The fantastic tale of an 18th century aristocrat, his talented henchmen and a little girl in their efforts to save a town from defeat by the Turks. Being swallowed by a giant sea-monster, a trip to the moon, a dance with Venus and an escape from the Grim Reaper are only some of the improbable adventures. Written by
Keith Loh <email@example.com>
Forms an informal trilogy with director Terry Gilliam's previous films, Time Bandits (1981) and Brazil (1985). The three movies represent the three stages of Man (youth, middle age, and elderly) and the impact of imagination on each. Jack Purvis also appears in all three films. See more »
During the long pull-back shot which shows how deep in the Sultan's camp the Baron is being held, extras quickly move together as the camera moves back to cover the dolly track on the ground, but frequently do not succeed. See more »
You never let me have any friends!
I'll not have you wiggling at philanderers, you floozy!
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This is a new motion picture. This motion picture is not to be confused with the UFA/Transit/Murnau 1942/43 motion picture bearing the title 'The Adventures of Baron Munchausen'. See more »
A young Sarah Polly is swept on a grand storybook adventure when her father's theater is visited by the source of its drama; the real Baron himself (perfectly played by John Neville). The town is under siege by the Turks and only Munchausen and his band of curious adventurers can save it, so long as Death or a doctor doesn't catch him.
Terry Gilliam, having hit his stride with the 1984-and-a-half classic Brazil, went on to fulfill his ultimate fantasy film with a great cast of actors (Jonathan Price included), beautifully detailed sets and costumes, and a very strange yarn of a tale indeed. Bit parts are filled out by Robin Williams, the late Oliver Reed (seen most recently as Proximo in Gladiator) serving up a fiery Vulcan - husband to a young (not to mention stunning) Uma Thurman as Venus.
A great deal of the magic that sparkled in Brazil seems to have been rekindled here, and while it may have been panned at the time of its release, time has treated it well. The effects have that pre-cg feeling that makes me warm and fuzzy inside, and while its a little slow to get started, it surprises around every turn.
Fans of Gilliam's work (and those who still possess that curious inner child) will find much to enjoy here - even if it is nothing more than wonderful nonsense.
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