| Photos (See all 16 | slideshow) | Videos (see all 3) |
| Bill Pullman | ... | Dennis Alan | |
| Cathy Tyson | ... | Marielle Duchamp | |
| Zakes Mokae | ... | Dargent Peytraud | |
| Paul Winfield | ... | Lucien Celine | |
| Brent Jennings | ... | Louis Mozart | |
| Conrad Roberts | ... | Christophe | |
| Badja Djola | ... | Gaston | |
| Theresa Merritt | ... | Simone | |
| Michael Gough | ... | Schoonbacher | |
| Paul Guilfoyle | ... | Andrew Cassedy | |
| Dey Young | ... | Mrs. Cassedy | |
| Aleta Mitchell | ... | Celestine | |
| William Newman | ... | French Missionary Doctor | |
| Jaime Pina Gautier | ... | Julio | |
| Evencio Mosquera Slaco | ... | Old Shaman | |
| Kimberleigh Aarn | ... | Margrite (as Kimberleigh Burroughs) | |
| Philogen Thomas | ... | Priest | |
| Ana Rosa Smith Avila | ... | Mulatto Nurse | |
| Francis Guinan | ... | American Doctor | |
| Sally-Anne Munn | ... | Nurse / Intern | |
| Jean-Baptiste Rosvelt | ... | Black Waiter | |
| Robert De James | ... | Old Lame Peasant | |
| Jackson Delgado | ... | Possessed Dancer | |
| Barbara Guillaume | ... | Mozart's Whore | |
| Betty García Rodríguez | ... | Pretty Whore | |
| Luis Tavare Pesquera | ... | Kyle Cassedy | |
| Claudia Pimentel | ... | Old Crone | |
| Michael Jackson | ... | Newscaster | |
| Diamanda Galas | ... | Voices of the Dead (voice) | |
| Ti-Blanc | ... | Lucien's Dancers Master of Ceremonies | |
| Marie Carmel Noel | ... | Glass Eater | |
| Frantz Thomas | ... | Coal Eater | |
| Johnny Pephanon | ... | Man With Needles (as Johnny Pephanor) | |
| Lucienne Charles | ... | Houngan Dancer | |
| Suzette Cajusle | ... | Houngan Dancer (as Suzette Cajuste) | |
| Rosemary Sylvain | ... | Houngan Dancer | |
| Iversose Beuville | ... | Houngan Dancer (as Iverose Beuville) | |
| Maxo Fercilien | ... | Houngan Dancer | |
| Jacques Achilles | ... | Houngan Dancer | |
| Francesco Chavez | ... | Houngan Dancer (as Francisco Chavez) | |
| Saveur D'Orlean | ... | Houngan Drummer (as Sauveur D'Orlean) | |
| Maurice Altenor | ... | Houngan Drummer | |
| Miguel Valdez | ... | Houngan Drummer | |
| Elías Gastavo | ... | Houngan Drummer (as Elías Gustavo) | |
| Harold Désiré | ... | Houngan Drummer | |
| Buche | ... | Bizango Dancers Master of Ceremonies | |
| Providenia Alcántara | ... | Bizango Dancers Lead Singer (as Providencia Alcántara) | |
| Dikatel Charles | ... | Bizango Dancer | |
| Ana Ramirez | ... | Bizango Dancer | |
| Rosa Bautista | ... | Bizango Dancer | |
| Juliana José | ... | Bizango Dancer | |
| Josiana Sant Louis | ... | Bizango Dancer | |
| Jean Pierre | ... | Bizango Dancer | |
| Otilio Nerius | ... | Bizango Dancer | |
| Venat Ruis | ... | Bizango Dancer | |
| Ramon Cherry | ... | Bizango Dancer | |
| Rosa Charles | ... | Bizango Dancer | |
| Luis Telemako | ... | Bizango Drummer | |
| Federico Núñez | ... | Bizango Drummer | |
| Americo José | ... | Bizango Drummer | |
| Gérard Matonbe | ... | Bizango Drummer | |
| Robert Regaldo | ... | Bizango Drummer |
Directed by | |||
| Wes Craven | |||
Writing credits | ||
| Wade Davis | (inspired by the book) | |
| Richard Maxwell | (screenplay) and | |
| Adam Rodman | (screenplay) (as A.R. Simoun) | |
Produced by | |||
| Keith Barish | .... | executive producer | |
| Doug Claybourne | .... | producer | |
| Rob Cohen | .... | executive producer | |
| Robert Engelman | .... | co-producer | |
| David Ladd | .... | producer | |
Original Music by | |||
| Brad Fiedel | |||
Cinematography by | |||
| John Lindley | |||
Film Editing by | |||
| Glenn Farr | |||
Casting by | |||
| Dianne Crittenden | |||
Production Design by | |||
| David Nichols | |||
Art Direction by | |||
| David Brisbin | |||
Costume Design by | |||
| Peter Mitchell | |||
Makeup Department | |||
| David LeRoy Anderson | .... | special makeup effects artist (as Dave Anderson) | |
| Lance Anderson | .... | special makeup effects artist | |
| Jeffrey S. Farley | .... | makeup technician | |
| Robert Hallowell II | .... | key hair stylist | |
| James Kagel | .... | makeup technician | |
| Leonard MacDonald | .... | makeup technician | |
| Jim McPherson | .... | makeup technician | |
Second Unit Director or Assistant Director | |||
| Rob Cohen | .... | second unit director | |
| Robert Engelman | .... | first assistant director | |
Art Department | |||
| Ken Counts | .... | construction cordinator | |
| Chris Snyder | .... | construction foreman: reshoots | |
| Charles Stewart | .... | property master | |
Sound Department | |||
| Andy Aaron | .... | sound effects recordist | |
| Gregg Barbanell | .... | foley artist | |
| Jay Boekelheide | .... | sound designer | |
| Gary C. Bourgeois | .... | sound re-recording mixer | |
| Bruce Fortune | .... | sound editor | |
| Brian Hackett | .... | sound assistant: second unit | |
| Dorian Harris | .... | adr editor | |
| Cliff Latimer | .... | dialogue editor | |
| Mary Helen Leasman | .... | foley editor | |
| John Morris | .... | sound editor | |
| Dean Okrand | .... | sound re-recording mixer | |
| Troy Porter | .... | foley mixer | |
| Don Summer | .... | sound mixer | |
Special Effects by | |||
| Peter Chesney | .... | special effects coordinator | |
| Robin L. D'Arcy | .... | special effects coordinator: Image Engineering | |
| Emmet Kane | .... | special effects technician | |
| Sandra Stewart | .... | special effects assistant | |
Visual Effects by | |||
| Japhet Asher | .... | visual effects producer | |
| Gary Gutierrez | .... | visual effects supervisor | |
Stunts | |||
| Anthony Cecere | .... | stunt coordinator | |
| Anthony Cecere | .... | stunts: fire gag | |
| Eric Chambers | .... | stunts (as Erik Chambers) | |
| Dane Farwell | .... | stunts | |
| Al Lee | .... | stunts | |
| Irving E. Lewis | .... | stunts (as Irwin Lewis) | |
| Eric Mansker | .... | stunts (as Erik Mansker) | |
| Perry Nichols | .... | stunts | |
| Mark Orrison | .... | stunts | |
| Debby Lynn Ross | .... | stunts | |
| Marvin Walters | .... | stunts | |
| Ray Woodfork | .... | stunts | |
| Dane Farwell | .... | stunt double: Bill Pullman (uncredited) | |
Camera and Electrical Department | |||
| George A. Hock | .... | electrician | |
| Lawrence Karman | .... | first assistant camera | |
| Dwight Joseph Lavers | .... | dolly grip | |
| Larry McCarron | .... | grip | |
| Michael A. McFadden | .... | electrician | |
| Rick Fee | .... | first assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Shawn Barry | .... | costume supervisor | |
| Lynda Foote | .... | set costumer | |
Editorial Department | |||
| Peter Amundson | .... | first assistant editor | |
| James A. Brewer | .... | apprentice editor | |
| Mike Murphy | .... | assistant editor | |
Music Department | |||
| Tim Boyle | .... | score mixer | |
| Mary Patrao | .... | assistant music editor | |
| Robert Randles | .... | music editor | |
Transportation Department | |||
| Hugh Kelly | .... | transportation co-captain | |
Other crew | |||
| Nora Dunfee | .... | dialect coach | |
| Patrick Kohouten | .... | utility stand-in (as Patrick Kohoutek) | |
| Marianne Maddalena | .... | assistant: Mr. Craven | |
| Trish McCall | .... | utility stand-in | |
| Ren Navez | .... | location manager | |
| Musset Payant | .... | utility stand-in | |
| Jill Simpson | .... | assistant to producers | |
| Carmen Soriano | .... | script supervisor | |
| Gerry Therrien | .... | animal coordinator | |
| Robbie Tucker | .... | production associate | |
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| An American Werewolf in Paris | Der Baader Meinhof Komplex | Il gatto a nove code | La terza madre | The Holy Mountain |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
I remember watching "The Serpent and the Rainbow" in a cinema when it opened 12 years ago, and although it did not strike me as a masterpiece, I never forgot it. I had always had a memory of it as a good horror film, but tonight I saw it again on television and I was impressed about how good it is. One may associate Wes Craven with "Scream" or "A Nightmare on Elm Street", but this one is certainly one of his best films. I still see it as an adventure film with horror elements, but this time I found it full of style -a touch of documentary approach, clever use of colorful locations, good handling of massive scenes with many unprofessional extras, attractive ethnic art direction, a bit of grand guignol in some performances (mainly Zakes Mokae), humor and a sensitive and sympathetic approach to a different culture. Many times one sees American films dealing with others' cultural aspects -such as political affairs and religion-, without any respect or concern. It is true that "The Serpent and the Rainbow" is not a serious drama about people's revolt, or a tract on synchretic religions (such as Cuban santería, Haitian voodoo or Brazilian candomblé), but both aspects are not just décors, but elements well integrated to the story in its own terms -that is, in a low budget feature, whose main objective is to entertain and scare the audience. The so-called "South" is such an exotic locale for most First World filmgoers, that cultural "details" often pass unnoticed, because these persons seem to be too obsessed with their own "cinematic hedonism". Craven knows it, and that is why he makes foreign tourists applaud when they have seen a real possession, thinking it is just part of Paul Winfield's show. One of the reasons that this film is good is the script. Someone mentions in another comment how cleverly it introduces more than one level in a single scene: for example, when Dennis and Marielle are looking for Christophe in a cemetery, they not only meet grave robbers for scaring effect, but they also discuss about the possibility that Marielle is using Dennis to obtain funds for her hospital, and the scene fulfills its expectation: they find Christophe, who tells them about the mysterious 'powder'. What turns off some viewers -and myself, in a way- is the cinematic forms that take all the things dealing with energy and human capacity for evil. They are sometimes too gross, others just plain funny or ridiculous; but this is a Craven film, and they did not detract me from the main objective I mentioned earlier. Besides, there are other things I enjoyed watching the film again. First, to see once again the Bill Pullman whom I used to enjoy so much (remember the dumb blond in "Ruthless People"?) when he was beautiful and had not turned into the dull American president of "Independence Day." I also recognized elements I've witnessed. A lot of the things that you see and hear in this film are not just fiction (after all it is based on a "true" story): they are all part of many Caribbean cultures -from the sensuality of the islanders, to the rite in the river, or the powder itself. And believe me: the powders work! Not only for making zombies, but also for many other things. Don't ask me how, I do not know how they do it, but I have seen them work (in Cuba -no joke intended)! So beware.