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Bari Wood (book) and
Jack Geasland (book) ...
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23 September 1988 (USA) more
Two bodies. Two minds. One soul. Separation can be a terrifying thing.
Twin gynecologists take full advantage of the fact that nobody can tell them apart, until their relationship begins to deteriorate over a woman. full summary | add synopsis
20 wins & 8 nominations more
Is David Cronenberg Still Adapting the Play The Talking Cure?
(From Slash Film. 5 November 2009, 1:30 PM, PST)
News: Tom Baker in SFX
(From Kasterborous. 24 September 2009, 12:15 AM, PDT)
"Separation Can Be A Terrifying Thing" more (92 total)
| Jeremy Irons | ... | Beverly Mantle / Elliot Mantle | |
| Geneviève Bujold | ... | Claire Niveau (as Genevieve Bujold) | |
| Heidi von Palleske | ... | Cary (as Heidi Von Palleske) | |
| Barbara Gordon | ... | Danuta | |
| Shirley Douglas | ... | Laura | |
| Stephen Lack | ... | Anders Wolleck | |
| Nick Nichols | ... | Leo | |
| Lynne Cormack | ... | Arlene | |
| Damir Andrei | ... | Birchall | |
| Miriam Newhouse | ... | Mrs. Bookman | |
| David Hughes | ... | Superintendent | |
| Richard W. Farrell | ... | Dean of Medicine (as Richard Farrell) | |
| Warren Davis | ... | Anatomy Class Supervisor | |
| Jonathan Haley | ... | Beverly, Age 9 | |
| Nicholas Haley | ... | Elliot, Age 9 | |
| Marsha Moreau | ... | Raffaella | |
| Dennis Akayama | ... | Pharmacist (as Denis Akiyama) | |
| Dee McCafferty | ... | Surgeon | |
| Susan Markle | ... | Operating Room Nurse | |
| Murray Cruchley | ... | Assisting Surgeon | |
| Jane Luk | ... | Lecture Hall Nurse | |
| Tita Trevisan | ... | Furniture Salesman | |
| Jacqueline Hennessy | ... | Coral (as Jacqueline Hennessy) | |
| Jill Hennessy | ... | Mimsy (as Jillian Hennessy) | |
| David Walden | ... | Director | |
| Liliane Stillwell | ... | Wardrobe Person | |
| Denise McLeod | ... | Art Gallery Lady | |
| Bob Bainborough | ... | Mr. Glaser | |
| Nick Rice | ... | MC (as Nicholas Rice) | |
| Joe Matheson | ... | Sean | |
| Hadley Kay | ... | Delivery Boy | |
| Cynthia Eastman | ... | Sobbing Woman | |
| Nora Colpman | ... | Mrs. Randall | |
| Rena Polley | ... | Soap Opera Character | |
| Madeleine Atkinson | ... | Soap Opera Character | |
| John Bayliss | ... | Performance Double | |
| Graham Evans | ... | Picture Double | |
| rest of cast listed alphabetically: | |||
| David Cronenberg | ... | Obstetrician (uncredited) | |
| Alan Gough | ... | Director / producer of TV soap opera (uncredited) | |
| Jordan-Patrick Marcantonio | ... | Twin Boy (uncredited) | |
| Julian-Peter Marcantonio | ... | (uncredited) | |
| Greg Van Riel | ... | Man in reception (uncredited) | |
Directed by | |||
| David Cronenberg | |||
Writing credits | ||
| Bari Wood | (book "Twins") and | |
| Jack Geasland | (book "Twins") | |
| David Cronenberg | (written by) and | |
| Norman Snider | (written by) | |
Produced by | |||
| Carol Baum | .... | executive producer | |
| John Board | .... | associate producer | |
| Marc Boyman | .... | producer | |
| David Cronenberg | .... | producer | |
| Sylvio Tabet | .... | executive producer | |
| James G. Robinson | .... | executive producer (uncredited) | |
| Joe Roth | .... | executive producer (uncredited) | |
Original Music by | |||
| Howard Shore | |||
Cinematography by | |||
| Peter Suschitzky | (director of photography) | ||
Film Editing by | |||
| Ronald Sanders | |||
Casting by | |||
| Deirdre Bowen | |||
Production Design by | |||
| Carol Spier | |||
Art Direction by | |||
| Alicia Keywan | (supervising art director) | ||
| James McAteer | |||
Set Decoration by | |||
| Elinor Rose Galbraith | |||
Costume Design by | |||
| Denise Cronenberg | |||
Makeup Department | |||
| Eva Coudouloux | .... | hair stylist: TV soap opera | |
| Eva Coudouloux | .... | makeup artist: TV soap opera | |
| Shonagh Jabour | .... | makeup artist | |
| Ivan Lynch | .... | hair designer | |
| Maxine Rennes-Gunderson | .... | assistant hair stylist | |
| Barbara Szablowski | .... | assistant makeup artist | |
Production Management | |||
| Gabriella Martinelli | .... | post-production supervisor | |
| Gabriella Martinelli | .... | production manager | |
Second Unit Director or Assistant Director | |||
| John Board | .... | first assistant director | |
| Cynthia Clayton | .... | trainee assistant director (as Cyndie Clayton) | |
| Kevin Larstone | .... | assistant director: TV soap opera | |
| Laurie Mirsky | .... | third assistant director | |
| Izidore K. Musallam | .... | second assistant director | |
Sound Department | |||
| Terry Burke | .... | foley artist | |
| Richard Cadger | .... | sound editor | |
| Viktoria Cseh-McCormick | .... | assistant sound editor (as Victoria Cseh) | |
| Bryan Day | .... | sound mixer | |
| David Evans | .... | sound editor | |
| David Giammarco | .... | sound editor | |
| Wayne Griffin | .... | sound editor | |
| Sean Kelly | .... | assistant sound editor | |
| Judy 'Lucky' Kemeny | .... | assistant sound editor (as Judy Kemeny) | |
| Michael LaCroix | .... | boom operator (as Michael Lacroix) | |
| John Laing | .... | assistant sound editor | |
| Andy Nelson | .... | sound re-recording mixer | |
| Dino Pigat | .... | adr recordist | |
| Donna Powell | .... | assistant foley artist | |
| Peter Tarshis | .... | sound recordist: TV soap opera sequence | |
| Don White | .... | sound re-recording mixer | |
Special Effects by | |||
| Randall Balsmeyer | .... | motion control programmer | |
| Gordon J. Smith | .... | special effects designer (as Gordon Smith) | |
Visual Effects by | |||
| Dimitris Anapliotis | .... | optical printer | |
| Jon Campfens | .... | optical printer camerman | |
| Bill Francis | .... | laboratory assistant: motion control system | |
| Chris Furniotis | .... | optical line-up | |
| George Furniotis | .... | optical director | |
| John Furniotis | .... | optical director (as G. John Furniotis) | |
| Derek Howard | .... | laboratory supervisor: motion control system | |
| Walter Klassen | .... | mechanical designer: motion control system | |
| Shelly Morrow | .... | junior optical layout/camera animation | |
| Richard Palin | .... | motion control assistant | |
| Alan Peppiatt | .... | rotoscope artist | |
| Ted Ross | .... | laboratory assistant: motion control system | |
| Don Snowdon | .... | rotoscope artist | |
| Lee Wilson | .... | optical effects supervisor | |
| Bob Yoshioka | .... | optical line-up | |
Stunts | |||
| John Bayliss | .... | stunt double | |
Animation Department | |||
| Peter Grucza | .... | animation stand | |
Casting Department | |||
| Peter Lavender | .... | extras casting | |
| Melanie Tanz | .... | extras casting | |
Costume and Wardrobe Department | |||
| Trysha Bakker | .... | wardrobe assistant | |
| Jay Du Boisson | .... | wardrobe mistress | |
| Nancy Duggan | .... | seamstress | |
| Brenda Gilles | .... | wardrobe assistant | |
| Patricia Hanley | .... | seamstress | |
Editorial Department | |||
| Lesley Clark | .... | post-production assistant | |
| Charlotte Disher | .... | editing production assistant | |
| Chris Hinton | .... | color timer | |
| Bernadette Kelly | .... | trainee assistant editor | |
| Susan Maggi | .... | second assistant editor | |
| Michael Rea | .... | first assistant editor | |
| Sandra Tucker | .... | post-production assistant | |
| Steve Weslak | .... | associate editor | |
Music Department | |||
| Homer Denison | .... | orchestrator | |
| Brian Eddolls | .... | electronic music preparation | |
| Jean Kerr | .... | music coordinator: London | |
| Dick Lewzey | .... | music re-recording engineer | |
| Suzana Peric | .... | music editor | |
| Howard Shore | .... | conductor | |
Transportation Department | |||
| Howard Brenner | .... | driver | |
| David Brown | .... | driver | |
| Ron Coles | .... | driver | |
| Frances Hendry | .... | head driver | |
| Allen Kosonic | .... | driver (as Al Kosonic) | |
| Gilbert Lacasse | .... | driver | |
| Jerome McCann | .... | driver captain | |
| Chris Radley Walters | .... | driver (as Chris Radley-Walters) | |
| Steven Sacrob | .... | driver | |
| Richard Spiegelman | .... | transportation coordinator | |
Other crew | |||
| Jami Abell | .... | assistant: Mr. Roth | |
| James F. Breithaupt | .... | post-production accountant (as Jim Breithaupt) | |
| John P. Cassels | .... | production assistant | |
| Lesley Clark | .... | assistant: Mr. Boyman | |
| Prudence Emery | .... | unit publicist | |
| Alice Ferrier | .... | production coordinator | |
| Marta Fischer | .... | production assistant | |
| John Gaskin | .... | assistant accountant | |
| Janet Gayford | .... | production secretary | |
| Alan Gough | .... | director: t.v. soap opera (as R. Alan Gough) | |
| Alan Gough | .... | producer: t.v. soap opera (as R. Alan Gough) | |
| Lynn Gran | .... | craft service | |
| Sara Holmes | .... | office clerk | |
| Ted Hunter | .... | sculptor: Wolleck's studio sculptures | |
| Anthony Kadak | .... | location assistant | |
| Neil Kredentser | .... | location assistant | |
| Heather McIntosh | .... | production auditor | |
| Vince Nyuli | .... | unit location manager | |
| Jeremy Podeswa | .... | unit publicist | |
| James G. Robinson | .... | presenter | |
| Margaret Roiphe | .... | representative: financer | |
| Joe Roth | .... | presenter | |
| Dug Rotstein | .... | script supervisor | |
| Wendie Saltarski | .... | post-production accountant | |
| Lillian Sarafinchan | .... | location manager | |
| Cindy Scott | .... | accounting clerk | |
| Teri Spasov | .... | assistant accountant | |
| Melanie Tanz | .... | assistant: producers | |
| Sandra Tucker | .... | assistant: Mr. Cronenberg | |
| Paul Van Zyl | .... | intern | |
| Janet M. West | .... | assistant: Mr. Robinson (as Janet West) | |
| Anita Simand | .... | creative executive (uncredited) | |
Alter ego (Canada: French title)
Gemini (Canada: English title) (working title)
Twins (Canada: English title) (working title)
Die Unzertrennlichen (West Germany) [de]
Dubbelgångare (Sweden) [sv]
Erottamattomat (Finland) [fi]
Faux-semblants (France) [fr]
Inseparabili (Italy) [it]
Inseparables (Spain) [es]
Irmãos Inseparáveis (Portugal) [pt]
Kobni blizanci (Serbia) [sr]
Nierozlaczni (Poland) [pl]
Oi dihasmenoi (Greece) [el]
Oskiljaktiga (Finland: Swedish title) [sv]
Una vez en la vida (Mexico) (cable TV title) [es]
more
116 min
1.66 : 1 more
Portugal:M/16 | Iceland:16 | Italy:VM14 | Australia:M | Finland:K-16 | France:-12 | Norway:18 | Sweden:15 | UK:18 | USA:R | West Germany:18 | South Korea:18
Bell Trinity Square - 483 Bay Street, Toronto, Ontario, Canada more
During filming, Jeremy Irons kept track of whether he was playing Elliott or Beverley by always playing one with his weight on the balls of his feet and the other with his weight on his heels. more
Anachronisms: In a scene dated 1954, the twins seen are playing with The Visible Woman, Revell toy company's biological model of a woman that was not marketed until at least five years later. more
[first lines]
Elliot, Age 9:
You've heard about sex...
Beverly, Age 9:
Sure I have.
Elliot, Age 9:
Well I've discovered why sex is.
Beverly, Age 9:
You have? Fantastic.
Raffaella:
It's because humans don't live under water.
Beverly, Age 9:
I don't get it.
Elliot, Age 9:
Well, fish don't need sex because they just lay the eggs and fertilize them in the water. Humans can't do that because they don't live in the water. They have to - internalize the water. Therefore we have sex.
Beverly, Age 9:
So you mean humans would have sex if they lived in the water?
Elliot, Age 9:
Well they'd have a kind of sex. The kind where you wouldn't have to touch each other.
[...]
more
Spoofed in Mars Attacks! (1996) more
In the Still of the Night (I'll Remember) more
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Identical twin brothers Beverly and Elly Mantle are successful gynaecologists in Toronto. Their relationship is intense and very close - perhaps too close. The Mantles experiment with sex, drugs and personal identity, to the detriment of their practice, and ultimately of their psychological health.
This is a David Cronenberg film, so we are in the familiar realm of horror, mind games and perverted science. The director/producer/writer appears in the credits above the title and even ahead of his stars, Irons and Bujold. Essentially, the 'dead ringers' of the title are the brothers, who regard their mental and emotional oneness as being something more. They see themselves as siamese twins, bound by their flesh, and fated to share every experience, even unto death.
Irons does wonders to play two complex characters in one movie. A new technique called 'motion control' allows the actor to appear as two people in the same frame, but there is also plenty of the old 'body double' method, filming over a shoulder, then reversing the angle.
As teenage boys, the Mantle twins are clearly very bright, and display a precocious interest in surgery and women's reproductive apparatus. They are also creepy geeks. By the late 1980's they are handsome forty-somethings, and hailed as brilliant gynaecologists by everyone in the medical profession.
The screen actress Claire Niveau becomes Elliot's patient, and the brothers are soon sharing her. They frequently swap places without her knowledge. She has a unique uterus, and as Beverly (or is it Elliot?) explores this feature with his fingers, it is difficult to tell whether he is examining her or masturbating her. Before long, both brothers are doing both to Claire.
Elliot is a few minutes older than Beverly, microscopically taller and a nuance darker in colouring, but by nature he and 'baby brother' are utterly different. While Beverly is shy and diffident, Elliot is a callous, manipulative smoothie. When Claire, still unaware that she is sleeping with two men, expresses an interest in mild masochism, Beverly recoils but Elly enthusiastically obliges. He uses surgical tubes and clamps to tie Claire down for sex, and as he releases her after orgasm, we sense that for him the experience has been 'surgical' - almost a dispassionate experiment.
If Beverly is Jeckyll and Elliot is Hyde, we are always conscious that both personalities inhabit one awareness. "You haven't had any experience until I've had it too," Elliot tells Beverly, and the twins certainly seem to share everything, treating each other's patients (without telling the patients, of course) and working in tandem on research papers. The twins have a twin obsession in common - work and sex. Beverly sums it up with, "We do women - that's our speciality."
Identity is at the core of this film, and the dualities and ambiguities of personality recur with brain-teasing frequency. The twins are interested in female genitalia, both professionally and recreationally. Claire attracts them because of her dualities - she is a big personality who adopts other personas for her work: a strong woman who is turned on by being submissive: a gynaecological 'star' who happens to be infertile: and the French Canadian 'twin' to the English Canadian brothers. Elliot sleeps with two call-girls who are twin sisters, and identifies them by getting each to call him either 'Bev' or 'Elly'. The film has layer upon layer of these dualities. Genevieve Bujold is a French Canadian actress playing a French Canadian actress. We see her being made up for a movie, but when we see her left side, the make-up is of cuts and bruises. The Mantles prescribe drugs to each other, and each to himself, criss-crossing the doctor/patient demarcation lines. They take pills to cure their addiction to pills. Cary is having a relationship with Elliot, but when she gets both brothers at once, she is deeply aroused. The film, like the brothers, oscillates between oneness and separation. "I want to see you two together," says Claire, confused by their duality. So do we.