| Photos (See all 14 | slideshow) |
| Anjelica Huston | ... | Gretta Conroy | |
| Donal McCann | ... | Gabriel Conroy | |
| Dan O'Herlihy | ... | Mr. Browne | |
| Donal Donnelly | ... | Freddy Malins | |
| Helena Carroll | ... | Aunt Kate | |
| Cathleen Delany | ... | Aunt Julia | |
| Ingrid Craigie | ... | Mary Jane | |
| Rachael Dowling | ... | Lily | |
| Marie Kean | ... | Mrs. Malins | |
| Frank Patterson | ... | Bartell D'Arcy | |
| Maria McDermottroe | ... | Molly Ivors | |
| Sean McClory | ... | Mr. Grace | |
| Kate O'Toole | ... | Miss Furlong (as Katherine O'Toole) | |
| Maria Hayden | ... | Miss O'Callaghan | |
| Bairbre Dowling | ... | Miss Higgins | |
| Lyda Anderson | ... | Miss Daly | |
| Colm Meaney | ... | Mr. Bergin | |
| Cormac O'Herlihy | ... | Mr. Kerrigan | |
| Paul Grant | ... | Mr. Duffy | |
| Paul Carroll | ... | Young Gentleman | |
| Patrick Gallagher | ... | Mr. Egan | |
| Dara Clarke | ... | Miss Power | |
| Brendan Dillon | ... | Cabman | |
| Redmond Gleeson | ... | Nightporter | |
| rest of cast listed alphabetically: | |||
| Amanda Baird | ... | Young Lady (uncredited) | |
Directed by | |||
| John Huston | |||
Writing credits(in alphabetical order) | ||
| Tony Huston | ||
| James Joyce | story "Dubliners" | |
Produced by | |||
| William J. Quigley | .... | executive producer | |
| Wieland Schulz-Keil | .... | producer | |
| Chris Sievernich | .... | producer | |
Original Music by | |||
| Alex North | |||
Cinematography by | |||
| Fred Murphy | |||
Film Editing by | |||
| Roberto Silvi | |||
Casting by | |||
| Nuala Moiselle | |||
Production Design by | |||
| Stephen B. Grimes | (as Stephen Grimes) | ||
| J. Dennis Washington | (as Dennis Washington) | ||
Set Decoration by | |||
| Josie MacAvin | |||
Costume Design by | |||
| Dorothy Jeakins | |||
Makeup Department | |||
| Fern Buchner | .... | makeup designer | |
| Anthony Cortino | .... | hair designer | |
| Louise Dowling | .... | hair stylist | |
| Anne Dunne | .... | hair stylist: second unit | |
| Keis Maes | .... | makeup artist | |
| Christopher Shihar | .... | hair stylist | |
Production Management | |||
| Tom Shaw | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gay Brabazon | .... | second assistant director: second unit | |
| John 'Joe' Brooks | .... | second assistant director | |
| Seamus Byrne | .... | first assistant director: second unit | |
| John Halpin | .... | trainee assistant director: second unit | |
| Hugh Linehan | .... | trainee assistant director: second unit | |
| Rosemary Morton | .... | trainee assistant director: second unit | |
| Tom Shaw | .... | first assistant director | |
Sound Department | |||
| John Asman | .... | sound re-recording mixer | |
| Gregg Barbanell | .... | foley artist | |
| Chuck Blecka | .... | assistant sound editor | |
| Margaret Duke | .... | sound: documentary crew | |
| Robert W. Glass Jr. | .... | sound re-recording mixer | |
| Marvin I. Kosberg | .... | sound editor | |
| Marvin I. Kosberg | .... | supervising sound editor | |
| Walt Martin | .... | sound: documentary crew | |
| James E. Nownes | .... | sound editor | |
| Anthony Palk | .... | foley editor | |
| Ken S. Polk | .... | sound re-recording mixer | |
| William M. Randall Jr. | .... | second boom operator (as Bill Randall Jr.) | |
| William M. Randall Jr. | .... | sound mixer (as Bill Randall) | |
| Don Sanders | .... | sound: documentary crew | |
| David Stafford | .... | first boom operator | |
Special Effects by | |||
| Candy Flanagin | .... | special effects | |
| Maurice Foley | .... | special effects supervisor: second unit | |
| Robert Calvert | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Alan Butler | .... | clapper loader: second unit | |
| Grant Cameron | .... | assistant camera: Ireland | |
| Louis Conroy | .... | gaffer: second unit | |
| Paddy Corcoran | .... | rigger: second unit | |
| Michael Coulter | .... | camera operator: Ireland | |
| Stuart E. Cropley | .... | electrician | |
| Noel Cullen | .... | electrician: second unit | |
| David Dubois | .... | best boy | |
| David Dubois | .... | electrician | |
| François Duhamel | .... | still photographer | |
| Brad Edmiston | .... | first assistant camera | |
| Todd Griffith | .... | best boy grip | |
| Derek Hate | .... | generator operator | |
| Rick Herres | .... | grip | |
| Pascal Jones | .... | rigger: second unit | |
| Ian Kincaid | .... | gaffer | |
| Kim Kono | .... | electrician | |
| Bill Levins | .... | electrician: second unit | |
| Walt Martin | .... | camera operator: documentary crew | |
| John Murphy | .... | camera grip: second unit | |
| Randy Nolen | .... | camera operator | |
| Paul Prince | .... | second assistant camera | |
| Lisa Rinzler | .... | camera operator: documentary crew | |
| Philip Sloan | .... | key grip | |
| Des Whelan | .... | focus puller: second unit | |
Casting Department | |||
| Peggy Weber | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jennifer Butler | .... | costumer: women | |
| Delbert Grant | .... | costumes: in-house | |
| Marilyn Matthews | .... | ladies' costumer | |
| John McDonald | .... | costumer: men | |
| Jennifer L. Parsons | .... | costume supervisor | |
| Maeve Paterson | .... | wardrobe mistress | |
| Robert Pecina | .... | costumer: men | |
| Nava R. Sadan | .... | costumes: in-house | |
Editorial Department | |||
| Ray Morfino | .... | color timer | |
Music Department | |||
| Richard Bronskill | .... | orchestrator | |
| Leonard A. Engel | .... | music recording engineer (as Len Engel) | |
| Ann Stockton | .... | musician: solo harp | |
| Dan Wallin | .... | score mixer | |
| Kenneth Wannberg | .... | music engineer | |
Transportation Department | |||
| Ronnie Baker | .... | transportation coordinator | |
| Robert D. Benton | .... | driver | |
| Tom Brodie | .... | construction driver: second unit | |
| Colin Duffin | .... | unit driver | |
Other crew | |||
| Nestor Alban | .... | head tailor | |
| Sheila Barr | .... | publicist | |
| Joan Bennett | .... | production secretary | |
| Mary Carroll | .... | production secretary | |
| Vicky Dennison | .... | cutter-fitter: ladies | |
| Bruce Feldman | .... | publicist | |
| Ciara J. Fenton | .... | film accountant | |
| Judy Flanagan | .... | craft service | |
| Tzetzi Ganev | .... | cutter-fitter: ladies | |
| Paul Gleason | .... | choreographer | |
| Karen Golden | .... | script supervisor | |
| Clive Hart | .... | literary advisor: James Joyce estate | |
| Kathy Knapton | .... | assistant accountant | |
| Marilyn La Salandra | .... | assistant: Mr. Huston | |
| Ben Levy | .... | publicist | |
| Niall McQuillan | .... | film accountant | |
| Paul Myler | .... | film accountant: second unit | |
| Eily O'Grady | .... | piano coach | |
| Ann Shaw | .... | production coordinator | |
| Molly Shaw | .... | office assistant | |
| Lilyan Sievernich | .... | director: documentary crew | |
| Garrison Singer | .... | production accountant | |
| Ian Abercrombie | .... | adr loop group (uncredited) | |
| Melissa J.L. Smith | .... | director of studio operations (uncredited) | |
| Melissa J.L. Smith | .... | sales and marketing coordinator (uncredited) | |
| Melissa J.L. Smith | .... | sales department: original staff (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
This is my favourite movie of all time. And I always think of it as John Huston's requiem.
I must have seen it at least 20 times and never tire of it. The mood, the script, the singing, the dinner, it is like being invited into someone's home and observing the events and not able to participate even though you want to... It is a rare treasure, this movie and I cannot write enough praise for it.
It is cast incredibly well, with quite a few Abbey Theatre faces and also the wonderful tenor voice of Frank Patterson. Lady Gregory's poem recited in the movie is one of the most moving ever written. Anjelica's scene walking down the stairs as she listens to the song is one of the best performances every seen on film. I cry every time I see it..for all the right reasons.
We have all had love lost at an early age and weep for our young hopeful selves.
Donal McCann acted in far too few movies for my liking, he just loved stage work and stuck to it, and it is our loss that we do not have more of his performances on film as he does so much with this delicate role by expression and the portrayal of a deep love for his wife that will never be reciprocated and he conveys such inner sadness at knowing this.
If you want your movies action and plot packed avoid this, there really is no beginning, middle or end just a lens onto the characters at a dinner party in Dublin 80 years ago and all the little nuances and shadings of the personalities portrayed so beautifully.
Bravo to all who were involved in this production. 10 out of 10.