| Photos (See all 13 | slideshow) |
Directed by | |||
| Willard Huyck | |||
Writing credits | ||
| Steve Gerber | (Marvel comics character: Howard the Duck) | |
| Willard Huyck | (written by) & | |
| Gloria Katz | (written by) | |
Produced by | |||
| Robert Latham Brown | .... | co-producer | |
| Ian Bryce | .... | associate producer | |
| Gloria Katz | .... | producer | |
| George Lucas | .... | executive producer | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Richard H. Kline | |||
Film Editing by | |||
| Michael Chandler | |||
| Sidney Wolinsky | |||
Casting by | |||
| Dianne Crittenden | |||
Production Design by | |||
| Peter Jamison | |||
Art Direction by | |||
| Mark Billerman | |||
| Blake Russell | |||
Set Decoration by | |||
| Phil Abramson | |||
Costume Design by | |||
| Joe I. Tompkins | (as Joe Tompkins) | ||
Makeup Department | |||
| Gracie Atherton | .... | makeup artist | |
| Karen Bradley | .... | makeup artist: second unit | |
| Thomas R. Burman | .... | makeup designer: Dr. Jenning | |
| Bari Dreiband-Burman | .... | makeup designer: Dr. Jenning | |
| Joy Zapata | .... | hair stylist | |
Production Management | |||
| Robert Latham Brown | .... | production manager | |
| Richard Hashimoto | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Patrick Cosgrove | .... | second assistant director (as Pat Cosgrove) | |
| Rodney Allen Hooks | .... | second assistant director: second unit | |
| L. Dean Jones Jr. | .... | second assistant director (as Dean Jones) | |
| Dan Kolsrud | .... | first assistant director | |
| John Liberti | .... | first assistant director: second unit | |
| Thomas J. Wright | .... | second unit director | |
Art Department | |||
| Dave Archer | .... | celestial paintings | |
| Bob Bauer | .... | property maker | |
| Danny Colangelo | .... | property master | |
| Paul Dal Porto | .... | property master: second unit | |
| Stephen J. Gardner | .... | assistant property master: second unit (as Steve Gardner) | |
| Dale Haugo | .... | lead scenic artist | |
| Harley Jessup | .... | assistant to production designer | |
| Jack Kostelnik | .... | property maker | |
| John Lister | .... | carpenter | |
| Pamela Marcotte | .... | set designer | |
| George F. Mauricio | .... | property assistant | |
| Jim Pohl | .... | set designer | |
| Michelle Souza | .... | property assistant | |
| J. Michael Speakman | .... | property assistant | |
| John Warnke | .... | assistant art director | |
| Steven Westlund | .... | property master | |
| J. Michael Davis | .... | set dresser (uncredited) | |
| Michael Jupp | .... | storyboard artist (uncredited) | |
| Doug E. Williams | .... | carpenter (uncredited) | |
Special Effects by | |||
| Marty Brenneis | .... | special effects | |
| Gregory M. Childers | .... | special effects (as Greg Childers) | |
| Scott Forbes | .... | special effects foreman | |
| Scott Forbes | .... | special effects technician | |
| Reuben Goldberg | .... | special effects | |
| Jeff Jarvis | .... | second unit coordinator | |
| Jeff Jarvis | .... | special effects foreman | |
| Bob MacDonald Jr. | .... | special effects supervisor | |
| Robert MacDonald | .... | special effects foreman | |
| Jeff Marz | .... | special effects | |
| John McLeod | .... | special effects foreman | |
| Dan Nelson | .... | special effects | |
| Noni Norwood | .... | special effects production assistant | |
| Richard Ratliff | .... | special effects foreman | |
| Raymond Robinson | .... | special effects | |
| Diana Allen Williams | .... | puppeteer | |
| Larry Odien | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Barbara Affonso | .... | model maker: ILM visual effects unit | |
| Peter Albrecht | .... | rotoscope: ILM visual effects unit | |
| Jon Alexander | .... | animation camera effects: ILM visual effects unit | |
| Kirk Amidano | .... | model maker: ILM visual effects unit | |
| John Allan Armstrong | .... | visual effects animator: ILM visual effects unit | |
| Charles Bailey | .... | manager: ILM creature shop | |
| Donna K. Baker | .... | rotoscope: ILM visual effects unit | |
| Gordon Baker | .... | visual effects animator: ILM visual effects unit | |
| Greg Beaumonte | .... | engineer: ILM visual effects unit | |
| Tom Bertino | .... | rotoscope: ILM visual effects unit | |
| Barbara Brennan | .... | rotoscope: ILM visual effects unit | |
| Bill Brewer | .... | wig maker: ILM creature shop | |
| Rob Burton | .... | animation camera effects: ILM visual effects unit | |
| Sean M. Casey | .... | mold design supervisor: ILM creature shop | |
| Nicole Cavallero | .... | featherer: ILM creature shop | |
| Lanny Cermak | .... | engineer: ILM visual effects unit | |
| Wade Childress | .... | visual effects matte photography: ILM | |
| Terry Chostner | .... | stop motion photography: ILM visual effects unit | |
| Donald Clark | .... | optical camera operator: ILM visual effects unit | |
| Milo Coates | .... | featherer: ILM creature shop | |
| Robert Cooper | .... | artisan: ILM creature shop | |
| Kim Costalupes | .... | assistant editor: ILM visual effects unit | |
| Peter Daulton | .... | visual effects camera operator: ILM visual effects unit | |
| Jay Davis | .... | artisan: ILM creature shop | |
| Jeff Doran | .... | lab technician: ILM visual effects unit | |
| Dick Dova | .... | stage technician: ILM visual effects unit (as Richard Dova Spah) | |
| Karen Dube | .... | production assistant: ILM visual effects unit | |
| Sheila Duignan | .... | stop motion construction: ILM visual effects unit | |
| Cheryl Durham | .... | production accountant: ILM visual effects unit | |
| Randy Dutra | .... | stop motion construction: ILM visual effects unit | |
| John Ellis | .... | optical consultant: ILM visual effects unit | |
| Chrissie England | .... | visual effects coordinator: ILM | |
| Nicholas J. Esposto | .... | animatronic designer: ILM creature shop | |
| Chuck Eyler | .... | visual effects animator: ILM visual effects unit | |
| Ellen Ferguson | .... | rotoscope: ILM visual effects unit | |
| Bob Fernley | .... | production buyer: ILM creature shop | |
| Robert Finley Jr. | .... | miniature pyrotechnics: ILM visual effects unit | |
| Warren Franklin | .... | general manager: ILM | |
| Joe Fulmer | .... | stage technician: ILM visual effects unit | |
| Tim Geideman | .... | lab technician: ILM visual effects unit | |
| Bill George | .... | visual effects chief model maker: ILM | |
| Tim Gillett | .... | location animatronics: ILM creature shop | |
| Chris Goehe | .... | moldmaker: ILM creature shop | |
| Ralph Gordon | .... | optical line-up: ILM visual effects unit | |
| Ned Gorman | .... | production assistant: ILM visual effects unit | |
| Caroleen Green | .... | matte artist: ILM visual effects unit | |
| Thomas M. Grimm | .... | animatronic designer: ILM creature shop | |
| Lynn Gustafson | .... | featherer: ILM creature shop | |
| Joanne Hafner | .... | rotoscope: ILM visual effects unit | |
| James Hagedorn | .... | optical camera operator: ILM visual effects unit | |
| Cris Hammond | .... | model maker: ILM visual effects unit | |
| Ian Hiebert | .... | production assistant | |
| Edward Hirsh | .... | production manager: ILM visual effects unit | |
| Sandy Houston | .... | rotoscope: ILM visual effects unit | |
| Tony Hudson | .... | moldmaker: ILM creature shop | |
| Peg Hunter | .... | optical line-up: ILM visual effects unit | |
| Jay Ignaszewski | .... | visual effects | |
| Brad Jerrell | .... | stage technician: ILM visual effects unit | |
| Dave 'Chuck' Johnson | .... | location animatronics: ILM creature shop | |
| Ed Jones | .... | optical line-up: ILM visual effects unit | |
| Sean Joyce | .... | matte artist: ILM visual effects unit | |
| Sandra Ford Karpman | .... | production assistant: ILM visual effects unit (as Sandra R. Ford) | |
| Paula Karsh | .... | production buyer: ILM creature shop | |
| Pam Kaye | .... | production accountant: ILM visual effects unit | |
| Pete Kozachik | .... | visual effects camera operator: ILM visual effects unit | |
| Tad Krzanowski | .... | animatronic designer: ILM creature shop | |
| Lisa Lamerdin | .... | featherer: ILM creature shop | |
| Tim Lawrence | .... | duck world ducks creation: ILM creature shop | |
| Victoria Lewis | .... | featherer: ILM creature shop | |
| Laurel Lichten | .... | painter: ILM creature shop | |
| Ellen E. Lichtwardt | .... | visual effects animation supervisor: ILM | |
| James Lim | .... | optical camera operator: ILM visual effects unit | |
| Mike MacKenzie | .... | engineer: ILM visual effects unit | |
| Tamia Marg | .... | stop motion construction: ILM visual effects unit | |
| Michael J. McAlister | .... | visual effects supervisor | |
| Patrick McArdle | .... | stop motion photography: ILM visual effects unit | |
| Sean McCormick | .... | foam latex technician: ILM creature shop | |
| David McCue | .... | visual effects optical supervisor: ILM | |
| Roberto McGrath | .... | stills: ILM visual effects unit | |
| Scott McNamara | .... | location animatronics: ILM creature shop | |
| Mark S. Miller | .... | coordinator: ILM creature shop | |
| Richard Miller | .... | sculptor: ILM creature shop | |
| Jack Mongovan | .... | rotoscope: ILM visual effects unit | |
| Rodney Morgan | .... | animatronic designer: ILM creature shop | |
| Jodi Muggenthaler | .... | production accountant: ILM visual effects unit | |
| Charlie Mullen | .... | production manager: ILM visual effects unit | |
| Lori J. Nelson | .... | production assistant: ILM visual effects unit | |
| Bruce Nicholson | .... | optical consultant: ILM visual effects unit | |
| Kerry Nordquist | .... | stills: ILM visual effects unit | |
| Phillip Norwood | .... | visual effects art direction | |
| Michael Olague | .... | visual effects crew | |
| Jeff Olson | .... | model maker: ILM visual effects unit (as Jeffrey Olsen) | |
| Frank Ordaz | .... | visual effects matte painting supervisor: ILM | |
| Randy Ottenberg | .... | model maker: ILM visual effects unit | |
| Michael Owens | .... | visual effects camera operator: ILM visual effects unit | |
| Ease Owyeung | .... | animatronic designer: ILM creature shop | |
| Ease Owyeung | .... | model shop supervisor: ILM visual effects unit | |
| Caris Palm | .... | visual effects camera operator: ILM visual effects unit | |
| Udo Pampel | .... | visual effects machine shop: ILM | |
| Terrence Peck | .... | assistant editor: ILM visual effects unit | |
| Mary-Curtis Ratcliff | .... | featherer: ILM creature shop | |
| Stacy Raven | .... | featherer: ILM creature shop | |
| John Reed | .... | moldmaker: ILM creature shop | |
| Cindy Reid | .... | rotoscope: ILM visual effects unit | |
| Jay Riddle | .... | animation cameraman | |
| Louis Rivera | .... | lab technician: ILM visual effects unit | |
| Susan Ross | .... | model maker: ILM visual effects unit | |
| Thomas Rosseter | .... | optical line-up: ILM visual effects unit | |
| Wesley Seeds | .... | model maker: ILM visual effects unit | |
| Mark Setrakian | .... | animatronic designer: ILM creature shop | |
| Kenneth Smith | .... | optical consultant: ILM visual effects unit | |
| David Sosalla | .... | consulting designer: ILM creature shop (as Dave Sosalla) | |
| Tom St. Amand | .... | visual effects stop motion animation: ILM | |
| Howard Stein | .... | visual effects editor: ILM | |
| Nick Stern | .... | visual effects animator: ILM visual effects unit | |
| Kitt Stevens | .... | production buyer: ILM creature shop | |
| Shelly Stevens | .... | featherer: ILM creature shop | |
| Peter Stolz | .... | miniature pyrotechnics: ILM visual effects unit | |
| Eben Stromquist | .... | animatronic design supervisor: ILM creature shop | |
| Pat Sweeney | .... | visual effects camera operator: ILM visual effects unit | |
| Marc Thorpe | .... | animatronic designer: ILM creature shop | |
| Vince Tilker | .... | visual effects machine shop: ILM | |
| Phil Tippett | .... | stop motion supervisor: ILM visual effects unit | |
| Pat Turner | .... | visual effects camera operator: ILM visual effects unit | |
| Sean Turner | .... | visual effects animator: ILM visual effects unit | |
| Richard Vander Wende | .... | matte artist: ILM visual effects unit | |
| Bruce Vecchitto | .... | optical line-up: ILM visual effects unit | |
| Lauren Vogt | .... | location makeup and feathers: ILM creature shop | |
| Harry Walton | .... | visual effects stop motion supervisor: ILM | |
| Chuck Wiley | .... | model maker: ILM visual effects unit | |
| Jeffrey Wilkins | .... | animatronic designer: ILM creature shop | |
| Hal Miles | .... | visual effects artist (uncredited) | |
| Phil Robinson | .... | visual effects animator: ILM (uncredited) | |
Stunts | |||
| Everett Creach | .... | stunt coordinator | |
| Margarita Fernández | .... | stunt duck | |
| Paul M. Lane | .... | stunt driver | |
| Don Ruffin | .... | stunts | |
| Mickey Alzola | .... | stunts (uncredited) | |
| Debbie Lee Carrington | .... | stunt duck (uncredited) | |
| Everett Creach | .... | stunts (uncredited) | |
| Norma J. Creach | .... | stunts (uncredited) | |
| Dick Durock | .... | stunts (uncredited) | |
| Bob Herron | .... | stunts (uncredited) | |
| Shawn Lane | .... | stunt double: Tim Robbins (uncredited) | |
| Gary Littlejohn | .... | stunts (uncredited) | |
| Eddie Mulder | .... | stunts (uncredited) | |
| Felix Silla | .... | stunt duck (uncredited) | |
| Neil Summers | .... | stunts (uncredited) | |
Casting Department | |||
| Jill Alman | .... | casting: second unit | |
| Patricia DeOliveira | .... | additional casting | |
| Nancy Nayor | .... | additional casting | |
| Diane Saltzberg | .... | additional casting | |
Costume and Wardrobe Department | |||
| Michael Becker | .... | costume coordinator | |
| Bill Brewer | .... | assistant costume designer | |
| Andrea Cooper | .... | costumer | |
| Claudia Everett | .... | specialty costume cutter | |
| Barbara Hartman-Jenichen | .... | specialty costume cutter | |
| Jerry Holcomb | .... | wardrobe assistant second unit | |
| Odessa McDuffie | .... | costumer | |
| Sue Miller | .... | assistant costume designer | |
| Sue Miller | .... | wardrobe supervisor: second unit | |
| Kathy Phillips | .... | costumer | |
| Anne Polland | .... | key costumer | |
| Nancy Servin | .... | costume cutter: specialty costumes | |
Editorial Department | |||
| Charles Bornstein | .... | additional editor | |
| Phil Downey | .... | color timer | |
| Rick Finney | .... | assistant editor | |
| Jay Ignaszewski | .... | first assistant editor | |
| Kate MacDonald | .... | apprentice editor | |
| Debra McDermott | .... | associate editor | |
| Jim Schurmann | .... | color timer | |
| Edward Warschilka | .... | additional editor | |
| John Watson | .... | assistant editor | |
Music Department | |||
| John Barry | .... | conductor | |
| Tom Boyd | .... | musician: oboe soloist | |
| Christopher S. Brooks | .... | supervising music editor | |
| Thomas Dolby | .... | music producer: original songs | |
| Dennis Dreith | .... | composer: additional music | |
| Jeff Kliment | .... | music editor | |
| Sylvester Levay | .... | composer: additional music | |
| Richard McIlvery | .... | music mixer: Musician | |
| Louise Rubacky | .... | assistant music editor | |
| Rick Sanchez | .... | music recording engineer | |
| James Thatcher | .... | musician: French horn | |
| Dan Wallin | .... | music recordist | |
Transportation Department | |||
| Jack Carpenter | .... | driver: camera car | |
| Wes Phillips | .... | transportation captain: second unit | |
| Anthony Muto Jr. | .... | picture vehicles (uncredited) | |
Thanks | |||
| Justin Silverman | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Considered one of the most notorious box-office flops in history (next to the 'Road to Morocco'-ripoff 'Ishtar' with Dustin Hoffman and Warren Beatty the following year), 'Howard the Duck' became the laughing stock of critics and movie-goers alike when it was released in theaters in 1986. If its executive producer, George Lucas, had his way, he would have canned that movie for good. But thanks to the home video boom in the 1980s, 'Howard' would follow suit and find his way into video stores across America.
Nearly twenty years later, 'Howard' is slowly being pulled from video store shelves. But it is now that a film of such poor quality can be truly appreciated.
Here's how it all goes down: You are dropped onto a planet from a far-away universe, where ducks are human-like and are running the world, only to be pulled out again moments later. An everyday working-duck by the name of Howard gets sucked out of his living room on his recliner after returning to his apartment after a long, hard day.
After the opening title is shown in the thundering tradition of cinematic heavyweights like '2001: A Space Odyssey', we see Howard's decent toward the planet Earth. Once he has reluctantly gotten his feet on the ground, he clashes with the dregs of society and saves the lead singer of an all-female punk band named Beverly, (played by 'Back to the Future's Lea Thompson). She tries to give him a hand, and help him get an explanation as to how he got sucked out of his living room and landed in Cleveland, Ohio.
That explanation never actually makes any sense, but that doesn't matter, because better plot developments hinge upon it. With the help of a goofy lab janitor Phil (played by the immortal Tim Robbins in an early comedic role) and a big time nuclear scientist Dr. Jennings (none other than Jeffery Jones), Howard finds out that a giant laser Jennings was using went haywire, and pulled Howard down instead. But going back isn't going to be so easy, because one of Dark Overlords of Evil hitched a ride on that laser, and has plans of planet domination and destruction. And who better than to save the day than the 3'1" (3'2", that is) wise-"quacking" title character, Howard T. Duck!
Although George Lucas got ripped apart for having his hands in this one, I have yet to see a movie that is so awful, so terribly bad that I have been brought to tears crying at simply recalling scenes from this flick. The opening sequences on the duck planet contain countless parodies of American pop culture, and Howard's implausible hurtle through space is enough to make even the most serious chuckle.
Audiences back in 1986 didn't seem to, however. But something about watching this flop nearly two decades later makes all of these scenes so much funnier. The way I see it, our teen generation now has a funny fascination with the decade in which they were born, the 80s, and anything from it has a distinctive look and sound. American pop culture was throwing away Three's Company for MTV, LPs for tapes, and the Bee Gees for the Brat Pack. The youth took yet another step in distancing themselves from their parents, and although they furthered that schism, they too felt a strong connection the past few decades. What was happening when I was in utero? Taking my first steps? Saying my first words?
Today's generation has 'Howard the Duck' as one of the most endangered time capsules of the 80s. You've got a one-of-a-kind performance by now Acadmey Award Winner Tim Robbins, whose his explanation of duck's evolutionary scale is priceless. George Lucas's own Industrial Light and Magic (ILM) special effects studio must be embarassed to have itself credited with the horrendous effects (the Dark Overlord, for one). You've got a helplessly catchy theme song, revelling in all of its cheesy 80s pop-synth glory.
The jokes are terrible, the dialogue sub-par, the plot laughable. But you know what, you'll laugh you a$$ off.
Join me in saving Howard from being pulled from video store shelves. Today's generation will love the waddling fowl more than the angry movie-goers who saw this dud in the theaters. Keep him alive!