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| Sylvester Stallone | ... | John J. Rambo | |
| Richard Crenna | ... | Col. Samuel Trautman | |
| Charles Napier | ... | Marshall Murdock | |
| Steven Berkoff | ... | Lt. Col. Podovsky | |
| Julia Nickson | ... | Co Bao | |
| Martin Kove | ... | Ericson | |
| George Cheung | ... | Capt Vinh (as George Kee Cheung) | |
| Andy Wood | ... | Banks | |
| William Ghent | ... | Capt. Vinh (POW camp commander) | |
| Voyo Goric | ... | Sgt. Yushin (as Vojo Goric) | |
| Dana Lee | ... | Captain Kinh | |
| Baoan Coleman | ... | Gunboat captain | |
| Steve Williams | ... | Lifer | |
| Don Collins | ... | POW #1 | |
| Christopher Grant | ... | POW #2 | |
| John Sterlini | ... | POW #3 | |
| Alain Hocquenghem | ... | POW #4 | |
| William Rothlein | ... | POW #5 | |
| Tony Munafo | ... | Prison guard | |
| Tom Gehrke | ... | Russian pilot | |
| rest of cast listed alphabetically: | |||
| Roger Cudney | ... | Chief radio operator (uncredited) | |
Directed by | |||
| George P. Cosmatos | |||
Writing credits | ||
| David Morrell | (characters) | |
| Kevin Jarre | (story) | |
| Sylvester Stallone | (screenplay) and | |
| James Cameron | (screenplay) | |
Produced by | |||
| Mel Dellar | .... | associate producer | |
| Buzz Feitshans | .... | producer | |
| Mario Kassar | .... | executive producer | |
| Andrew G. Vajna | .... | executive producer (as Andrew Vajna) | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Jack Cardiff | (director of photography) | ||
Film Editing by | |||
| Larry Bock | |||
| Mark Goldblatt | |||
| Mark Helfrich | |||
| Gib Jaffe | |||
| Frank E. Jimenez | |||
Casting by | |||
| Rhonda Young | |||
Production Design by | |||
| Bill Kenney | |||
Set Decoration by | |||
| William Ladd Skinner | (as William Skinner) | ||
| Sig Tingloff | |||
Costume Design by | |||
| Tom Bronson | |||
Makeup Department | |||
| Bertha Chiu | .... | hair stylist: mexico | |
| Kay Cole | .... | hair stylist | |
| Leonard Engelman | .... | makeup artist (as Leonard Engleman) | |
| Elvira Oropeza | .... | makeup artist: Mexico | |
| Pamela S. Westmore | .... | makeup artist (as Pamela Westmore) | |
Production Management | |||
| Anuar Badin | .... | production manager: Mexico | |
| Fred Rollin | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Mario Cisneros | .... | first assistant director: Mexico (as Mario Cisneros Rivera) | |
| Patrick Kinney | .... | second assistant director | |
| Fred Rollin | .... | first assistant director | |
| Peter MacDonald | .... | second unit director (uncredited) | |
Art Department | |||
| Roy Barnes | .... | assistant art director | |
| Dennis Butterworth | .... | greensman | |
| Martín Cárdenas Moreno | .... | property master: Mexico | |
| Enrique Estévez | .... | set decorator: Mexico (as Enrique Estevez Labastida) | |
| Howard Hester | .... | construction coordinator | |
| Agustín Ituarte | .... | art director: Mexico (as Augustin Ituarte Salazar) | |
| Fred Lucky | .... | illustrator | |
| Dennis J. Parrish | .... | property master (as Dennis Parrish) | |
| Ward Welton | .... | set painter | |
| Moises Pineda | .... | production buyer (uncredited) | |
Sound Department | |||
| Fred J. Brown | .... | supervising sound editor (as Frederick J. Brown) | |
| Juno J. Ellis | .... | adr editor | |
| David W. Gray | .... | stereo sound consultant: Dolby | |
| Denise Horta | .... | sound editor | |
| Rick Kline | .... | sound re-recording mixer | |
| Donald O. Mitchell | .... | sound re-recording mixer | |
| Kevin O'Connell | .... | sound re-recording mixer | |
| Margie O'Malley | .... | foley artist (as Marge Denecke) | |
| Michelle Pleis | .... | assistant sound editor | |
| Michele Sharp | .... | sound editor | |
| Rob Young | .... | sound mixer | |
Special Effects by | |||
| Federico Farfán | .... | special effects man: Mexico | |
| Thomas L. Fisher | .... | special effects coordinator (as Thomas Fisher) | |
| Jay King | .... | special effects | |
| William Purcell | .... | special effects | |
| Cliff Wenger Jr. | .... | special effects | |
Stunts | |||
| Simone Boisseree | .... | stunts (as Simone Michelle Boisseree) | |
| Brad Bovee | .... | stunts (as Bradley Bovee) | |
| Phil Chong | .... | stunts | |
| Yukio Collins | .... | stunts | |
| Danny Costa | .... | stunts (as Daniel Costa) | |
| Mark De Alessandro | .... | stunts | |
| Diamond Farnsworth | .... | stunt coordinator (as Richard 'Diamond' Farnsworth) | |
| George Fisher | .... | stunts (as George Jury Fisher) | |
| Joseph Hieu | .... | stunts | |
| Jeff Imada | .... | stunts (as Jeffrey Imada) | |
| Loren Janes | .... | stunt coordinator: helicopter unit | |
| Robert Jauregui | .... | stunts | |
| Mike Johnson | .... | stunts (as John Michael Johnson) | |
| Steve Kelso | .... | stunts | |
| Eric Lee | .... | stunts | |
| Harry Mok | .... | stunts | |
| Dan Munson | .... | stunts | |
| Vernon Rieta | .... | stunts (as Vernon Paul Rieta) | |
| Bill M. Ryusaki | .... | stunts (as Bill Ryusaki) | |
| Ben Scott | .... | stunts (as Benjamin Raymond Scott) | |
| John-Clay Scott | .... | stunts (as John Wendall Clay Scott) | |
| Daniel Wong | .... | stunts (as Daniel Thompson Wong) | |
| Tony Cecere | .... | stunts (uncredited) | |
| Mark De Alessandro | .... | stunt double: Sylvester Stallone (uncredited) | |
| Jay King | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Franco Bruni | .... | camera operator | |
| Mariano Garcia Cabrera | .... | gaffer: Mexico | |
| John Cardiff | .... | camera operator | |
| Aldo Colanzi | .... | key grip | |
| Bruno Colanzi | .... | best boy grip | |
| Dave Friedman | .... | still photographer | |
| Luciano Leoni | .... | chief gaffer | |
| Peter MacDonald | .... | director of photography: helicopter unit | |
| Stan McClain | .... | camera operator: aerial unit | |
| Fiorangelo Plocco | .... | best boy | |
| Massimiliano Sano | .... | first assistant camera | |
| Salvador 'Apache' Serrano | .... | dolly grip: Mexico (as Salvador Serrano Pérez) | |
| Salvador Vázquez | .... | chief grip: Mexico | |
Casting Department | |||
| Jesús Guerrero | .... | casting: Mexico | |
| Donna Rosenstein | .... | casting associate | |
Costume and Wardrobe Department | |||
| Haleen K. Holt | .... | costume illustrator (uncredited) | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Shelley Brown | .... | assistant editor | |
| Sergio Ortega | .... | assistant film editor: Mexico | |
| Robert Raring | .... | color timer (as Bob Raring) | |
| Florent Retz | .... | assistant editor (as Danny Retz) | |
| Hilarie Roope | .... | assistant editor | |
| Ron South | .... | assistant film editor | |
Music Department | |||
| Bruce Botnick | .... | music recording consultant | |
| Kenneth Hall | .... | music editor (as Kenny Hall) | |
| Arthur Morton | .... | orchestrator | |
| Peter Schless | .... | composer: song "Peace In Our Life" | |
Transportation Department | |||
| Moe Blay | .... | driver | |
| John Cahill | .... | driver | |
| Jon Carpenter | .... | driver captain | |
| Donald Collis | .... | driver | |
| Terry Collis | .... | transportation coordinator | |
| Vic Cuccia | .... | driver | |
| Bob Dewitt | .... | driver | |
| Joe Dugan | .... | driver | |
| Russell H. Hoverson | .... | transportation captain (as Russell Hoverson) | |
| Kendall A. Reed | .... | driver (as Kendall Reed) | |
| Michael Stevenson | .... | driver | |
Thanks | |||
| Cliff Wenger Jr. | .... | dedicatee | |
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Okay, first of all, I was born after this movie was made. Second of all, I'm a girl. So for me to say it's a good movie means it's a good movie. My father received this movie as a gag gift. Just by glancing at the cover, I had the impression that Rambo movies were nothing but blood-and-guts, guns-blazing, psycho, no-plotline movies that exist solely for the purpose of making men feel macho. I hate those movies (Steven Segal, Chuck Norris, etc.) But when I popped in this movie out of boredom, I was surprisingly pleased. I'll admit I never saw the first one, but this film doesn't really call for it. It stands on its own. The plot is good-a little too unrealistic but good, the cinematography and scenery is great, Stallone may not be the best actor in the world but he PERSONIFIES John Rambo, and the aspect that makes the movie worth watching is the fact that a woman was a main character and she was not just there for looks; she had an important role and she is portrayed almost as Rambo's equal. The semi-happy ending was cool, too. Although there are many cheezy moments where you just want to roll your eyes, there are also many feel-good moments that have the audience cheer for Rambo. After seeing this film I can understand why it was nominated for an Oscar.