Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Gandhi's character is fully explained as a man of nonviolence. Through his patience, he is able to drive the British out of the subcontinent. And the stubborn nature of Jinnah and his commitment towards Pakistan is portrayed.
This sweeping account of the life of Pu-Yi, the last emperor of China, follows the leader's tumultuous reign. After being captured by the Red Army as a war criminal in 1950, Pu-Yi recalls his childhood from prison. He remembers his lavish youth in the Forbidden City, where he was afforded every luxury but unfortunately sheltered from the outside world and complex political situation surrounding him. As revolution sweeps through China, the world Pu-Yi knew is dramatically upended. Written by
The first feature film granted permission by the Chinese government to be filmed in the Forbidden City. A documentary produced and directed by Lucy Jarvis for NBC Films Ltd. in 1973 named "The Forbidden City" was the first western film permitted to film within the Forbidden City. See more »
At the time when he next sees his mother, Pu Yi says, "My mother has not seen me for seven years." That would make the year 1915, but it is wrong. He should say, "My mother has not seen me for four years," which makes the year 1912. In the spring of 1912, the new republican government divided the Forbidden City by constructing a wall, thus restricting the emperor's domain. Assuming that it is that dividing wall on which Pu Yi and Pu Chieh climb, one must reasonably assume that, since the wall is clearly under construction, the date is mid-1912 at the latest. If so, then Pu Yi has just turned six, not eight, and has been separated from his family for four years, not seven. See more »
An Oriental paradise that is wonderfully mastered to the screen.
I guess I'm the only one who watched this from a worn out-of-print VHS copy. No matter what the quality, THE LAST EMPEROR is arguably among the best of the foreign pictures. The sights and sounds of The Forbidden City are sharp and beautifully screened right on with the provocative events that unfold the coming-of-age life of Pu Yi. It has plentiful moments including his romantic affairs with concubines and how he learns the way of the world as a child. His chronicle of a young emperor boy paints a colorful picture for the first half, only leading to more conflicting matters later, which is the most exciting part. Don't expect to see heads getting chopped off, like I thought would happen (unless you have the longer DVD version), but the intensity of the talk surrounding it sounds horrifying and true. Nevertheless, the dialogue is clearly mystical. Every minute is a feel-good breeze through crafty cinematic art, but it ends too fast, and the narration from Pu Yi in his prison term could use a lot more detailing. Maybe I'll stick around longer and wait to see the Director's Cut which has more. Definitely a winning treat not to be missed for foreign movie lovers and collectors of premium filmfare.
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