| Photos (see all 20 | slideshow) |
| Tue. July 7 | 8:00 PM | MAX | |||
| Sat. July 11 | 4:00 PM | MAX |
| William Petersen | ... | Richard Chance (as William L. Petersen) | |
| Willem Dafoe | ... | Eric 'Rick' Masters | |
| John Pankow | ... | John Vukovich | |
| Debra Feuer | ... | Bianca Torres | |
| John Turturro | ... | Carl Cody | |
| Darlanne Fluegel | ... | Ruth Lanier | |
| Dean Stockwell | ... | Bob Grimes | |
| Steve James | ... | Jeff Rice | |
| Robert Downey Sr. | ... | Thomas Bateman (as Robert Downey) | |
| Michael Greene | ... | Jim Hart | |
| Christopher Allport | ... | Max Waxman | |
| Jack Hoar | ... | Jack | |
| Valentin de Vargas | ... | Judge Filo Cedillo (as Val DeVargas) | |
| Dwier Brown | ... | Doctor | |
| Michael Chong | ... | Thomas Ling | |
| Jacqueline Giroux | ... | Claudia Leith (as Jackely Giroux) | |
| Michael Zand | ... | Terrorist | |
| Bobby Bass | ... | FBI Agent | |
| Dar Robinson | ... | FBI Agent (as Dar Allen Robinson) | |
| Anne Betancourt | ... | Nurse | |
| Katherine M. Louie | ... | Ticket Agent | |
| Edward Harrell | ... | Airport Guard | |
| Gilbert Espinoza | ... | Bartender | |
| John Petievich | ... | Agent | |
| Zarko Petievich | ... | Agent | |
| Rick Dalton | ... | Agent | |
| Richard L. Lane | ... | Agent | |
| Jack Cota | ... | Agent | |
| Shirley J. White | ... | Airline Passenger | |
| Gerald H. Brownlee | ... | Visiting Room Guard | |
| David M. DuFriend | ... | Tower Guard | |
| Rubén García | ... | Inmate Ruben | |
| Joe Duran | ... | Prison Guard | |
| Bufort McClerkins | ... | Prison Inmate (as Buford McClerkins) | |
| Gregg Dandridge | ... | Prison Inmate | |
| Donnie Williams | ... | Rick's Friend | |
| Earnest Hart Jr. | ... | Rick's Friend | |
| Thomas F. Duffy | ... | Credit Card Counterfeiter | |
| Gerald Petievich | ... | Special Agent (as Gerry Petievich) | |
| Mark Gash | ... | Mark Gash | |
| Pat McGroarty | ... | Criminal | |
| Brian Bradley | ... | Tourist | |
| Jane Leeves | ... | Serena (as Jane Leaves) | |
| rest of cast listed alphabetically: | |||
| Alan Baltes | ... | Driver (uncredited) | |
| Gary Cole | ... | Man chased by Richard Chance (uncredited) | |
| Stevie Mack | ... | Basketball Player (uncredited) | |
Directed by | |||
| William Friedkin | |||
Writing credits | ||
| Gerald Petievich | (novel) | |
| William Friedkin | (screenplay) & | |
| Gerald Petievich | (screenplay) | |
Produced by | |||
| Irving H. Levin | .... | producer | |
| Samuel Schulman | .... | executive producer | |
| Bud S. Smith | .... | co-producer (as Bud Smith) | |
Original Music by | |||
| Darren Costin | (as Wang Chung) | ||
| Nick Feldman | (as Wang Chung) | ||
| Jack Hues | (as Wang Chung) | ||
Cinematography by | |||
| Robby Müller | (director of photography) (as Robby Muller) | ||
Film Editing by | |||
| M. Scott Smith | (as Scott Smith) | ||
Casting by | |||
| Robert Weiner | (as Bob Weiner) | ||
Production Design by | |||
| Lilly Kilvert | |||
Art Direction by | |||
| Buddy Cone | |||
Set Decoration by | |||
| Cricket Rowland | |||
Costume Design by | |||
| Linda M. Bass | (as Linda Bass) | ||
Makeup Department | |||
| Jeff Dawn | .... | head makeup artist (as Jefferson Dawn) | |
| Peter Tothpal | .... | hair stylist | |
Production Management | |||
| John J. Smith | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Charles Myers | .... | first assistant director | |
| Bob Roe | .... | second assistant director | |
| Bud S. Smith | .... | second unit director (as Bud Smith) | |
Art Department | |||
| Raymond Camaioni | .... | carpenter | |
| Dins W.W. Danielsen | .... | assistant art director (as Dins Danielson) | |
| Rainer Fetting | .... | painter: Masters' paintings | |
| Amanda J. Flick | .... | painter (as Amanda Flick) | |
| Dennis Hoerter | .... | carpenter | |
| Richard K. Hummel | .... | assistant set decorator (as Richard Hummel) | |
| Jon Hutman | .... | set dresser | |
| Portia Iversen | .... | assistant set decorator (as Portia Iverson) | |
| William C. Jones | .... | carpenter (as William Jones) | |
| Gavin McCune | .... | carpenter | |
| John Stadelman | .... | set dresser | |
| Frank Viviano | .... | construction coordinator | |
| David E. Harshbarger | .... | props (uncredited) | |
Sound Department | |||
| Gary Alexander | .... | sound re-recording mixer | |
| Jeff Bushelman | .... | sound effects editor | |
| Mike Dobie | .... | sound effects editor (as Michael Dobie) | |
| Jean-Louis Ducarme | .... | sound recordist (as Jean-Louis DuCarme) | |
| Louis L. Edemann | .... | sound effects editor | |
| Jim Fitzpatrick | .... | stereo sound consultant: Dolby | |
| Robert Glass | .... | sound re-recording mixer | |
| J. Paul Huntsman | .... | dialogue editor | |
| Chris Jenkins | .... | sound re-recording mixer (as Christopher Jenkins) | |
| Rodger Pardee | .... | sound recordist | |
| Craig Clark | .... | assistant sound editor (uncredited) | |
| Larry Kemp | .... | sound editor (uncredited) | |
| Jerry Trent | .... | foley artist (uncredited) | |
| Jay Wilkinson | .... | sound editor (uncredited) | |
Special Effects by | |||
| Phil Cory | .... | special effects (as Phil Corey) | |
Camera and Electrical Department | |||
| Robert K. Feldmann | .... | key grip (as Robert Feldman) | |
| Bob Field | .... | electrician (as Robert Field) | |
| Kevin Galbraith | .... | electrician | |
| Greg Gardiner | .... | chief lighting technician | |
| Bill Guerre | .... | grip | |
| Scott Guthrie | .... | best boy electric | |
| Tim Moore | .... | grip (as Timothy Moore) | |
| Jane O'Neal | .... | still photographer | |
| Les Percy | .... | best boy grip (as Lesley Percy) | |
| Robert D. Yeoman | .... | director of photography: second unit (as Robert Yeoman) | |
| Henry Minski | .... | assistant camera (uncredited) | |
| Randy Nolen | .... | Steadicam operator (uncredited) | |
| Vance Piper | .... | assistant camera (uncredited) | |
| Jonathan Sharpe | .... | first assistant camera: second unit (uncredited) | |
| Newton TerMeer | .... | gaffer: second unit (uncredited) | |
Casting Department | |||
| Gary M. Zuckerbrod | .... | casting associate | |
Costume and Wardrobe Department | |||
| Susie DeSanto | .... | costume supervisor | |
Editorial Department | |||
| Sonny Baskin | .... | assistant film editor | |
| Donah Bassett | .... | negative cutter | |
| Aubrey Head | .... | color timer | |
| Jere Huggins | .... | additional editor | |
| Joe Mosca | .... | assistant film editor (as Joseph Mosca) | |
| Richard Ritchie | .... | color timer (as Dick Ritchie) | |
| Bud S. Smith | .... | supervising editor | |
| Jill Smith | .... | assistant film editor | |
Transportation Department | |||
| Richard M. Brasic | .... | transportation captain (as Richard Brasic) | |
| Jeff F. Renfro | .... | transportation coordinator (as Jeffrey Renfro) | |
| Olivia Varnado | .... | transportation captain | |
| Jack Carpenter | .... | driver: camera car (uncredited) | |
| Ralph D. Carpenter | .... | driver: camera car (uncredited) | |
| Hugh Kelly | .... | driver (uncredited) | |
Other crew | |||
| Cherise Bates | .... | dancer (as Cherise Bate) | |
| Barry Bedig | .... | consultant | |
| Cynthia Chvatal | .... | assistant: William Friedkin (as Cindy Chvatal) | |
| Shaun Earl | .... | dancer | |
| Pablo Ferro | .... | consultant | |
| Lesli Linka Glatter | .... | choreographer | |
| Diana Gold | .... | post-production auditor | |
| Michael Healy | .... | location manager | |
| Michael Helfand | .... | assistant location manager | |
| Michael Higgins | .... | dancer (as Michael W. Higgins) | |
| Robert Jellen | .... | insurance provider: Albert G. Ruben & Company, Inc. (as Bob Jellen) | |
| Adele Joseph | .... | assistant: William Friedkin | |
| Chris Latanzi | .... | dancer (as Chris Lattanzi) | |
| Jane Leeves | .... | dancer (as Jane Leaves) | |
| Betsy Oliver Luhrsen | .... | production secretary | |
| Dianne Mapp-Cheek | .... | production coordinator (as Dianne Lisa Cheek) | |
| Gil Miller | .... | institutional coordinator: prison | |
| Larry Rovetti | .... | lab consultant | |
| Jackie Saunders | .... | script supervisor | |
| Michelle Troxell | .... | assistant to producer (as Michele Troxell) | |
| Woody Wilcoxan | .... | technical advisor: prison | |
| Bill Bennett | .... | terra-flite operator (uncredited) | |
| Terry Edinger | .... | post-production accountant (uncredited) | |
| Gerald Petievich | .... | police technical advisor (uncredited) | |
| Theresa Shepherd | .... | caterer (uncredited) | |
| Mike Sudrow | .... | weapons specialist (uncredited) | |
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| The Godfather | Face/Off | Live Free or Die Hard | Blade Runner | Fargo |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
A flawed but compelling tale, one that derives its success despite and perhaps because of the decade it was born into. As Director Friedkin points out in the documentary that's included with the DVD, the movie acknowledges and celebrates the "counterfeit" aspects of our lives but some of the ideas floating around here are so outlandishly amateurish and cornball - like the artist/criminal Eric Masters (Willem Dafoe) who gazes into the painted reflection of his own tormented self before setting fire to it - that it rivals the local high school drama production for sheer profundity.
Wang Chung synth-pop and Peckinpah violence lace the film and it will induce Grand-Theft Auto flashbacks when the gaming crowd watches Richard Chance (yes, that's William L. Peterson, our stoic CSI man - 20 years younger and 40 lbs. lighter) stroll into a strip club. There is energy here - the same type of kinetic existentialism from Mann's _Heat_ and this _Miami-Vice_transplantation succeeds (cheese and all) because of the commitment to and abandonment of the genre's repertoire of clichés - the obligatory car chase is here (although it's a good one), and the cops-on-the-edge thing is not unfamiliar.
Yes, this is a hackneyed action flick but cinematographer Robby Muller's picturesquely captures the city's essence (forgive me Angelenos). L.A. is the main character of this story and despite the inevitable ending the viewer is left with a warm, nostalgic feeling not only for this great city but for the many times we've drifted through L.A.'s phantom-like streets in countless other movies and in our own imaginations.