| Photos (see all 6 | slideshow) | Videos |
| Aleksei Kravchenko | ... | Florya Gaishun (as A. Kravchenko) | |
| Olga Mironova | ... | Glasha (as O. Mironova) | |
| Liubomiras Lauciavicius | ... | Kosach (as L. Lautsyavichius) | |
| Vladas Bagdonas | (as V. Bagdonas) | ||
| Jüri Lumiste | |||
| Viktor Lorents | (as V. Lorents) | ||
| Kazimir Rabetsky | (as K. Rabetsky) | ||
| Yevgeni Tilicheyev | (as Ye. Tilicheyev) | ||
| Aleksandr Berda | (as A. Berda) | ||
| G. Velts | |||
| V. Vasilyev | |||
| Igor Gnevashev | (as I. Gnevashev) | ||
| Vasili Domrachyov | (as V. Domrachyov) | ||
| G. Yelkin | |||
| Ye. Kryzhanovsky | |||
| N. Lisichenok | |||
| Vladimir Manayev | (as V. Manayev) | ||
| Takhir Matyullin | (as T. Matyulin) | ||
| Pyotr Merkuryev | (as P. Merkuryev) | ||
| Valentin Mishatkin | (as V. Mishatkin) | ||
| G. Matytsky | |||
| Yevgeniya Polyakova | (as Ye. Polyakova) | ||
| Anatoli Slivnikov | (as A. Slivnikov) | ||
| Georgi Strokov | (as G. Strokov) | ||
| Tatyana Shestakova | (as T. Shestakova) | ||
| Oleg Shapko | (as O. Shapko) |
Directed by | |||
| Elem Klimov | (as E. Klimov) | ||
Writing credits(in alphabetical order) | ||
| Ales Adamovich | screenplay (as A. Adamovich) | |
| Ales Adamovich | stories (as A. Adamovich) | |
| Elem Klimov | screenplay (as E. Klimov) | |
Original Music by | |||
| Oleg Yanchenko | (as O. Yanchenko) | ||
Cinematography by | |||
| Aleksei Rodionov | (as A. Rodionov) | ||
Film Editing by | |||
| Valeriya Belova | (as V. Belova) | ||
Production Design by | |||
| Viktor Petrov | (as V. Petrov) | ||
Art Direction by | |||
| Viktor Petrov | (as V. Petrov) | ||
Set Decoration by | |||
| Viktor Petrov | (as V. Petrov) | ||
Costume Design by | |||
| Eleonora Semyonova | (as E. Semyonova) | ||
Makeup Department | |||
| V. Bolotnikov | .... | makeup artist | |
| S. Mikhlina | .... | makeup artist | |
| A. Zhurba | .... | makeup artist | |
Production Management | |||
| S. Tereshchenko | .... | production manager | |
Second Unit Director or Assistant Director | |||
| N. Grakina | .... | assistant director | |
| I. Levandovskaya | .... | assistant director | |
| Afanasi Trishkin | .... | assistant director (as A. Trishkin) | |
Sound Department | |||
| Viktor Mors | .... | sound engineer (as V. Mors) | |
Special Effects by | |||
| N. Andreyev | .... | pyrotechnician | |
| Ya. Goldman | .... | pyrotechnician | |
| Albert Rudachenko | .... | special effects coordinator (as A. Rudachenko) | |
| V. Zemnokha | .... | pyrotechnician | |
| Viktor Zhanov | .... | special effects operator (as V. Zhanov) | |
Camera and Electrical Department | |||
| B. Galper | .... | camera operator | |
| K. Klimin | .... | assistant camera | |
| N. Zuyev | .... | assistant camera | |
Music Department | |||
| Mina Blank | .... | music editor (as M. Blank) | |
Other crew | |||
| P. Gutenko | .... | military advisor | |
| Anatoli Kudryavtsev | .... | script supervisor (as A. Kudryavtsev) | |
| Yu. Oksachenko | .... | trainee production administrator | |
| V. Ponochevnyi | .... | production administrator | |
| Ada Repina | .... | script supervisor (as A. Repina) | |
| Z. Rogozovskaya | .... | production administrator | |
|
|
|
|
|
| Defiance | The Pianist | Schindler's List | Der Untergang | Europa Europa |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Soviet Union section | Add this title to MyMovies |
Elem Klimov and Aleksei Rodionov's handheld cinematography, present the viewer with the mental and physical destruction of a boy who changes in front of your eyes beyond recognition.
Cacophoneous, industrial sounds and sometimes cryptic story-elements (for as far as there is a story) contribute to this ruthlessly escalating history lesson about Nazi's who burned down hundreds of villages in 1943 in Russia. The realism makes you wonder how many people were harmed making the film, while the score represents the mindnumbing experiences of Florya, a tour-de-force performance by Aleksei Kravchenko (16 at the time). All along, somehow Klimov knows very well how to prevent the audience from becoming numb.
ILM's specialFX are smoother, but the FX here in 'Come and see' are so realistic, it's almost unreal: reminiscent of the first 30 min of Saving private Ryan, Thin red line (watch the animals), Apocalypse Now and the painstaking 'Band of brothers'. Indeed forget about the rest of 'SPR', Platoon and even Full Metal Jacket. However, I would like to recommend Deer Hunter (Cimino, 1978) and Hotaru no haka (1988). But I never suspected there was something massive like this. 10/10