Carol inherits a night club from her weird uncle. She moves into the place, only to find out just how weird her uncle really was. She begins to remember more about her very special ...
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S&MAN begins with footage from Michael Powell's exploration of voyeurism, "Peeping Tom." Director JT Petty uses this footage as a starting point to examine the classic comparison between ... See full summary »
Carol J. Clover,
After a young woman is attacked in the elevator she meets her neighbours (two brothers) for the first time. One of the brothers has a secret, the other has a crush on her. Her analyst tries... See full summary »
Dolemite is a pimp who was set up by Willie Greene and the cops, who have planted drugs, stolen furs, and guns in his trunk and got him sentenced to 20 years in jail. One day, Queen B and a... See full summary »
Rudy Ray Moore,
A vicious Kansas City slaughterhouse owner and his hick family are having a bloody "beef" with the Chicago crime syndicate over profits from their joint illegal operations. Top enforcer Nick Devlin is sent to straighten things out.
Carol inherits a night club from her weird uncle. She moves into the place, only to find out just how weird her uncle really was. She begins to remember more about her very special relationship with her uncle as she battles her memories and her surroundings in her new home. Written by
Rick Lofgren <email@example.com>
(Mama) He Treats Your Daughter Mean
Performed by Ruth Brown
Written by Johnny Wallace and Herbert J. Lance
Published by Marvin Music Co.
Courtesy Atlantic Recording Corp.
By Arrangement with Warner Special Products See more »
Can't see why this movie has gotten such low ratings. For a thriller movie, not my favorite genre, it was really good. Maybe watching it at 3 AM muddled my critical sensibilities, but from where I was sitting, Leigh nailed every line in the film, and she was totally convincing and sympathetic. Did anyone else out there appreciate the classic slight-of-hand approach to the "paranormal" the film took, as well as the serious issues it raised? In my opinion, a scary movie has to include something real to be scared about. Monsters and boogymen just don't do it for me. Not that that there weren't a few "aaaaaghh!" scares in this film, there were [the medicine cabinet scene scared the hell out of me!], but it was the movie itself, not any specific spooky part, that gave me the heebie-jeebies.
I don't know. Maybe my tastes aren't as exacting as they used to be, but I'm not afraid to say I think this was a damn good film. So there!
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