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| Videos (see all 3) |
Overview
User Rating:
Director:
Writer (WGA):
Rockne S. O'Bannon (written by)
Release Date:
7 October 1988 (USA) more
Tagline:
Prepare Yourself. more
Plot:
A few years from now, Earth will have the first contact with an alien civilisation. These aliens, known as Newcomers... more | add synopsis
Awards:
1 win & 4 nominations more
NewsDesk:
(25 articles)
Sneak Peek: Syfy's Alice
(From AOL - TVSquad. 4 November 2009, 1:46 PM, PST)
The Caprica Marketing Never Stops
(From Screen Rant. 30 September 2009, 6:29 PM, PDT)
User Comments:
Entertaining allegory more (38 total)
Cast
(Cast overview, first billed only)| James Caan | ... | Det. Sgt. Matthew Sykes | |
| Mandy Patinkin | ... | Det. Samuel 'George' Francisco | |
| Terence Stamp | ... | William Harcourt | |
| Kevyn Major Howard | ... | Rudyard Kipling | |
| Leslie Bevis | ... | Cassandra | |
| Peter Jason | ... | Fedorchuk | |
| Conrad Dunn | ... | Quint (as George Jenesky) | |
| Jeff Kober | ... | Joshua Strader | |
| Roger Aaron Brown | ... | Det. Bill Tuggle | |
| Tony Simotes | ... | Wiltey | |
| Michael David Simms | ... | Human Dealer | |
| Ed Krieger | ... | Alien Dealer | |
| Tony Perez | ... | Alterez | |
| Brian Thompson | ... | Trent Porter | |
| Francis X. McCarthy | ... | Capt. Warner (as Frank McCarthy) |
Additional Details
Also Known As:
Future Tense (USA) (working title)
Outer Heat (USA) (working title)
Spacecop L.A. 1991 (Austria) (West Germany) [de]
Alien Nation (Greece) [el]
Alien nación (Spain) [es]
Alien nation, Nazione di alieni (Italy) [it]
Futur immédiat (Canada: French title) [fr]
Futur immédiat, Los Angeles 1991 (France) [fr]
Lebkouni (Czechoslovakia) [cs]
Misión aliens (Argentina) [es]
Missão Alien (Brazil) [pt]
Muukalaiset (Finland) [fi]
Obca rasa (Poland) [pl]
Obcy przybysze (Poland) [pl]
Os novos Invasores (Portugal) [pt]
Przybysze (Poland) [pl]
Yabancilar (Turkey: Turkish title) [tr]
more
Parents Guide:
Runtime:
91 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)
Certification:
Belgium:16 (video rating) | USA:R (Certificate #29061) | UK:18 | Australia:M | Finland:K-16 | France:U | Norway:18 | Sweden:15 | West Germany:16 | Singapore:PG | Iceland:16
Filming Locations:
Fun Stuff
Trivia:
The trailer shows a portion of a fight scene between George and Rudyard Kipling with a burning car in the background, meaning that in an earlier edit Kipling exits the car before it explodes (you see him regain consciousness at one point with a groan) and then fights with George. This would also explain why it is that Sykes compliments George on showing "some good moves back there". more
Goofs:
Continuity: During the chase scene with the police car the tail lights on Sykes and Francisco's car change from broken to intact to broken again. more
Quotes:
Det. Sgt. Matthew Sykes:
[Sykes has just cornered Harcourt] Hands Up!
[Harcourt raises his hands, producing a tube of ja-bru-kha]
Det. Sgt. Matthew Sykes:
You make one move and you're history.
William Harcourt:
Not history... ETERNITY!
[consumes the ja-bru-kha]
more
Movie Connections:
Featured in Shooting the Police: Cops on Film (2006) (TV) more
Soundtrack:
SYMPATHY FOR THE DEVIL more
FAQ
This FAQ is empty. Add the first question.more (38 total)
Message Boards
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I've always liked this film despite its flaws. It is an interesting allegory of racial conflict, using a sci-fi premise and a "buddy-cop" formula. You have the minority rookie cop assigned to the bigoted partner, who are then assigned a case involving the minority group. The rookie proves to the bigot that people are the same, despite their physical differences and they slowly become friends.
Mandy Patinkin is great here, conveying the idea of an outsider who is not totally familiar with his new environment. James Caan is fine, but doesn't seem committed to the film, and his performance is a bit uneven. Terence Stamp is hurt by his makeup, as his face is one of his greatest strengths as an actor. Much of his characters come from his facial expressions and the makeup inhibits this.
The story is a bit cliched, but the sci-fi gloss keeps things from falling flat. The tv series was better able to explore the racial allegory, as the film just doesn't have enough screen time. The mystery component is pretty much standard fare. If you look beyond the surface of this film, there are some worthwhile ideas here. They just get a bit lost in the "cop" trappings.