| Photos (See all 13 | slideshow) |
| Gabriel Byrne | ... | Byron | |
| Julian Sands | ... | Shelley | |
| Natasha Richardson | ... | Mary Shelley | |
| Myriam Cyr | ... | Claire Clairmont | |
| Timothy Spall | ... | Dr. Polidori | |
| Alec Mango | ... | Murray | |
| Andreas Wisniewski | ... | Fletcher | |
| Dexter Fletcher | ... | Rushton | |
| Pascal King | ... | Justine | |
| Tom Hickey | ... | Tour Guide | |
| Linda Coggin | ... | Turkish Mechanical Woman | |
| Kristine Landon-Smith | ... | Mechanical Woman | |
| Chris Chappell | ... | Man in Armour (as Chris Chappel) | |
| Mark Pickard | ... | Young William | |
| Kiran Shah | ... | Fuseli Monster | |
| Christine Newby | ... | Shelley Fan | |
| Kim Tillesly | ... | Shelley Fan (as Kim Tillesley) | |
| rest of cast listed alphabetically: | |||
| Ken Russell | ... | Tourist (uncredited) | |
Directed by | |||
| Ken Russell | |||
Writing credits(in alphabetical order) | ||
| Lord Byron | story | |
| Percy Bysshe Shelley | story | |
| Stephen Volk | screenplay | |
Produced by | |||
| Al Clark | .... | executive producer | |
| Penny Corke | .... | producer | |
| Robert Devereux | .... | executive producer | |
| Robert Fox | .... | producer (uncredited) | |
Original Music by | |||
| Thomas Dolby | |||
Cinematography by | |||
| Mike Southon | |||
Film Editing by | |||
| Michael Bradsell | |||
Casting by | |||
| Mary Selway | |||
Production Design by | |||
| Christopher Hobbs | |||
Art Direction by | |||
| Michael Buchanan | |||
Costume Design by | |||
| Kay Gallwey | |||
| Victoria Russell | |||
Makeup Department | |||
| Yvonne Coppard | .... | makeup artist | |
| Pat Hay | .... | key makeup artist | |
| Meinir Jones Brock | .... | chief hair stylist (as Meinir Brock) | |
| Tracy Smith | .... | hair stylist (as Tracey Smith) | |
Production Management | |||
| Laura Julian | .... | production manager | |
| Paul Sparrow | .... | production manager: pre-production (uncredited) | |
Second Unit Director or Assistant Director | |||
| Peter Freeman | .... | third assistant director (as Pete Freeman) | |
| Callum McDougall | .... | key second assistant director | |
| Iain Patrick | .... | first assistant director | |
Art Department | |||
| Mick Bates | .... | carpenter | |
| Alan Brown | .... | stagehand | |
| Bob Cann | .... | carpenter (as Robert Cann) | |
| Alan Chesters | .... | construction manager | |
| Paul Dufficey | .... | portraits | |
| Trisha Edwards | .... | property buyer (as Tricia Edwards) | |
| Peter Ettedgui | .... | runner: art department | |
| Peter Grant | .... | property master | |
| Eddie McMahon | .... | stand-by props | |
| Kieron Mcnamara | .... | stand-by props (as Kieron McNamara) | |
| Micky Mills | .... | dressing props (as Michael Mills) | |
| Rodney Pincott | .... | property master | |
| John Roberts | .... | painter | |
| Tom Roberts | .... | painter | |
| Anne Tilby | .... | art director: front title sequence | |
| Stewart Hadley | .... | chargehand (uncredited) | |
Sound Department | |||
| Campbell Askew | .... | dubbing editor | |
| John Chandler | .... | boom operator | |
| Mike Dowson | .... | sound re-recording mixer | |
| Gerard McCann | .... | assistant sound editor | |
| Shaun Mills | .... | sound maintenance | |
| Andy Nelson | .... | sound re-recording mixer | |
| Peter Pennell | .... | dialogue editor | |
| Graham Sutton | .... | sound effects editor | |
| Bruce White | .... | sound mixer | |
| Lionel Strutt | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Graham High | .... | sculptural effects | |
| Jeremy Hunt | .... | sculptural effects assistant | |
| Ian Morse | .... | sculptural effects | |
| Stephen Onions | .... | sculptural effects assistant (as Steve Onions) | |
| Ian Whittaker | .... | sculptural effects assistant | |
| Matthew Horton | .... | special effects assistant (uncredited) | |
Stunts | |||
| Helen Caldwell | .... | stunt woman | |
| Tony Smart | .... | stunts | |
| Roy Street | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Mike Barker | .... | camera trainee: Jobfit | |
| Alf Bloor | .... | rigger (as Alfie Bloor) | |
| Michael Brown | .... | best boy | |
| Jeremy Connolly | .... | electrician | |
| Clive Coote | .... | still photographer | |
| Graham Day | .... | clapper loader | |
| Mike Fox | .... | lighting technician: front title sequence | |
| Stewart Hadley | .... | generator operator (as Stuart Hadley) | |
| Don McLellan | .... | rigger | |
| Tommy Moran | .... | gaffer | |
| Steve Parker | .... | focus puller | |
| Kelvin Richards | .... | clapper loader | |
| Malcolm Sheehan | .... | camera grip | |
| Stevie Smith | .... | electrician | |
Costume and Wardrobe Department | |||
| Kay Gallwey | .... | costume stylist | |
| Michael Jeffery | .... | wardrobe supervisor | |
Editorial Department | |||
| Karen Cross | .... | second assistant editor | |
| Mark Latimer | .... | first assistant editor | |
Music Department | |||
| Clif Brigden | .... | music producer | |
| John Fiddy | .... | additional orchestrator | |
| Gaynor Sadler | .... | music arranger: additional arrangements | |
| Gaynor Sadler | .... | musician | |
| Tony Sadler | .... | music arranger: additional arrangements | |
| Tony Sadler | .... | musician | |
| Greg Fulginiti | .... | music engineer (uncredited) | |
Transportation Department | |||
| Frank Barretta | .... | driver | |
| Hamish Bell | .... | driver | |
| Peter Bergluno | .... | driver | |
| Joe Drinkeld | .... | transportation | |
| Gerry Floyd | .... | driver (as Jerry Floyd) | |
| Peter Godfrey | .... | driver | |
| Frank Hogan | .... | driver | |
| Tony Leport | .... | driver | |
| Joe Murphy | .... | driver | |
| Ron Narduzzo | .... | driver | |
| Tony Walker | .... | driver | |
Other crew | |||
| Cate Arbeid | .... | production assistant | |
| Anthony Bryans | .... | runner: production office | |
| Nick Daubeny | .... | location manager | |
| Roger Farr | .... | animal work | |
| Peter Govey | .... | opticals | |
| Peter Govey | .... | titles | |
| Tom Hugh-Jones | .... | runner: production unit | |
| Rosamunde Maxwell | .... | unit nurse | |
| Zakiya Powell | .... | unit publicist | |
| Lissa Ruben | .... | script supervisor | |
| Sarah Stinchcombe | .... | assistant to producer | |
| Jane Studd | .... | assistant location manager | |
| Will Tyler | .... | assistant accountant (as William Tyler) | |
| Ronaldo Vasconcellos | .... | production accountant | |
| Vicki Wallis | .... | assistant to director | |
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| Remando al viento | Howl | Haunted Summer | Rois et reine | Party Monster |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb UK section |
Despite it's uninspiring title, Ken Russell's "Gothic" is actually an intriguing, and uniquely inspiring piece of cinema. Mary Shelly's "Frankenstein" is one of the stories that has helped to shape horror cinema, and so the story behind it is guaranteed to interest horror fans. This film isn't exactly the story of how the story came to fruition; but rather a compilation of ideas surrounding "what could have happened" (but quite clearly didn't). The film takes influence from the enigmatic Lord Byron more than anything, and it's always him that springs to mind as we watch the small cast delve into their imaginations, culminating in an orgy of sex and violence. The story is simple, and focuses more on imagery and the ideas behind what is happening on screen. We follow Percy Shelly and his wife to be, Mary; along with her sister Claire, who travel to the self-exiled home of Lord Byron. While there, the four of them; along with Byron's biographer, decide to indulge in the art of making up ghost stories. However, the fun gets out of hand when the quintet begins to believe that they have actually created a monster.
The film has a very 'intellectual' flavour, but the fact is that there isn't a lot below the surface of this film. Gothic, to me at least, is a visual treat rather than food for thought - with Ken Russell's imagery providing more than any deep and complex substance. The imagery is stunning, and fits into the film very well. Russell's sets compliment the story excellently, and the atmosphere in which the film takes place is more important than the story itself. Lord Byron's house is almost a character within itself, and when combined with the actual characters; Russell has provided horror fans with a very surreal film indeed. The cast is excellent. Films with a small cast rely more on their actors, and this film certainly doesn't fall down in that respect. Gabriel Byrne leads the cast, and does an excellent job of holding the film together. Julian Sands, Natasha Richardson, Myriam Cyr and Timothy Spall, who all portray their characters excellently, join him. On the whole; I can easily see why people dislike this film; as it's somewhat messy, and doesn't adhere to common horror standards - but if you like your horror different, this is highly recommended.