Running on Empty (1988)

Director:

Sidney Lumet

Writer:

Naomi Foner (written by)

Release Date:

9 September 1988 (USA)

Genre:

Drama | Music

Tagline:

In 1971, Arthur and Annie Pope blew up a napalm lab to protest the war... Ever since then they have been on the run from the FBI. They chose their lives. Now their son must choose his.

Plot:

The eldest son of a fugitive family comes of age and wants to live a life of his own.

Plot Keywords:

Vietnam War | Fugitive | Government | On The Run | Father Daughter Reunion

Awards:

Nominated for 2 Oscars. Another 3 wins & 6 nominations

Cast

Christine Lahti	...	Annie Pope / Cynthia Manfield
River Phoenix	...	Danny Pope / Michael Manfield
Judd Hirsch	...	Arthur Pope / Paul Manfield
Jonas Abry	...	Harry Pope / Stephen Manfield
Martha Plimpton	...	Lorna Phillips
Ed Crowley	...	Mr. Phillips
L.M. Kit Carson	...	Gus Winant
Steven Hill	...	Donald Patterson
Augusta Dabney	...	Abigail Patterson
David Margulies	...	Dr. Jonah Reiff
Lynne Thigpen	...	Contact at Eldridge St.
Marcia Jean Kurtz	...	School Clerk
Sloane Shelton	...	Mrs. Phillips
Justine Johnston	...	Librarian
Herb Lovelle	...	Hospital Clerk

Also Known As:

À bout de course (Canada: French title) (France) [fr]
Un lugar en ninguna parte (Mexico) (Spain) [es]
Ahava B'Milkud (Israel: Hebrew title) [iw]
Al filo del vacío (Argentina) [es]
Die Flucht ins Ungewisse (West Germany) [de]
Elämänä pakotie (Finland) [fi]
Fly genom livet (Finland: Swedish title) [sv]
Flykt utan mål (Sweden) [sv]
O Peso de Um Passado (Brazil) [pt]
Stracone lata (Poland) [pl]
Vivere in fuga (Italy) [it]

Runtime:

116 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Argentina:16 | Iceland:L | South Korea:15 | Australia:M | France:-12 | Finland:S | USA:PG-13 | West Germany:12 | UK:15 | Singapore:PG

Filming Locations:

Empire Stages of New York, Long Island City, Queens, New York City, New York, USA

Company:

Double Play

Trivia:

Director Sidney Lumet writes in his book "Making Movies" about an argument between River Phoenix and writer Naomi Foner. A scene in the movie concerns the character played by Phoenix being interrupted while practicing a classical piano solo. In the script, when he is caught, he breaks into a jazz riff to cover his "embarrassment" at being caught doing something serious. Phoenix fought hard against this, feeling that his character would never be embarrassed about working at the piano. Lumet was so impressed by the point Phoenix made, he shot the scene the way Phoenix wanted it.

Goofs:

Continuity: When Arthur returns home drunk one night, he stumbles backwards, falls and shatters the living room table. A short while later he is shown sitting next to the intact table when Danny comes home from being with Lorna.

Quotes:

Lorna: You're certifiable. You're welcome!

Movie Connections:

Featured in The 77th Annual Academy Awards (2005) (TV)

Soundtrack:

Fire And Rain

Sensitive, Touching Film

Possibly the finest and most underappreciated film by Sidney Lumet, this movie has moments which grab you by the throat -- they are so powerful. The cast, which is outstanding (Judd Hirsch, Christine Lahti, and River Phoenix in particular), is part of the reason for its power. The characters are totally convincing. The young man played by River Phoenix is someone we must sympathize with: his dilemma is a lifelong choice between never seeing his loved ones again or continuing to grow as a very talented pianist. The choice is agonizing, and the ending is sure to bring tears to many eyes of people who are part of a close-knit family. One scene is particularly powerful and makes me tear up every time I watch it: The luncheon meeting between Annie, the mother (Christine Lahti) and her father, played by Steven Hill. The dialog during this scene is so convincing, and the acting is perfect. But River Phoenix is the main reason to see this beautiful film, and this simply underscores the tragedy of his death at an early age. He had already proved he was a talent of considerable promise with in Stand By Me and in Mosquito Coast. I fully recommend this film to all thinking people with feelings about the inevitable conflict between family and individuality. This is a small film -- what I call "a little gem" -- most of which are small budget films with great acting and centered around the subjects of families and their values. Also see Crossing Delancey, another "little gem".