| Deborah Tranelli | ... | Carla Harris | |
| Kaz Garas | ... | Fletch | |
| Carmen Argenziano | ... | Det. Russo | |
| Bill McLaughlin | ... | Sheriff John Cates | |
| Ed Crick | ... | Burke | |
| George E. Mahlberg | ... | George Butch | |
| Nick Nicholson | ... | Sparky | |
| Don Gordon Bell | ... | Arnie (as Don Gordon) | |
| David Light | ... | Ray | |
| Terrence O'Hara | ... | Mark Harris | |
| Steve Roderick | ... | Timmy | |
| Joseph Zucchero | ... | Dr. Fellows | |
| Helen McNeely | ... | Mrs. Olson | |
| Doc McCoy | ... | Mr. Olson | |
| Henry Strzalkowski | ... | Deputy Frank Winston | |
| Bill Kipp | ... | Deputy Reilly | |
| Rosemarie Gil | ... | Jesse | |
| Barbara Peers | ... | Estelle | |
| rest of cast listed alphabetically: | |||
| Mike Cohen | |||
| Phil Morrell | |||
| Mathew Westfall | ... | Cameo (uncredited) | |
Directed by | |||
| Cirio H. Santiago | |||
Writing credits(in alphabetical order) | ||
| Reilly Askew | ||
| Anthony Maharaj | story | |
Produced by | |||
| Anthony Maharaj | .... | executive producer | |
| Cirio H. Santiago | .... | producer | |
| Roger Corman | .... | executive producer (uncredited) | |
Original Music by | |||
| Ron Jones | |||
Cinematography by | |||
| Ricardo Remias | |||
Film Editing by | |||
| Noah Blough | |||
| Pacífico Sánchez | |||
Casting by | |||
| Henry Strzalkowski | |||
Art Direction by | |||
| Boyet Camaya | |||
| Ronnie Cruz | |||
Makeup Department | |||
| Teresa Mercader | .... | makeup artist | |
| Norma Remias | .... | makeup artist | |
Production Management | |||
| Ernesto Bontigao | .... | post-production supervisor | |
| Honorato R. Pérez Jr. | .... | production manager (as Honorato Perez) | |
Second Unit Director or Assistant Director | |||
| Joe Mari Avellana | .... | first assistant director (as Jose Mari Avellana) | |
| Anthony Maharaj | .... | second unit director | |
| José Torres | .... | second assistant director | |
Art Department | |||
| Ben Otico | .... | construction supervisor | |
Sound Department | |||
| Bing De Santos | .... | assistant sound recordist (as Bing Santos) | |
| Vicente Dona | .... | boom operator | |
| Dalmacio Dumigpi | .... | boom operator | |
| George E. Mahlberg | .... | production sound mixer | |
| George E. Mahlberg | .... | sound mixer | |
Special Effects by | |||
| Jessie Sto. Domingo | .... | special effects | |
Stunts | |||
| Ronald Asinas | .... | stunts | |
| Tony Beso | .... | stunts | |
| Greg Rocero | .... | stunts | |
| Carlito Varca | .... | stunts | |
Casting Department | |||
| Henry Strzalkowski | .... | casting: Manila | |
Costume and Wardrobe Department | |||
| Gloria Garcia | .... | wardrobe stylist | |
| Remia Mendoza | .... | wardrobe stylist | |
| Elvie Santos | .... | wardrobe stylist | |
Editorial Department | |||
| Pat Abad | .... | assistant editor | |
| Rudy Cabrales | .... | assistant editor | |
| Joseph Gutt | .... | apprentice editor (as Joe Gutt) | |
| Paula Stein | .... | assistant editor | |
Other crew | |||
| Nonette J. Garcia | .... | script clerk | |
| Armando Lacsamana | .... | assistant accountant | |
| Octavio Mabilangan | .... | production accountant | |
| Glen Parian | .... | location manager (as Glenn Parian) | |
| Marivic Ramas | .... | production secretary | |
| Dick Reyes | .... | production coordinator (as Dick A. Reyes) | |
| Trinidad Sagarbarria | .... | production assistant | |
| Christopher R. Santiago | .... | account supervisor | |
| Cathy Schroeder | .... | production secretary | |
| Robert Ulrich | .... | title designer | |
| Joseph Zucchero | .... | dialogue supervisor | |
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| A Time to Kill | Kill Bill: Vol. 1 | First Blood | The New Kids | Foxy Brown |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section |
The plot is great as well as the presentation of it. I could not believe the rape scene to be anything but REAL. The movie as a whole is really worth viewing and is really enjoyable with all the suspense and tension in it. I think it is a classic, and you will never forget it. Actually, I viewed it for the first time in the cinema, and I find myself looking for it on the internet 15 yrs later. I could not find it yet, but i will continue my digging. In the mean time, I encourage anyone who have a copy to make it available for others as I hate to see such a great movie be forgotten. Deborah Tarnelli was really great on this film and I think this movie had contributed a lot to her later success.