| Martin Hewitt | ... | Keith Toland | |
| Betsy Russell | ... | Chrissie Baret | |
| Claudia Udy | ... | Tina | |
| Andrew J. Lederer | ... | Elliot | |
| Cindi Dietrich | ... | Robin | |
| Richard Kantor | ... | Gary | |
| Sherilyn Fenn | ... | Katie | |
| Jim Youngs | ... | Cowboy | |
| Pavle Balenovic | ... | Pete | |
| Petar Buntic | ... | Pilot (as Peter Buntic) | |
| Veljko Despotovic | ... | Prom Photographer | |
| Slobodan Dimitrijevic | ... | Gypsy (as Sloboda Dimitrijevic) | |
| Bill Farrington | ... | George | |
| Sylvia Farrington | ... | School Receptionist | |
| Zdenko Jelcic | ... | Carlos | |
| Susan Justin | ... | Debby | |
| Jorma Komulainen | ... | Seaplane Pilot | |
| Mirko Satalic | ... | Nick (as Marko Satalic) | |
| Suzanne Stanford | ... | Teacher | |
| Ken Swerilas | ... | Mr. Clarkson | |
| Vjenceslav Kapural | ... | McDuff (as Kapural Vjenceslav) | |
| Esa Westerlund | ... | Seaplane Pilot | |
| Rick Scarry | ... | Character Voice (voice) (as Rich Scarry) | |
| George Kramer | ... | Character Voice (voice) (as Rich Scarry) |
Directed by | |||
| Allan Holzman | |||
Writing credits | ||
| Sandra Weintraub | (screenplay) (as Sandra Weintraub Roland) and | |
| Vicangelo Bulluck | (screenplay) | |
| Daniel Grodnik | uncredited | |
| Andrew J. Lederer | uncredited | |
Produced by | |||
| Jan Alonzo | .... | associate producer | |
| Arnie Fishman | .... | executive producer (as Arnold Fishman) | |
| Daniel Grodnik | .... | producer | |
| Paul Lichtman | .... | executive producer | |
| Fred Weintraub | .... | producer | |
Original Music by | |||
| Hawk | |||
Cinematography by | |||
| John A. Alonzo | |||
Film Editing by | |||
| Robert A. Ferretti | (as Robert Ferretti) | ||
| Allan Holzman | (co-editor) | ||
Casting by | |||
| Jerold Franks | (as Jerry Franks) | ||
| Al Onorato | |||
Costume Design by | |||
| Betty Pecha Madden | |||
Makeup Department | |||
| Halid Redzebasic | .... | makeup artist | |
| Radmila Todorovic | .... | makeup artist (as Radmila Ivatovic) | |
Production Management | |||
| Milan Cvetkovic-Ciga | .... | assistant production manager: Yugoslavia (as Milan Cvetkovic) | |
| Richard De Labio | .... | production manager (as Richard DeLabio) | |
| Boris Gregoric | .... | production manager: Yugoslavia | |
| Tony Randel | .... | post-production supervisor (as Anthony Randel) | |
| Goran Tozija | .... | unit manager: Yugoslavia (as Gorjan Tozija) | |
Second Unit Director or Assistant Director | |||
| Petar Buntic | .... | first assistant director: Yugoslavia | |
| Ranko Primorac | .... | second assistant director: Yugoslavia | |
Art Department | |||
| Rick Carter | .... | visual consultant | |
| Veljko Despotovic | .... | art director: Yugoslavia | |
| Dimitrije Dimitrijevic | .... | painter: Yugoslavia | |
| Dimitrije Dimitrijevic | .... | set dresser: Yugoslavia | |
| Mirko Orescanin | .... | propman: Yugoslavia (as Mirko Orescaniv) | |
| Nemanja Petrovic | .... | assistant art director: Yugoslavia (as Ing. Nemanja Petrovic) | |
| Vladimir Spasojevic | .... | assistant art director: Yugoslavia | |
| Ivica Sporcic | .... | construction manager: Yugoslavia | |
Sound Department | |||
| William Hooper | .... | sound editor | |
| Anthony Ippolito | .... | supervising sound editor (as Tony Ippolito) | |
| Marton Jankov-Tomica | .... | boom operator: Yugoslavia (as Marton Jankov) | |
| Dave Kulczycki | .... | sound editor | |
| Don MacDougall | .... | sound re-recording mixer | |
| John L. Mack | .... | sound re-recording mixer (as John Mack) | |
| Jonathon 'Earl' Stein | .... | production sound mixer (as Jon Stein) | |
| Phil Tucker | .... | sound editor | |
| Richard Tyler | .... | sound re-recording mixer | |
Special Effects by | |||
| Marijan Karoglan | .... | special effects: Yugoslavia | |
Stunts | |||
| Petar Buntic | .... | stunts (as Peter Buntic) | |
| Rok Cvetkov | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Radka Ivatovic | .... | wardrobe master: Yugoslavia | |
| Zvonko Mestrovic | .... | wardrobe master: Yugoslavia | |
| Tereza Medved | .... | wardrober (uncredited) | |
Editorial Department | |||
| Albert Coleman | .... | first assistant editor | |
| Jeff Freeman | .... | associate editor | |
| Lynn Goodhall | .... | assistant editor (as Lynne Goodhill) | |
| Tvrtko Grgic | .... | assistant editor: Yugoslavia | |
| Vesna Lazeta | .... | assistant editor: Yugoslavia | |
| Francesca Rivieri | .... | apprentice editor (as Francesca Riviere) | |
| Paula Stein | .... | assistant editor | |
| Arthur Tostado | .... | color timer (as Art Tostado) | |
| Lois Trent-Bring | .... | negative cutter (as Lois Trent) | |
Music Department | |||
| John Arrias | .... | music recordist | |
| Susan Justin | .... | composer: additional music | |
| Douglas M. Lackey | .... | music editor (as Douglas Lackey) | |
Other crew | |||
| Tonka Batinic | .... | crowd coordinator: Yugoslavia | |
| Zdravdo Cegir | .... | production accountant: Yugoslavia | |
| Richard De Labio | .... | location manager (as Richard DeLabio) | |
| Marina Delac | .... | production secretary: Yugoslavia | |
| Eva Giera | .... | assistant to producers | |
| Sinisa I. Jinker | .... | interpreter production: Yugoslavia | |
| Mirko Orescanin | .... | armorer: Yugoslavia (as Mirko Orescaniv) | |
| Rebecca Poole | .... | production coordinator (as Rebecca Patton Poole) | |
| Joy Smith | .... | assistant: Michael Michaud | |
| Suzanne Stanford | .... | production secretary | |
| Ken Swerilas | .... | production accountant | |
| Lidija Tepsic | .... | cashier: Yugoslavia | |
| Damir Teresak | .... | location manager: Yugoslavia (as Teresak Damir) | |
| Lisa Tomei | .... | end title graphics | |
| Metija Vekic | .... | interpreter: Yugoslavia | |
| Hope Williams | .... | script supervisor | |
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| Nowhere | Saved! | Spider-Man | Jimmy and Judy | Ripe |
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| Full cast and crew | Company credits | IMDb Action section |
| IMDb Yugoslavia section |
There's a germ of a good exploitive drive-in movie here - teenagers stranded on an island getting into sex games, then fighting drug smugglers who arrive and threaten to kill them. It might have worked had it not all been presented in such a dull and unimaginative way - as well as if the teenagers were a likeable bunch that we cared about. It doesn't help that the movie was severely cut up before its release (look at the running time), with a narrative device added to explain things that not only doesn't explain much, but is pretty annoying.