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Roderick Thorp (novel)
Jeb Stuart (screenplay) ...
(more)
15 July 1988 (USA) more
It will blow you through the back wall of the theater! more
New York cop John McClane gives terrorists a dose of their own medicine as they hold hostages in an LA office building. full summary | full synopsis
Nominated for 4 Oscars. Another 6 wins & 2 nominations more
Bruce Willis "not a fan" of plastic surgery
(From digitalspy. 6 November 2009, 9:36 PM, PST)
Aziz Ansari talks about his Comedy Central stand-up special and a strip club outing for the 'Parks and Recreation' gang
(From EW.com - Hollywood Insider. 6 November 2009, 12:04 PM, PST)
One of the best action pictures *ever*. more (545 total)
Directed by | |||
| John McTiernan | |||
Writing credits(WGA) | ||
| Roderick Thorp | (novel "Nothing Lasts Forever") | |
| Jeb Stuart | (screenplay) and | |
| Steven E. de Souza | (screenplay) | |
Produced by | |||
| Charles Gordon | .... | executive producer | |
| Lawrence Gordon | .... | producer | |
| Beau Marks | .... | associate producer (as Beau E.L. Marks) | |
| Joel Silver | .... | producer | |
Original Music by | |||
| Michael Kamen | |||
Cinematography by | |||
| Jan de Bont | (as Jan De Bont) | ||
Film Editing by | |||
| John F. Link | |||
| Frank J. Urioste | |||
Casting by | |||
| Jackie Burch | |||
Production Design by | |||
| Jackson De Govia | (as Jackson DeGovia) | ||
Art Direction by | |||
| John R. Jensen | |||
Set Decoration by | |||
| Philip Leonard | (as Phil M. Leonard) | ||
Costume Design by | |||
| Marilyn Vance | (as Marilyn Vance-Straker) | ||
Makeup Department | |||
| Paul Abascal | .... | hair stylist | |
| Wes Dawn | .... | makeup artist | |
| Scott H. Eddo | .... | makeup supervisor | |
| Jim Kail | .... | makeup artist | |
| Josée Normand | .... | hair stylist: Bruce Willis (as Josee Normand) | |
Production Management | |||
| Beau Marks | .... | unit production manager (as Beau E.L. Marks) | |
Second Unit Director or Assistant Director | |||
| Paula Foster | .... | dga trainee | |
| Michael Alan Kahn | .... | second second assistant director | |
| Beau Marks | .... | second unit director (as Beau E.L. Marks) | |
| Terry Miller | .... | second assistant director (as Terry Miller Jr.) | |
| Benjamin Rosenberg | .... | first assistant director | |
Sound Department | |||
| Vanessa Theme Ament | .... | foley artist (as Vanessa Ament) | |
| George H. Anderson | .... | supervising dialogue editor (as George Anderson) | |
| Kevin Barlia | .... | assistant dialogue editor | |
| Ron Bartlett | .... | foley editor | |
| Don J. Bassman | .... | sound re-recording mixer (as Don Bassman) | |
| Destiny Borden | .... | assistant sound editor | |
| Sherrie Bayer Burke | .... | assistant adr editor | |
| Kevin E. Carpenter | .... | adr mixer (as Kevin Carpenter) | |
| Kevin F. Cleary | .... | sound re-recording mixer | |
| Phyllis Drury | .... | machine operator | |
| Stephen Hunter Flick | .... | sound effects (as Stephen H. Flick) | |
| David W. Gray | .... | stereo sound consultant: Dolby (as David Gray) | |
| Robin Harlan | .... | foley artist | |
| Craig Heath | .... | sound recordist | |
| Dennis Jones | .... | boom operator | |
| Cindy Marty | .... | dialogue editor | |
| Rick Mitchell | .... | foley editor | |
| Oscar Mitt | .... | assistant sound editor | |
| Al Overton Jr. | .... | sound mixer (as Al Overton) | |
| Richard Overton | .... | sound re-recording mixer | |
| Todd Overton | .... | cable person | |
| Matthew Peerce | .... | apprentice adr editor | |
| Robert Renga | .... | sound recordist | |
| Lisa M. Risen | .... | apprentice adr editor | |
| Dennis Rogers | .... | adr recordist | |
| Jeff Rosen | .... | dialogue editor | |
| Hank Salerno | .... | supervising adr editor | |
| Norman B. Schwartz | .... | post-production dialogue | |
| Catherine Shorr | .... | sound effects editor | |
| Richard Shorr | .... | sound effects | |
| James Simcik | .... | adr editor (as James R. Simcik) | |
| Ronald Sinclair | .... | adr editor | |
| David E. Stone | .... | sound effects editor (as David Stone) | |
| Lee Tinkham | .... | foley mixer | |
| Bill Voigtlander | .... | adr editor | |
| Rosemarie Wheeler | .... | assistant adr editor | |
| Ezra Dweck | .... | sound effects recordist (uncredited) | |
| Bill Henderson | .... | sound re-recording engineer (uncredited) | |
| Richard Shorr | .... | supervising sound editor (uncredited) | |
Visual Effects by | |||
| Yarek Alfer | .... | model maker: Boss (as Jarek Alfer) | |
| Maura Alvarez | .... | animation production assistant: Boss | |
| Brent Boates | .... | visual effects art director: Boss | |
| Richard Chronister | .... | model electronics: Boss | |
| Kevin Clark | .... | optical line-up: Boss | |
| Albert Cox | .... | optical supervisor 'Die Hard': Boss (as Al Cox) | |
| Philip Crescenzo | .... | chief electronics engineer: Boss Film | |
| Richard Edlund | .... | visual effects producer | |
| Alan K.M. Faucher | .... | stand-by model maker: Boss (as Alan Faucher) | |
| Donald Fly | .... | chief financial officer: Boss Film (as Donald R. Fly) | |
| Meg Freeman | .... | animation production assistant: Boss | |
| Kento Gebo | .... | model maker: Boss (as Kent Gebo) | |
| Ron Gress | .... | model painter: Boss | |
| Robert L. Johnston | .... | model effects key man: Boss (as Robert Johnston) | |
| Larry Jolly | .... | model helicopter consultant: Boss | |
| Kelly Kerby | .... | stage assistant: Boss | |
| Lisa Krepela | .... | animation production assistant: Boss | |
| Bruce MacRae | .... | model maker: Boss | |
| Pat McClung | .... | chief model maker: Boss (as Patrick McClung) | |
| Dennis Michelson | .... | visual effects editor: Boss | |
| Bill Neil | .... | director of photography: Boss (as William Neil) | |
| Clint Palmer | .... | camera operator: Boss Film Studios (as Clinton Palmer) | |
| Samuel E. Recinos | .... | technical animation supervisor: Boss (as Samuel Recinos) | |
| Chris Regan | .... | optical department supervisor: Boss | |
| Milius Romyn | .... | model construction foreman: Boss | |
| Paul Sabourin | .... | model effects: Boss | |
| Suzie Schneider | .... | model maker: Boss (as Suzy Schneider) | |
| Dennis Schultz | .... | model maker: Boss | |
| David Schwartz | .... | chief miniature moldmaker: Boss | |
| James Sleeper | .... | optical camera operator: Boss | |
| Mark Stetson | .... | model shop supervisor: Boss | |
| Michael Van Himbergen | .... | visual effects coordinator | |
| Gary Waller | .... | special project supervisor: Boss (as Garry Waller) | |
| Debra Wolff | .... | assistant visual effects editor: Boss | |
| Peter Yanovitch | .... | optical line-up: Boss | |
| Dana Yuricich | .... | model maker: Boss | |
| Matthew Yuricich | .... | chief matte artist: Boss | |
| James G. Anka | .... | model maker (uncredited) | |
| Wayne Baker | .... | first assistant camera operator: Boss Films (uncredited) | |
| Mike Chambers | .... | visual effects coordinator (uncredited) | |
Casting Department | |||
| Ferne Cassel | .... | casting associate | |
| Carl Joy | .... | extras casting | |
Costume and Wardrobe Department | |||
| Barry Francis Delaney | .... | costume supervisor (as Barry Delaney) | |
| Charles Mercuri | .... | costumer: Bruce Willis | |
| Barbara Siebert | .... | set costumer: women (as Barbara Siebert Bolticoff) | |
| Victoria Snow | .... | additional costumer | |
| Michael Voght | .... | set costumer: men (as Michael J. Voght) | |
Editorial Department | |||
| Derek Brechin | .... | assistant editor (as Derek G. Brechin) | |
| Gary Burritt | .... | negative cutter | |
| Bryan H. Carroll | .... | assistant editor (as Bryan Carroll) | |
| Gregory M. Gerlich | .... | assistant editor | |
| Dale E. Grahn | .... | color timer (as Dale Grahn) | |
| Jeff Gullo | .... | second assistant editor | |
| Bob Hagans | .... | color timer | |
| Paul Jenson | .... | negative developer: Boss | |
| Edward Malone | .... | second assistant editor | |
| Kelly Irvine | .... | assistant editor (uncredited) | |
Music Department | |||
| Bruce Babcock | .... | additional orchestrator | |
| Chris Boardman | .... | additional orchestrator | |
| Walt Borchers | .... | score engineer | |
| Christopher Brooks | .... | supervising music editor | |
| Terry Brown | .... | score engineer | |
| Chuck Garsha | .... | score engineer | |
| Philip Giffin | .... | additional orchestrator | |
| Michael Kamen | .... | conductor | |
| Stephen McLaughlin | .... | music producer (as Stephen E. McLaughlin) | |
| Armin Steiner | .... | score mixer | |
| Fiachra Trench | .... | additional orchestrator (as Fi Trench) | |
| Bruce Babcock | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Myra Hill | .... | transportation coordinator (as Myra L. Hill) | |
| Dean E. Mason | .... | transportation captain (as Dean Mason) | |
| James Nordberg | .... | transportation captain (as Jim Nordberg) | |
| Stanley R. Webber | .... | picture car coordinator (as Stanley Webber) | |
| Tim Sisson | .... | picture car mechanic (uncredited) | |
Other crew | |||
| Pamela Alessandrelli | .... | assistant: John Mctiernan | |
| Alex Algarin | .... | dubbing projectionist | |
| Brook Altman | .... | production assistant | |
| Bobby Bass | .... | special weapons training | |
| Susan Joy Beallor | .... | assistant: Joel Silver | |
| Dan Carroll | .... | location liaison | |
| Paul Chaleff | .... | special ceramic vessels | |
| Rick Chavez | .... | craft service | |
| Jack Crain | .... | knife designer and manufacturer (as Jack W. Crain) | |
| Keith Cubba | .... | trainer: Bruce Willis | |
| Jyllel Syage Dickerman | .... | assistant production accountant (as Jyllel Syage) | |
| Ken Dudderar | .... | precision cinetechnician: Boss | |
| Riley Kathryn Ellis | .... | production executive | |
| Robert Eyslee | .... | chief lighting tech: Boss | |
| Marilynn B. Frank | .... | first aid | |
| Elizabeth Galloway | .... | production coordinator | |
| Gary Goldman | .... | technical advisor: military (as L. Gary Goldman) | |
| Aaron G. Green | .... | model furnisher: butterfly wing bridge | |
| Rhonda C. Gunner | .... | video and graphics display: Video Image | |
| Alison Harstedt | .... | assistant production accountant | |
| Richard E. Hollander | .... | video and graphics display: Video Image | |
| Deborah Johnson | .... | assistant: Bruce Willis | |
| K. Lenna Katich | .... | production accountant (as K. Lenna Kunkel) | |
| Tony Kerum | .... | caterer | |
| Carol Land | .... | assistant: John Mctiernan | |
| Clare Leavenworth | .... | assistant: Bruce Willis | |
| Andrew Lipschultz | .... | publicity coordinator | |
| Joel Marx | .... | location manager (as Joel B. Marx) | |
| Peter McKernan | .... | pilot (as Peter McKernan Jr.) | |
| Peter McKernan Sr. | .... | pilot (as Peter McKernan) | |
| Gregory L. McMurry | .... | video and graphics display: Video Image | |
| Kari Ann Messina | .... | production assistant | |
| Lisa Miller | .... | production assistant | |
| Chrissa Owens | .... | stage assistant: Boss | |
| Michael Papac | .... | weapons specialist | |
| Gilbert O. Parra | .... | police technical advisor (as Art Fransen) | |
| Alan D. Purwin | .... | pilot (as Alan Purwin) | |
| Jeff Rand | .... | stage assistant: Boss | |
| Frank Reinhard | .... | production assistant | |
| Phil Robinson | .... | production assistant | |
| Ken H. Rosen | .... | location manager | |
| Annie Saunders | .... | assistant: Charles Gordon | |
| Shari Schneider | .... | assistant: Lawrence Gordon | |
| Antoinette Simmrin | .... | assistant location manager | |
| Tamara Smith | .... | production associate | |
| Ken Stone | .... | maintenance engineer | |
| Charles A. Tamburro | .... | pilot | |
| Michael Tamburro | .... | pilot | |
| Tony Tamburro | .... | pilot | |
| Dana Lynne Taylor | .... | production coordinator | |
| Kellett Tighe | .... | assistant: Lawrence Gordon | |
| Marion Tumen | .... | script supervisor | |
| Ladd Vance | .... | assistant: Joel Silver (as Ladd Rosenberg-Vance) | |
| Tod M. Volpe | .... | special ceramic vessels | |
| John C. Wash | .... | video and graphics display: Video Image | |
| Mark West | .... | design engineer: Boss | |
| Claire Wilson | .... | assistant: Richard Edlund, Boss Film Studios | |
| Maryjane Zelicskovics | .... | production accountant: Boss | |
| M. Rutledge McCall | .... | production assistant (uncredited) | |
Thanks | |||
| Dick Beving | .... | special thanks | |
| Patty Brewer | .... | special thanks | |
| Georgian Francisco | .... | special thanks | |
| Jim Gembala | .... | special thanks | |
| George Meehan | .... | special thanks | |
| Allen Pena | .... | special thanks | |
| Eli Tawil | .... | special thanks | |
Piège de cristal (Canada: French title) (France) [fr]
Stirb langsam (Austria) (West Germany) [de]
A un passo dall'inferno (Italy) [it]
Assalto ao Arranha-Céus (Portugal) [pt]
Die hard - vain kuolleen ruumiini yli (Finland) [fi]
Die hard: Operasjon skyskraper (Norway) [no]
Drágán add az életed (Hungary) [hu]
Duro de Matar (Brazil) [pt]
Duro de matar (Argentina) [es]
Jungla de cristal (Spain) [es]
Poly skliros gia na pethanei (Greece) [el]
Smrtonosná pasca (Czechoslovakia: Slovak title) [sk]
Smrtonosná past (Czechoslovakia: Czech title) [cs]
Szklana pulapka (Poland) [pl]
Trappola di cristallo (Italy) [it]
Umri muski (Yugoslavia: Serbian title) [sr]
Visa hing (Estonia) [et]
Zor ölüm (Turkey: Turkish title) [tr]
more
131 min
2.20 : 1 more
70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)
USA:R (certificate #29160) | Peru:14 | Argentina:16 | Canada:13+ (Quebec) | Canada:18 (Nova Scotia) (re-rating) (2001) | Canada:AA (Ontario) (re-rating) (2001) | Canada:R (Manitoba) | Canada:R (Nova Scotia/Ontario) (original rating) | Iceland:16 | West Germany:16 (cut) (video premiere) | Finland:K-16 (1989) (cut) | Finland:K-15 (DVD version) | Finland:K-18 (1988) (uncut) | Malaysia:18SG | Brazil:14 | Philippines:R-18 | UK:15 (2007) | UK:18 (1988) | West Germany:18 (original rating) | India:A | South Africa:16LV | Italy:VM14 | New Zealand:M | Australia:M | Ireland:18 | Netherlands:16 | Norway:15 | Norway:18 (original rating) | Singapore:M18 | South Korea:18 | Sweden:15 | France:U | Hong Kong:IIB | Japan:PG-12 | Spain:18
20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, California, USA more
The bridge shown in Takagi's office is a work of Frank Lloyd Wright for the Bay Area in 1949. more
Continuity: After McClane fires in the air and it shot at but not hit by one of the FBI men, the other agent Johnson (the white guy) says "Swing around again - I'll bag this little bastard" and both agents are looking toward the camera as if the roof is to their left. But the roof of the Nakatomi building can be seen through the window *behind* them, to their right, and the next jump cut indeed shows the building in front of them, not behind. more
[first lines]
Businessman:
You don't like flying, do you?
John McClane:
What gives you that idea?
Businessman:
You wanna know the secret to surviving air travel? After you get where you're going, take off your shoes and your socks then walk around on the rug bare foot and make fists with your toes.
John McClane:
Fists with your toes?
Businessman:
I know, I know, it sounds crazy. Trust me, I've been doing it for nine years. Yes sir, better than a shower and a hot cup of coffee.
John McClane:
Okay.
[the businessman sees John's gun]
John McClane:
It's okay, I'm a cop. Trust me, I've been doing this for eleven years.
more
Referenced in Inside 'Die Another Day' (2003) (V) more
LET IT SNOW! LET IT SNOW! LET IT SNOW! more
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| IMDb USA section | Add this title to MyMovies |
On the night that John McClane (Bruce Willis), an NYC cop, is visiting his estranged wife Holly (Bonnie Bedelia) in a 40-story skyscraper, terrorist thieves seize control of the building. McClane manages to slip away unnoticed and singlehandedly works to take out the terrorists and save 30 or so hostages.
Fantastic! This ought to get anybody out of their seat and make them take notice! Once it gets going there is non-stop action and violence, and even entertaining exchanges between McClane and terrorist leader Hans Gruber (Alan Rickman). The picture offers some good dialog, good thrills, some impressive special effects, and some good performances. I think this movie and its equally macho sequels would be a must for any action fan's video/DVD library.
McClane does sort of turn out to be a one-man army, but he's not exactly superhuman. He suffers wounds and injuries just like any normal human being, and he talks quite a bit. McClane's efforts are not appreciated by either the L.A.P.D. *or* the F.B.I., and his only support outside the building is from weary street cop Al Powell (Reginald VelJohnson). The relationship between McClane and Powell is a well-developed one, and Willis and VelJohnson have good dialog as Powell offers McClane words of encouragement.
I would be remiss if I didn't mention the superb performances by Rickman and Russian ballet dancer Alexander Godunov as the primary bad guys. These are thoroughly entertaining action movie villains, and Hans is actually more than one-dimensional. On the one hand, he's cold-blooded and cruel, yet he also enjoys dressing well and seems very cultured.
The only sour note is the abundance of the F-word (although, in retrospect, I might be swearing a blue streak if I were in the same frustrating situation) and the variety of truly moronic supporting characters in the film (the self-serving, coke-snorting yuppie Ellis (Hart Bochner), the foolish and brain-dead deputy police chief Robinson (Paul Gleason), the equally self-serving and pompous TV news reporter Thornburg (William Atherton), and the ignorant and overconfident FBI men (Robert Davi, Grand L. Bush).
But what a film it is. Entertaining for over two hours. While on the surface it seems like a real "Guy's" film, Bonnie Bedelia, as the estranged wife, has a decent role, although hers is the only prominent female role in the picture.
9/10