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Directed by | |||
| Nelson Shin | |||
Writing credits | ||
| Ron Friedman | (written by) | |
Produced by | |||
| Joe Bacal | .... | producer | |
| Masaharu Etô | .... | associate producer: Toei Animation (as Masaharu Etoh) | |
| Tomoo Fukumoto | .... | associate producer: Toei Animation (as Tomoh Fukumoto) | |
| Tom Griffin | .... | producer | |
| Lee Gunther | .... | executive producer | |
| Margaret Loesch | .... | executive producer | |
| Nelson Shin | .... | co-producer | |
Original Music by | |||
| Vince DiCola | |||
Film Editing by | |||
| David Hankins | |||
Casting by | |||
| Carol L. Dudley | (as Carol Dudley) | ||
Production Management | |||
| Jim Graziano | .... | executive in charge of production | |
| Takuya Igarashi | .... | production manager | |
| Kô Meguro | .... | production manager | |
| Gerald Moeller | .... | production manager | |
| Satoru Nakamura | .... | production manager | |
| Carole Weitzman | .... | senior production manager | |
Art Department | |||
| Del Barras | .... | storyboard artist (as Delfin Barras) | |
| Peter Chung | .... | storyboard artist | |
| Floro Dery | .... | original concept designer | |
| Jim Gomez | .... | storyboard artist (as James Gomez) | |
| Ernie Guanlao | .... | storyboard artist | |
| Su-yong Jeong | .... | storyboard artist (as Soo Young Chun) | |
| Jooin Kim | .... | storyboard artist | |
| Doug Lefler | .... | storyboard artist | |
| Jeong-hwan Oh | .... | storyboard artist (as Chung Hwan Oh) | |
| Si Ok Park | .... | storyboard artist (as Sioak Park) | |
| Rico Rival | .... | storyboard artist | |
| David Shin | .... | storyboard artist | |
| Sang Il Sim | .... | storyboard artist (as Sangil Shim) | |
| Romeo Tanghal | .... | storyboard artist | |
Sound Department | |||
| Ken Berger | .... | adr engineer | |
| Jim Blodgett | .... | sound editor | |
| Roy Braverman | .... | sound effects editor | |
| Scott Brownlee | .... | sound processing | |
| Ted Chapman | .... | sound editor | |
| Allison Cobb | .... | sound editor (as Alison Cobb) | |
| Jim Cook | .... | pre-dub mixer | |
| Brian Courcier | .... | supervising sound effects editor | |
| Michael L. DePatie | .... | sound editor | |
| John Detra | .... | sound editor | |
| Karen Doulac | .... | sound editor | |
| Ron Fedele | .... | sound editor | |
| Jim Fitzpatrick | .... | stereo sound consultant: Dolby | |
| Jacquie Freeman Ross | .... | dubbing supervisor (as Jacquie Freeman) | |
| Leonard T. Geschke | .... | sound editor (as Lenny Geschke) | |
| Robert L. Harman | .... | pre-dub mixer (as Bob Harman) | |
| Craig Harris | .... | additional sound processing | |
| Jerry Jacobson | .... | dialogue editor | |
| Nicholas James | .... | sound effects editor | |
| Samuel F. Kaufman | .... | machine room operator | |
| David Koehler | .... | re-recording recordist | |
| Peter Reale | .... | sound re-recording mixer (as Peter S. Reale) | |
| John W. Singleton | .... | sound editor (as John Singleton) | |
| Warren Taylor | .... | sound editor | |
| Bill Thiederman | .... | sound re-recording mixer (as R. William A. Thiederman) | |
| Michael Tomack | .... | sound editor | |
| Peter Tomaszewicz | .... | sound editor | |
| David Van Meter | .... | adr engineer (as Dave Van Meter) | |
| Claus Wedemann | .... | stereo sound consultant: Dolby (as Claus Weideman) | |
| Howard Wilmarth | .... | sound re-recording mixer (as W. Howard Wilmarth) | |
Special Effects by | |||
| Masayuki Kawachi | .... | special effects (as Mayuki Kawachi) | |
| Shôji Satô | .... | special effects | |
Camera and Electrical Department | |||
| Masaru Banzai | .... | animation camera operator | |
| Masatoshi Fukui | .... | chief camera operator | |
| Yukio Katayama | .... | animation camera operator | |
Animation Department | |||
| Hitoshi Abe | .... | inbetween animation checker | |
| Pat Agnasin | .... | background designer | |
| Pat Agnasin | .... | character designer | |
| Ryuji Ajiri | .... | inbetween animator | |
| Yoshiharu Azuma | .... | inbetween animator | |
| Nam-yeol Baek | .... | key animator (as Baik Nam Yeoul) | |
| Del Barras | .... | background designer (as Delfin Barras) | |
| Del Barras | .... | character designer (as Delfin Barras) | |
| Kristine Brown | .... | painter (as Kris Brown) | |
| Dario Campanile | .... | background art director | |
| Fred Carrillo | .... | background designer (as Fred Carillo) | |
| Fred Carrillo | .... | character designer (as Fred Carillo) | |
| Phyllis Craig | .... | model color key artist | |
| Virginia Creamer | .... | xerox | |
| Eufronio R. Cruz | .... | background designer | |
| Eufronio R. Cruz | .... | character designer | |
| Hiroaki Daichi | .... | inbetween animator (as Hiroaki Daiji) | |
| Liane Douglas | .... | painter | |
| Robin Draper | .... | painter | |
| Kazuo Ebisawa | .... | background painter | |
| Akihiro Enomoto | .... | assistant animation checker | |
| Romeo Francisco | .... | background designer | |
| Romeo Francisco | .... | character designer | |
| John Freeman | .... | animation director (as John Patrick Freeman) | |
| Yoshimitsu Fujitaka | .... | key animator (as Shigemitsu Fujitaka) | |
| Koichi Fukuda | .... | key animator | |
| Tomoko Fukui | .... | inbetween animator | |
| Junko Furuya | .... | ink and paint supervisor | |
| Myrna Gibbs | .... | painter | |
| Marta Glodkowska | .... | painter (as Marta Skwara) | |
| Ernie Guanlao | .... | background designer | |
| Ernie Guanlao | .... | character designer | |
| Teruo Hattori | .... | inbetween animator | |
| Kazuo Hayashi | .... | assistant animation checker | |
| Shigeru Hayashi | .... | inbetween animator | |
| Gabriel Hoyos | .... | background designer | |
| Gabriel Hoyos | .... | character designer | |
| Bill Hudson | .... | xerox | |
| Takashi Hyôdô | .... | assistant animation checker | |
| Reiko Igarashi | .... | ink artist | |
| Takehiro Iima | .... | inbetween animator | |
| Yoshinobu Ineno | .... | key animator (as Yoshinobu Inano) | |
| Mihoko Irie | .... | ink artist | |
| Mario Ishiyama | .... | inbetween animator | |
| Masao Itô | .... | assistant animation director | |
| Debra Jorgensborg | .... | painter (as Debbie Jorgensborg) | |
| Takahiro Kagami | .... | key animator | |
| Yoshinori Kanemori | .... | key animator (as Yoshinori Kanamori) | |
| Sandy Kennedy | .... | xerox | |
| Kazuo Kinugasa | .... | color checker | |
| Kazuya Komai | .... | inbetween animator | |
| Hiroshi Kosakai | .... | ink and paint department manager | |
| Yoshitaka Koyama | .... | key animator | |
| Baik Seung Kyun | .... | assistant animation director | |
| Shigeo Matoba | .... | key animator | |
| Bob Matz | .... | animation director | |
| Norm McCabe | .... | animation director | |
| Yoshito Miki | .... | key animator | |
| Yôichi Mitsui | .... | key animator | |
| Gerald Moeller | .... | animation director (as Gerald L. Moeller) | |
| Toshio Mori | .... | key animator | |
| Tomoe Morimoto | .... | inbetween animator | |
| Kôzô Morishita | .... | supervising animation director | |
| Hiroshi Morita | .... | color checker | |
| Shigeru Murakami | .... | key animator | |
| Kuniko Murata | .... | ink and paint supervisor | |
| Shigenobu Nagasaki | .... | key animator | |
| Takako Nakamura | .... | inbetween animator | |
| Kazunori Nakazawa | .... | inbetween animator | |
| Margaret Nichols | .... | animation director | |
| Kazuhiro Ochi | .... | assistant animation checker | |
| Masatoyo Ogura | .... | ink and paint department manager | |
| Masahiko Ohkura | .... | assistant animation checker (as Masahiko Okura) | |
| Kei Okazaki | .... | inbetween animator | |
| Lew Ott | .... | background designer | |
| Lew Ott | .... | character designer | |
| Hannah Powell | .... | painter | |
| Rico Rival | .... | background designer | |
| Rico Rival | .... | character designer | |
| Harriette Rossall | .... | painter | |
| Takao Sakano | .... | inbetween animator | |
| Toshikatsu Sanuki | .... | background painter | |
| Nobuyoshi Sasakado | .... | key animator | |
| Akira Satô | .... | inbetween animation checker | |
| Takao Sawada | .... | background art director | |
| Robert Schaefer | .... | background art director | |
| Mike Sekowsky | .... | background designer | |
| Mike Sekowsky | .... | character designer | |
| Heidi Shellhorn | .... | painter | |
| Tadami Shimokawa | .... | assistant background designer (as Tadaumi Shimokawa) | |
| Masanori Shino | .... | key animator | |
| Mary Ann Steward | .... | ink and paint supervisor | |
| Ryuichi Sugimoto | .... | background department head | |
| Kiyomi Sugita | .... | inbetween animator | |
| Akira Sugiura | .... | inbetween animator | |
| Shizuo Tanaka | .... | inbetween animator | |
| Romeo Tanghal | .... | background designer | |
| Romeo Tanghal | .... | character designer | |
| Britt Teegarden | .... | painter (as Britt Greko) | |
| Kiyomitsu Tsuji | .... | key animator | |
| Kôichi Tsunoda | .... | final checker: chief animator | |
| Toshikazu Usami | .... | assistant animation checker | |
| Yasuyoshi Uwai | .... | key animator | |
| Britt Van der Nagel | .... | painter | |
| Jun Watanabe | .... | inbetween animator | |
| Tadashi Yahata | .... | inbetween animator | |
| Miyo Yamada | .... | inbetween animator | |
| Satoshi Yamaguchi | .... | key animator | |
| Shigeyasu Yamauchi | .... | assistant animation director | |
| Ryôkichi Yoshizawa | .... | inbetween animation checker (as Ryukichi Yoshizawa) | |
Editorial Department | |||
| Ivan Bilancio | .... | assistant editor | |
| Steven C. Brown | .... | supervising film editor | |
| Heather C. Elliott | .... | assistant editor (as Heather Elliott) | |
| Tamra Fitzgerald | .... | assistant editor | |
| Shinichi Fukumitsu | .... | assistant editor | |
| Jack Hooper | .... | negative cutter | |
| Shinji Shimizu | .... | assistant editor | |
| Susan L. Vovsi | .... | assistant editor (as Sue Vovsi) | |
| Dave Weathers | .... | assistant editor | |
| Larry Whelan | .... | assistant supervisor: post-production | |
Music Department | |||
| Charlie Calello | .... | musical technical advisor (as Charles Callelo) | |
| Peter Collier | .... | music editor | |
| Vince DiCola | .... | music producer | |
| Ed Fruge | .... | music editor | |
| Ed Fruge | .... | music producer | |
| Robert Mayer | .... | music editor (as Bob Mayer) | |
| Tony Papa | .... | music score engineer | |
| Spencer Proffer | .... | music producer | |
| Robert Randles | .... | music consultant | |
| Mark Shiney | .... | supervising music editor | |
| Casey Young | .... | synthesizer programmer | |
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| Star Wars: Episode III - Revenge of the Sith | Star Wars | Star Wars: Episode VI - Return of the Jedi | Star Wars: Episode I - The Phantom Menace | Transformers |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb USA section |
I'm biased. There's no two ways about it. They could have gotten two six years olds to draw the cels, a troop of monkeys to write the dialogue and then printed the film upside down and full of static and I'd still have loved it (if anybody out there says 'Didn't they do that anyway?', I'll thump them.) I am one of a dying but suprisingly populous breed: the Tranformers fan, and to me this film is like the Holy grail.
If you think I'm going to get all gooey and teary-eyed then go into nostalgia overload then forget it because I'm not. I say this with a straight face and a critic's eyes: this is a good film. It may be a two hour toy commercial. It may have made zip at the box offce. It may get bad press from idiotic fossils that just aren't prepared to make the effort to tap into the universe the film is set in. But the fact remains that to anybody that's grown up with Transformers, this film is marvelous. Why? Because it does it right! The characters act right. The style is right. It's all done so perfectly that no right minded Transfan could possibly complain. How many Batman fans (and I mean real Batman fans) can honestly say the same thing about their film franchise.
It's easy to get preachy about the violence in a film aimed at kids. It gives the moral majority something to do other than examine each Disney film for subliminal messages. I found it refreshing to actually see this kind of film refuse to pull its punches. It's an action film without tapping into the over-sentimental gushy stuff that usually turns kids off anyway. This is a war. Death and violence are part of it. Will it effect the children that watch it. Maybe, but I don't know which way. I saw first saw the film when I was 7. I saw all of my favourites get blown apart. I saw my absolute, total, complete and utter hero, the person that personified all that was good and noble to me (you know who I mean) get killed saving his friends in an ultimate display of bravery and courage. I cried. My mum cried. I still do. I think that one moment made me more afraid and ashamed of death and destruction than a dozen Private Ryans.
The animation is top notch, there's an amazing soundtrack and the voice talent is good too. Not perfect, but Nimoy's portrayal of Galvatron is incredible. Espicially when you consider that it was probably done as a 'For the money not the art' job. The script isn't bad either. It has a host of sharp, quotable one-liners that would put Bruce Willis to shame ("I've got better things to do tonight than die.") The story is a rip off of Star Wars but what isn't and who cares? It's cool. The animation is superb. I said that earlier but I really do believe that it's better than Disney at some points. Certainly better than the average output at the time. It doesn't compare with today's graphics but it hasn't aged badly at all. The sountrack can sound a little too cheesy at times but the energy and verve of the film is there and it backs up the visuals with ease.
In the end it won't matter. This film won't mean a thing to anybody that doesn't know who Jazz, Bumblebee and Soundwave were to begin with. They won't watch it. They won't like it. And you know what? We don't care. Those of us that can name all five mebers of the Stunticons know better. They gave us what we wanted. And we remain eternally grateful.