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Directed by | |||
| Richard Donner | |||
Writing credits | ||
| Steven Spielberg | (story) | |
| Chris Columbus | (screenplay) | |
Produced by | |||
| Harvey Bernhard | .... | producer | |
| Richard Donner | .... | producer | |
| Kathleen Kennedy | .... | executive producer | |
| Frank Marshall | .... | executive producer | |
| Steven Spielberg | .... | executive producer | |
Original Music by | |||
| Dave Grusin | |||
Cinematography by | |||
| Nick McLean | (director of photography) | ||
Film Editing by | |||
| Michael Kahn | |||
| Steven Spielberg | (uncredited) | ||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
| Judy Taylor | |||
Production Design by | |||
| J. Michael Riva | |||
Art Direction by | |||
| Rick Carter | |||
Set Decoration by | |||
| Linda DeScenna | |||
Costume Design by | |||
| Richard La Motte | (as Richard LaMotte) | ||
Makeup Department | |||
| Jean Austin | .... | hair stylist | |
| Ellis Burman Jr. | .... | makeup creator: "Sloth" (as Ellis Burman) | |
| Ellis Burman Jr. | .... | makeup executor: "Sloth" (as Ellis Burman) | |
| Thomas R. Burman | .... | makeup creator: "Sloth" | |
| Thomas R. Burman | .... | makeup executor: "Sloth" | |
| Bari Dreiband-Burman | .... | makeup creator: "Sloth" (as Bari Dreiband Burman) | |
| Bari Dreiband-Burman | .... | makeup executor: "Sloth" (as Bari Dreiband Burman) | |
| Tony Lloyd | .... | makeup artist | |
| Charlene Murray | .... | hair stylist: second unit | |
| Craig Reardon | .... | makeup creator: "Sloth" | |
| William Turner | .... | makeup artist: second unit | |
Second Unit Director or Assistant Director | |||
| Newt Arnold | .... | first assistant director: second unit | |
| Steve Cohen | .... | second assistant director: second unit | |
| Patrick Cosgrove | .... | second assistant director | |
| Sharon Gerhard | .... | additional second assistant director | |
| Dan Kolsrud | .... | first assistant director | |
| Steven Spielberg | .... | second unit director (uncredited) | |
Special Effects by | |||
| Calvin Joe Acord | .... | special effects (as Calvin Joe Accord) | |
| William Aldridge | .... | special effects (as Bill Aldridge) | |
| Jon G. Belyeu | .... | special effects foreman (as Jon Belyeu) | |
| Ken Ebert | .... | special effects | |
| Guy Faria | .... | special effects | |
| Christopher Gilman | .... | special props | |
| Jerry Hart | .... | special effects | |
| John James | .... | special effects | |
| Greg C. Jensen | .... | special effects: second unit (as Greg Jensen) | |
| Richard Lopez | .... | special effects: second unit (as Rick Lopez) | |
| David Peterson | .... | special effects | |
| Donald Puck | .... | special effects (as Don Puck) | |
| Paul Sabourin | .... | special effects | |
| Harold Selig | .... | special effects | |
| Doyle Smiley | .... | special effects | |
| Michael P. Stipe | .... | special effects foreman: second unit (as Mike Stipe) | |
| Lucinda Strub | .... | special effects (as Lucinda M. Strub) | |
| Matt Sweeney | .... | special effects coordinator | |
| Christopher Gilman | .... | special effects assistant (uncredited) | |
| Audrey Stanzler | .... | special effects props (uncredited) | |
Visual Effects by | |||
| Carl Assmus | .... | stage technician: ILM | |
| Donna K. Baker | .... | ink & paint: ILM (as Donna Baker) | |
| Craig Barron | .... | matte camera supervisor: ILM | |
| Greg Beaumonte | .... | equipment engineering: ILM | |
| Patricia Blau | .... | production coordinator: ILM | |
| Barbara Brennan | .... | rotoscope artist: ILM | |
| Dave Carson | .... | visual effects art director: ILM (as David Carson) | |
| Lanny Cermak | .... | equipment engineering: ILM | |
| Dave Childers | .... | stage technician: ILM | |
| Wade Childress | .... | matte photography: ILM | |
| Donald Clark | .... | optical camera operator: ILM | |
| Jeff Doran | .... | optical technician: ILM | |
| John Ellis | .... | optical supervisor: ILM | |
| Christopher Evans | .... | matte painting supervisor: ILM | |
| Bob Finley III | .... | stage technician: ILM (as Bobby Finley III) | |
| Ron Fode | .... | production buyer: ILM | |
| Warren Franklin | .... | general manager: ILM | |
| Barbara Gallucci | .... | supervising model maker: ILM | |
| Tim Geideman | .... | optical technician: ILM | |
| Bill George | .... | chief model maker: ILM | |
| Ralph Gordon | .... | optical line-up: ILM | |
| Ned Gorman | .... | production buyer: ILM | |
| Caroleen Green | .... | matte artist: ILM | |
| David Hanks | .... | equipment engineering: ILM | |
| David Heron | .... | stage technician: ILM (as Dave Heron) | |
| Craig Hosoda | .... | equipment engineering: ILM | |
| Sandy Houston | .... | ink & paint: ILM | |
| Brad Jerrell | .... | stage technician: ILM | |
| Ed Jones | .... | optical line-up: ILM | |
| Paula Karsh | .... | production buyer: ILM | |
| Ellen E. Lichtwardt | .... | rotoscope artist: ILM (as Ellen Lichtwardt) | |
| John Lister | .... | stage technician: ILM | |
| Mike MacKenzie | .... | equipment engineering: ILM (as Michael MacKenzie) | |
| Kim Marks | .... | visual effects cameraman: ILM | |
| Michael J. McAlister | .... | visual effects supervisor (as Michael McAlister) | |
| Roberto McGrath | .... | still photographer: ILM | |
| Jack Mongovan | .... | rotoscope artist: ILM | |
| Michael Moore | .... | assistant editor: ILM | |
| Charlie Mullen | .... | animation supervisor: ILM | |
| Frank Ordaz | .... | matte artist: ILM | |
| Randy Ottenberg | .... | model maker: ILM | |
| Terrence Peck | .... | assistant editor: ILM (as Terry Peck) | |
| John Reed | .... | model maker: ILM | |
| Martin Rosenberg | .... | assistant cameraman: ILM (as Marty Rosenberg) | |
| Thomas Rosseter | .... | optical line-up: ILM (as Tom Rosseter) | |
| Kenneth Smith | .... | optical camera operator: ILM | |
| Howard Stein | .... | chief visual effects editor: ILM | |
| Peter Stolz | .... | stage technician: ILM | |
| Wes Takahashi | .... | animator: ILM | |
| Bess Wiley | .... | assistant cameraman: ILM | |
| Chuck Wiley | .... | model maker: ILM | |
| Catherine Craig | .... | effects camera operator (uncredited) | |
| Michael Pangrazio | .... | matte artist supervisor (uncredited) | |
| Jay Riddle | .... | animation cameraman (uncredited) | |
Costume and Wardrobe Department | |||
| Roger Gallo Garcia | .... | costume supervisor: men | |
| Aida Swinson | .... | costume supervisor: women | |
Editorial Department | |||
| Craig Bassett | .... | assistant editor | |
| Donah Bassett | .... | negative cutter | |
| Kathryn Camp | .... | assistant editor | |
| Martin Cohen | .... | assistant editor | |
Music Department | |||
| Else Blangsted | .... | supervising music editor | |
| James Flamberg | .... | music editor (as Jim Flamberg) | |
| Dan Wallin | .... | score mixer (uncredited) | |
Transportation Department | |||
| William P. Davis | .... | driver (as Bill Davis) | |
| Sy Fuentes | .... | driver | |
| Dominick Marigliano | .... | driver | |
| Fred Moshier | .... | transportation captain | |
| John Orlebeck | .... | driver | |
| Ben Reade | .... | driver | |
| John Reade | .... | transportation coordinator | |
| Randy White | .... | transportation captain | |
Other crew | |||
| Tony Amatullo | .... | location manager | |
| Laurie Arnow-Epstein | .... | construction accountant (as Laurie Arnow) | |
| Kate Barker | .... | assistant: Ms. Kennedy | |
| Diane Dankwardt | .... | assistant accountant | |
| Jan Dennehy | .... | location auditor (as Janice Dennehy) | |
| Rhoda Fine | .... | teacher (as Rhoda C. Fine) | |
| Jane Goe | .... | production accountant | |
| Rob Harris | .... | unit publicist | |
| Laura Hoffman | .... | assistant: Mr. Bernhard | |
| Lisa Howard | .... | assistant accountant | |
| Patty Hughes | .... | production secretary | |
| Jennie Lew Tugend | .... | executive assistant: Mr. Donner (as Jennie Lew) | |
| Mark Marshall | .... | production office assistant: second unit | |
| Ruben Martinez | .... | craft service | |
| Julie Moskowitz | .... | assistant: Mr. Spielberg | |
| Lloyd Nelson | .... | script supervisor: second unit | |
| Betsy Norton | .... | script supervisor | |
| Tim Palladino | .... | production office assistant | |
| Bonne Radford | .... | controller (as Bonnie Radford) | |
| Mary T. Radford | .... | assistant: Mr. Marshall (as Mary Radford) | |
| Deborah Schildt | .... | production office assistant | |
| Ilyse Selwyn | .... | production office assistant | |
| Steven Spielberg | .... | presenter | |
| Michael Thau | .... | assistant: Richard Donner | |
| Judy Thomason | .... | assistant: Mr. Repola | |
| Jack Tice | .... | teacher (as Jack A. Tice) | |
| Julie Yarrish | .... | production office assistant | |
| Robert C. Campion | .... | assistant accountant (uncredited) | |
| Lina Shanklin | .... | script supervisor (uncredited) | |
| Mark Siegel | .... | creature maker (uncredited) | |
| Mark Siegel | .... | puppeteer (uncredited) | |
| Lynnanne Zager | .... | adr voice (uncredited) | |
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| Pirates of the Caribbean: The Curse of the Black Pearl | The Karate Kid | It's a Mad Mad Mad Mad World | Back to the Future | Robin Hood |
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Every kid has imagined what it would be like to go on great and glorious adventures. Pirate ships, police chases, treasure chests full of gold and surrounded by human skeletons with patches over the eyes, the inherent excitement in the possibility of a cavernous wonder world beneath the very streets where they live. The Goonies is about a group of kids who have grown up together and are about to be torn apart because their parents are being forced to sell their homes. In the attic of one of their houses (Mikey, played by Sean Astin), they find an endless supply of fascinating things - treasure maps, paintings, cryptic writings in strange languages. They find a map that sounds promising, and decide to see if it has any value, hoping to be able to find enough treasure to prevent their parents from losing their homes.
Not only was The Goonies a brilliantly written, directed, and acted movie, but it was also so much FUN! The adventures of these kids through the underground world, while being chased by the despicable villains known as the Fratellis, are fascinating to watch. The Goonies is a great cinematic experience. It has everything that anyone who was ever a kid could ever want. Even the elaborate sets are very convincing.
The sense of adventure and hope that are presented in The Goonies is very uplifting and inspiring. The lovable characters are perfectly developed and endlessly entertaining. Many of them, particularly Sean Astin and Corey Feldman, delivered the best performances of their future careers right here in this early adventure film. This movie can be enjoyed by virtually anyone, which is one of its best values. It is truly timeless, and it should not be missed.