovich | .... | special effects buyer (uncredited) | |
Visual Effects by | |||
| Michael Moore | .... | assistant visual effects editor | |
| Steve Gawley | .... | supervising modelmaker (uncredited) | |
| Ned Gorman | .... | production buyer (uncredited) | |
| Pamela Marcotte | .... | visual effects (uncredited) | |
| Ken Ralston | .... | visual effects supervisor: Bafta (uncredited) | |
| Jay Riddle | .... | animation camera: ILM (uncredited) | |
| Thomas Rosseter | .... | optical lineup (uncredited) | |
Stunts | |||
| Richard E. Butler | .... | stunts | |
| Charles Croughwell | .... | stunts (as Charlie Croughwell) | |
| Loren Janes | .... | stunts | |
| Max Kleven | .... | stunts | |
| Bernie Pock | .... | stunts | |
| Spiro Razatos | .... | stunts | |
| Robert Schmelzer | .... | stunts | |
| John-Clay Scott | .... | stunts | |
| Walter Scott | .... | stunt coordinator | |
| Per Welinder | .... | stunts | |
| Bob Yerkes | .... | stunts | |
| Charles Croughwell | .... | stunt double: Michael J. Fox (uncredited) | |
| Terry Jackson | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Brian Callahan | .... | costume supervisor: men | |
| Julie Starr Dresner | .... | key costumer | |
| Haleen K. Holt | .... | costume illustrator (uncredited) | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter (as Donah J. Bassett) | |
| Barbara Palmer Dixon | .... | assistant film editor (as Barbara Dixon) | |
| Terry Haggar | .... | color timer | |
| Roger Jaep | .... | apprentice film editor | |
| Peter Lonsdale | .... | assistant film editor (as Peter N. Lonsdale) | |
| Charles Simmons | .... | apprentice film editor | |
| David Handman | .... | assistant editor (uncredited) | |
Music Department | |||
| Dick Bernstein | .... | music software | |
| James B. Campbell | .... | orchestrator (as James Campbell) | |
| Bones Howe | .... | music supervisor | |
| Kenneth Karman | .... | music editor | |
| Huey Lewis | .... | musician | |
| Dennis S. Sands | .... | music scoring mixer (as Dennis Sands) | |
| Deborah Zimmerman | .... | assistant music editor | |
| Tommy Johnson | .... | musician: tuba (uncredited) | |
Transportation Department | |||
| Bob Cornell | .... | transportation captain (as Bob R. Cornell) | |
| John Feinblatt | .... | transportation coordinator | |
| Tom Garris | .... | transportation captain: picture cars | |
| Eugene Schwartz | .... | transportation manager (as Gene Schwartz) | |
| Jack Carpenter | .... | driver: insert car (uncredited) | |
| Gregory Dultz | .... | driver (uncredited) | |
Other crew | |||
| Kate Barker | .... | assistant: Ms. Kennedy | |
| Maureen O. Beall | .... | production coordinator (as Maureen Osborne-Beall) | |
| Richard L. Calkins | .... | animal handler (as Richard Caulkins) | |
| Jeffrey R. Coates | .... | production associate | |
| Ron Cobb | .... | consultant: DeLorean time travel | |
| Robert R. Draney | .... | assistant accountant | |
| Lynn D. Ezelle | .... | assistant accountant | |
| Ann Furia | .... | assistant accountant | |
| Anthony Gibson | .... | production associate | |
| Babette Gorman | .... | assistant: Mr. Canton (as Babette T. Gorman) | |
| Nancy Hansen | .... | continuity (as Nancy B. Hansen) | |
| Diana L. Hayes | .... | production associate | |
| Brad Jeffries | .... | choreographer | |
| Leanne Moore | .... | production accountant | |
| Julie Moskowitz | .... | assistant: Mr. Spielberg | |
| Gail Oliver | .... | assistant: Mr. Zemeckis | |
| Eileen Omaye | .... | assistant: Mr. Gale | |
| Ramon Pahoyo | .... | craft service (as Ramon B. Pahoyo) | |
| Paul Pav | .... | location manager | |
| Bonne Radford | .... | production controller | |
| Mary T. Radford | .... | assistant: Mr. Marshall | |
| Marsha Robertson | .... | unit publicist | |
| Nina Saxon | .... | title designer | |
| Rob Stevens | .... | assistant production coordinator | |
| Steven Talmy | .... | production associate | |
| Judy Thomason | .... | assistant: Mr. Repola | |
| Robert Weatherwax | .... | animal handler | |
| Alexander Xavier Ponce-Bonano | .... | scientific consultant (uncredited) | |
Thanks | |||
| Mark Campbell | .... | special thanks | |
| Ron Hitchcock | .... | special thanks | |
| Gregg Landaker | .... | special thanks | |
| Steve Maslow | .... | special thanks | |
| Tim May | .... | special thanks | |
| Stephen Semel | .... | special thanks | |
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| Back to the Future Part III | Back to the Future Part II | The Incredibles | A Christmas Story | The Karate Kid |
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One of the last movies I went with sister to see back in 86. The film blew my mind. My friends never wanted to see this one. I was happy I went. Many year's latter, I bought "Back to the Future" at Mc Donalds for $2.99 or for some other low price with a meal. The film ages well, and I love it just the same. The director and screen writer mixes science fiction, humor, and action perfectly. A big component of the script is time line theory which drives the story. Marty has many problems to fix, and finds out more than anyone wants to know about their parents. Michael J Fox and Christopher Loyd were excellently casted. Marty and Doc what a chemistry. With the film series one see the many dualities with time travel, that become a constant with the movie. The town clock, being awoke in a strange place, and letters. Keep this in mind when watching the 2 other sequels. The theory that time repeats itself is evident. What a time machine, the Delorian adds to this movie. Worth watch over again. 10 out of 10! Thank you TBS for showing all 3 films.