| Photos (See all 62 | slideshow) | Videos (see all 27) |
| Isabella Rossellini | ... | Dorothy Vallens | |
| Kyle MacLachlan | ... | Jeffrey Beaumont (as Kyle Maclachlan) | |
| Dennis Hopper | ... | Frank Booth | |
| Laura Dern | ... | Sandy Williams | |
| Hope Lange | ... | Mrs. Williams | |
| Dean Stockwell | ... | Ben | |
| George Dickerson | ... | Detective Williams | |
| Priscilla Pointer | ... | Mrs. Beaumont | |
| Frances Bay | ... | Aunt Barbara | |
| Jack Harvey | ... | Mr. Beaumont | |
| Ken Stovitz | ... | Mike | |
| Brad Dourif | ... | Raymond | |
| Jack Nance | ... | Paul | |
| J. Michael Hunter | ... | Hunter | |
| Dick Green | ... | Don Vallens | |
| Fred Pickler | ... | Yellow Man | |
| Philip Markert | ... | Dr. Gynde | |
| Leonard Watkins | ... | Double Ed | |
| Moses Gibson | ... | Double Ed | |
| Selden Smith | ... | Nurse Cindy | |
| Peter Carew | ... | Coroner | |
| Jon Jon Snipes | ... | Little Donny | |
| Angelo Badalamenti | ... | Piano Player (as Andy Badale) | |
| Jean Pierre Viale | ... | Master of Ceremonies | |
| Donald Moore | ... | Desk Sergeant | |
| A. Michelle Depland | ... | Party Girl | |
| Michelle Sasser | ... | Party Girl | |
| Katie Reid | ... | Party Girl | |
| Sparky | ... | The Dog | |
| rest of cast listed alphabetically: | |||
| Robert J. Maxwell | ... | Slow Club Customer (uncredited) | |
Directed by | |||
| David Lynch | |||
Writing credits | ||
| David Lynch | (screenplay) | |
Produced by | |||
| Fred C. Caruso | .... | producer (as Fred Caruso) | |
| Richard A. Roth | .... | executive producer (as Richard Roth) | |
Original Music by | |||
| Angelo Badalamenti | |||
Cinematography by | |||
| Frederick Elmes | (director of photography) | ||
Film Editing by | |||
| Duwayne Dunham | |||
Casting by | |||
| Pat Golden | |||
| Johanna Ray | |||
Production Design by | |||
| Patricia Norris | |||
Set Decoration by | |||
| Edward 'Tantar' LeViseur | |||
Makeup Department | |||
| Jeff Goodwin | .... | makeup supervisor | |
| Dean Jones | .... | special effects makeup | |
| Barbara Page | .... | assistant makeup artist | |
| Barbara Page | .... | hair stylist | |
| Dean Gates | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Fred C. Caruso | .... | production manager (as Fred Caruso) | |
| Gail Kearns | .... | production supervisor (as Gail M. Kearns) | |
Second Unit Director or Assistant Director | |||
| Ellen Rauch | .... | first assistant director | |
| Ian Woolf | .... | second assistant director | |
Art Department | |||
| Michel Anderson | .... | props-set dresser | |
| Shaw Burney | .... | set prop man | |
| Catherine Davis | .... | art department assistant | |
| Vernon Harrell | .... | props-set dresser | |
| Edward 'Tantar' LeViseur | .... | property master (as Tantar Leviseur) | |
| Tanya Lowe | .... | scenic artist | |
| Loren McNamara | .... | props-set dresser (as Loren Mcnamara) | |
| Les Pendleton | .... | construction coordinator (as Les Pendelton) | |
| Paul Sebastian | .... | props-set dresser | |
| Dawn Serody | .... | draftsperson | |
| Robert Testerman | .... | chief scenic artist | |
| Tim Viereck | .... | lead carpenter | |
| Arron Waitz | .... | props set dresser | |
| Doug White | .... | props-set dresser | |
| Mark S. Turner | .... | stand-by painter (uncredited) | |
Sound Department | |||
| Alan Abrams | .... | assistant sound editor | |
| Mark Berger | .... | re-recording mixer | |
| Karen Brocco | .... | assistant sound editor | |
| Frank E. Eulner | .... | sound recordist (as Frank Eulner) | |
| Rob Fruchtman | .... | sound editor | |
| Vivien Hillgrove Gilliam | .... | dialogue editor (as Vivien Gilliam) | |
| Sarah Goldsmith | .... | assistant sound editor (as Sarah Rothenberg) | |
| Richard Hymns | .... | sound effects editor | |
| Pat Jackson | .... | sound editor | |
| Ann Kroeber | .... | sound mixer | |
| Patrick Moriarty | .... | boom operator | |
| John Morris | .... | assistant sound editor | |
| John Nutt | .... | dialogue editor | |
| David Parker | .... | sound re-recording mixer | |
| Paige Sartorius | .... | assistant sound editor (as Page Sartorius) | |
| Michael Silvers | .... | dialogue editor | |
| Alan Splet | .... | sound designer | |
| Dennie Thorpe | .... | foley artist | |
| John Verbeck | .... | assistant sound editor | |
| Philip Rogers | .... | sound recordist (uncredited) | |
Special Effects by | |||
| George R. Hill | .... | special effects (as George Hill) | |
| Greg Hull | .... | special effects | |
Stunts | |||
| Reginald Barnes Jr. | .... | stunt performer | |
| David Boushey | .... | stunt performer | |
| Robert Burton | .... | stunt performer | |
| Mark Fincannon | .... | stunt performer (as W. Mark Fincannon) | |
| Richard Langdon | .... | stunt coordinator | |
| Sherrie Ann Langdon | .... | stunt performer | |
| John W. McEuen | .... | stunt performer (as John W. Mceuen) | |
| Dean Mumford | .... | stunt performer | |
| Debra Shuckman | .... | stunt performer (as Debra Schuckman) | |
| Ken Sprunt Jr. | .... | stunt performer | |
Casting Department | |||
| Sharon Bialy | .... | casting assistant | |
| Pamela Guest | .... | casting associate (as Pam Rack) | |
| Nina Axelrod | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Gloria Glynn | .... | costume shop supervisor (as Gloria Laughridge) | |
| Ronald Leamon | .... | costumer | |
| Henry Earl Lewis | .... | set wardrobe | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter (as Donnah Bassett) | |
| Brian Berdan | .... | apprentice editor | |
| Tim Craig | .... | apprentice editor | |
| Jonathan P. Shaw | .... | assistant editor (as Jonathan Shaw) | |
| Mary Sweeney | .... | assistant editor | |
| Daniel S. Frisch | .... | post-production assistant (uncredited) | |
Music Department | |||
| Mark Adler | .... | music editor | |
| Angelo Badalamenti | .... | conductor | |
| Sandina Bailo-Lape | .... | assistant music editor | |
| Todd Boekelheide | .... | music re-recording mixer | |
| David Lynch | .... | composer: additional music | |
Transportation Department | |||
| John Bankson | .... | driver | |
| Doug DuRose | .... | driver (as Doug Du Rose) | |
| Pat Hill | .... | transportation coordinator (as Patricia Hill) | |
| Cynthia Jarose | .... | driver | |
| A. Welch Lambeth | .... | driver (as Welch Lambeth) | |
Other crew | |||
| Morris Atkins | .... | location coordinator | |
| Celia Claire Barnes | .... | production assistant | |
| Frank Behnke | .... | intern associate | |
| Edward Bowen | .... | location assistant (as Edward Bown) | |
| Peter Braatz | .... | intern associate | |
| Mary Bridges | .... | craft service | |
| Patty Clark | .... | production assistant | |
| Kathryn Colbert | .... | production office coordinator | |
| Chrissie Davis | .... | production secretary (as Sarah Christine Davis) | |
| Steve Day | .... | production assistant | |
| Roe Fonvielle | .... | production assistant | |
| Cindy J. Gray | .... | assistant accountant (as Cindy Jo Gray) | |
| Bobby Kearns | .... | production assistant (as Robert Kearns) | |
| Kathi Levine | .... | assistant accountant | |
| Lyn Lucibello | .... | auditor (as Rita M. Lucibello) | |
| Jennifer Chambers Lynch | .... | production assistant (as Jennifer Lynch) | |
| Rena Sternfeld-Allon | .... | script supervisor (as Rina Sternfeld) | |
| John Wentworth | .... | assistant: David Lynch | |
| John Wildermuth | .... | key production assistant | |
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| A History of Violence | The Black Dahlia | Freeway | The Dark Knight | Mr. Brooks |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
A very strange movie but incredible. A young man (Kyle MacLaclan) comes home to help care for his sick father. Soon he's in love with a detective's daughter (Laura Dern) and mixed up in a mystery involving Dorothy Valdes (Isabella Rossellinni) and psycho Frank Booth (Dennis Hopper).
Probably David Lynch's best film. The story has gaps in logic, but it's secondary to some incredible wide screen imagery (this has to be seen letter-boxed...no two ways about it). Lynch has said in interviews that he thinks of the image first then works it into the movie. You can tell...things that make no sense at first gradually make sense later on. This movie also demands multiple viewings...I was so shocked the first time I saw it, I couldn't concentrate on it...it took THREE viewings to finally get it.
As to what the movie is about...it depends who you ask. Some people said it's the Hardy Boys on drugs...others say it's about a boy's sexual awakening...others see it as good vs. evil...each one is a valid statement! To me, that's a true art film...one that means multiple things all at once.
The performances are top-notch. This film made MacLachlan...him and Laura Dern work well together and give nice low-key performances. Dern is just great...but she does look pretty silly when she tries to cry. Rossellinni is nowhere near as good as her mother (Ingrid Bergman) was, but she deserves credit for taking such a risky role. She's pretty good. Hopper is WAYYYYYYY over the top as Booth...he's both horrifying and hilarious...a great performance. And let's not forget Dean Stockwell as "suave Ben". His "performance" of "In Dreams" is a definite highlight.
Be warned--the film is very extreme. There's explicit violence, plenty of nudity, sex and tons of profanity. Not for the squeamish. Still, I loved it from beginning to end. One of my favorite films of all time.