1920's prohibition Chicago is corrupt from the judges downward. So in going up against Al Capone, Treasury agent Eliot Ness picks just two cops to help him and his accountant colleague. One is a sharp-shooting rookie, the other a seen-it-all beat man. The four of them are ready to battle Capone and his empire, but it could just be that guns are not the best way to get him. Written by
Jeremy Perkins <firstname.lastname@example.org>
According to Brian De Palma in the "Making-of" documentary, Mel Gibson was interested in playing Eliot Ness, but couldn't commit to the role, because he was already signed to a Warner project that was scheduled at the same time as this movie. The Warner project was Lethal Weapon (1987). See more »
At the start of the Post Office raid, Malone busts through the door with a fire ax and with the ax still in his hand he reaches through the hole with his other hand to unlock the door from the inside. In the very next frame from the other side of the door as Malone unlocks it, the shotgun is now in his hand where the ax had been in the previous frame. See more »
1930. Prohibition has transformed Chicago into a City at War. Rival gangs compete for control of the city's billion dollar empire of illegal alcohol, enforcing their will with the hand grenade and tommy gun. It is the time of the Ganglords. It is the time of Al Capone.
[to Al Capone]
An article, which I believe appeared in a newspaper, asked why, since you are, or it would seem that you are, in effect, the mayor of Chicago, you've not simply been appointed to that position.
[...] See more »
The title of the aria "Vesti la giubba" from Leoncavallo's opera "Pagliacci" is misspelled in the closing credits of the film: "Vesti la guibba". See more »
"The Untouchables" is in my opinion De Palma's greatest work, with his other masterpiece, namely "Scarface", coming a very close second. In "Scarface" the focus is on a paranoid and self-destructive gangster who rises to meteoric heights and then falls; in "The Untouchables" the focus is on a very honest man with a noble mission, Elliot Ness (Kostner), who is prepared to do anything to clean Chicago from the corruption and mayhem caused by the notorious gangster Al Capone (De Niro). His quest is really tough, as his opponent is determined and powerful, but he has the help of three invaluable partners: Malone (Connery), a no-nonsense experienced cop, Wallace (Martin Smith), an accountant who will try to help bring tax charges against Capone, and Stone (Garcia), a great shooter.
As I noted before the film is brilliantly directed, with some scenes such as the one with the baseball bat, or the one with the baby in the train station, having become classic. The acting is superb, and while Connery was the one who received his well-deserved Oscar, Kostner and De Niro made Oscar-class performances too.
Although belonging to a typical genre, this film certainly stands out. Don't miss it! 10/10.
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