Amazon.com video review:
Hellraiser
Having made his reputation as one of the most prolific and gifted horror
writers of his generation (prompting Stephen King to call him "the future
of horror"), Clive Barker made a natural transition to movies with this
audacious directorial debut from 1987. Not only did Barker serve up a
chilling tale of devilish originality, he also introduced new icons of
horror that since have become as popular among genre connoisseurs as
Frankenstein's monster and the Wolfman. Foremost among these frightful
visions is the sadomasochistic demon affectionately named Pinhead (so named
because his pale, bald head is a geometric pincushion and a symbol of
eternal pain). Pinhead is the leader of the Cenobites, agents of evil who
appear only when someone successfully "solves" the exotic puzzle box called
the Lamont Configuration--a mysterious device that opens the door to Hell.
The puzzle's latest victim is Frank (Sean Chapman), who now lives in a
gelatinous skeletal state in an upstairs room of the British home just
purchased by his newlywed half-brother (Andrew Robinson, best known as the
villain from Dirty Harry), who has married one of Frank's former lovers
(Claire Higgins). The latter is recruited to supply the cannibalistic Frank
with fresh victims, enabling him to reconstitute his own flesh--but will
Frank succeed in restoring himself completely? Will Pinhead continue to
demonstrate the flesh-ripping pleasures of absolute agony? Your reaction to
this description should tell you if you've got the stomach for Barker's
film, which has since spawned a number of interesting but inferior sequels.
It's definitely not for everyone, but there's no denying that it's become a
semiclassic of modern horror. --Jeff Shannon
Hellbound: Hellraiser II
Definitely not one for the weak of stomach, Hellbound: Hellraiser II
takes up where the first Hellraiser left off, piling on the gore to near
camp levels. Luckily, the 1988 sequel retains enough of British horror-meister
Clive Barker's macabre wit--like the original, it's based on a Barker story--to
save it from the schlock-heap. Hospitalized following her last misadventure,
Kirsty (Ashley Laurence) implores authorities to destroy a bloody bed at the
carnage scene, but the enigmatic Dr. Channard (Kenneth Cranham) brings an
addled patient there and unleashes a dread Cenobite instead. As if that's not
bad enough, Kirsty's getting distress calls from her father, who begs her to
rescue him from Hell. When she journeys through Hell's dark labyrinths with
a mute puzzle solver, however, Kirsty only finds the evil Pinhead (Doug
Bradley) and other bizarro creatures, plus her nasty former stepmother and
lascivious Uncle Frank. Much maniacal laughter and skin shedding later, the
newfound compadres unlock the puzzle box again to safety. Hellbound isn't
genius, but it does have flair, which goes a long way toward offsetting
Laurence's leaden acting and occasionally over the top gore. --Diane
Garrett
Amazon.com video review:
Having made his reputation as one of the most prolific and
gifted horror writers of his generation (prompting Stephen King to
call him "the future of horror"), Clive Barker made a natural
transition to movies with this audacious directorial debut from
1987. Not only did Barker serve up a chilling tale of devilish
originality, he also introduced new icons of horror that since have
become as popular among genre connoisseurs as Frankenstein's monster
and the Wolfman. Foremost among these frightful visions is the
sadomasochistic demon affectionately named Pinhead (so named because
his pale, bald head is a geometric pincushion and a symbol of eternal
pain). Pinhead is the leader of the Cenobites, agents of evil who
appear only when someone successfully "solves" the exotic puzzle box
called the Lamont Configuration--a mysterious device that opens the
door to Hell. The puzzle's latest victim is Frank (Sean Chapman), who
now lives in a gelatinous skeletal state in an upstairs room of the
British home just purchased by his newlywed half-brother (Andrew
Robinson, best known as the villain from Dirty Harry), who
has married one of Frank's former lovers (Claire Higgins). The latter
is recruited to supply the cannibalistic Frank with fresh victims,
enabling him to reconstitute his own flesh--but will Frank succeed in
restoring himself completely? Will Pinhead continue to demonstrate the
flesh-ripping pleasures of absolute agony? Your reaction to this
description should tell you if you've got the stomach for Barker's
film, which has since spawned a number of interesting but inferior
sequels. It's definitely not for everyone, but there's no denying that
it's become a semiclassic of modern horror. --Jeff Shannon
