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John Woo (written by)
September 1990 (USA) more
This film will blow you away. more
A disillusioned assassin accepts one last hit in hopes of using his earnings to restore vision to a singer he accidentally blinded, only to be double-crossed by his boss. full summary | add synopsis
2 wins & 5 nominations more
John Woo Unbound: The Red Cliff Interviews
(From The Hollywood Interview. 12 November 2009, 5:03 PM, PST)
Chow Yun-Fat Lets Bullets Fly
(From Atomic Popcorn. 21 October 2009, 5:01 PM, PDT)
No Competition more (196 total)
| Yun-Fat Chow | ... | Ah Jong (as Chow Yun Fat) | |
| Danny Lee | ... | Insp. Li Ying / Little Eagle | |
| Sally Yeh | ... | Jennie | |
| Kong Chu | ... | Fung Sei (as Chu Kong) | |
| Kenneth Tsang | ... | Sgt. Tsang Yeh (as Tsang Kong) | |
| Fui-On Shing | ... | Wong Hoi (as Shing Fui On) | |
| Wing-Cho Yip | ... | Wong Dung-Yu | |
| Fan Wei Yee | ... | Paul Yau | |
| Barry Wong | ... | Chief Insp. Dou / Tu | |
| Parkman Wong | ... | Insp. Chan Bok | |
| Siu-Hung Ng | ... | A killer | |
| Sing Yeung | ... | Bodyguard A | |
| Siu Hung Ngan | ... | Bodyguard B | |
| Kwong Leung Wong | ... | Wong Tong | |
| rest of cast listed alphabetically: | |||
| Chung Lin | ... | Jueng Wan / Ah Jong's first victim (uncredited) | |
| Hsiang Lin Yin | ... | Syndicate man (uncredited) | |
Directed by | |||
| John Woo | |||
Writing credits | ||
| John Woo | (written by) | |
Produced by | |||
| Hark Tsui | .... | producer (as Tsui Hark) | |
Original Music by | |||
| Lowell Lo | (as Lowell Lowe) | ||
Cinematography by | |||
| Peter Pau | (as Peter Pao) | ||
| Wing-Hung Wong | (as Wong Wing Hang) | ||
Film Editing by | |||
| Kung Ming Fan | (as Fan Kung Ming) | ||
Art Direction by | |||
| Man-Wah Luk | (as Luk Man Wah) | ||
Set Decoration by | |||
| Chun-Ching Tai | |||
Costume Design by | |||
| Shirley Chan | |||
Makeup Department | |||
| Benny Chow | .... | hair stylist | |
| Judy Mann | .... | makeup artist | |
| Yvonne Yen | .... | makeup artist | |
Production Management | |||
| Claudie Chung Chun | .... | executive in charge of production (as Claudie Chung) | |
| Virginia Lau | .... | production manager | |
| Roy Leung | .... | assistant production manager | |
| Kwong-King Ngan | .... | unit manager | |
| Lai-Ping Tsang | .... | post-production supervisor | |
| Deanne Yew | .... | production manager (as Deannie Yew) | |
| Patrick Yip | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Chi Ming Leung | .... | second assistant director (as Leung Chi Ming) | |
| Patrick Leung | .... | first assistant director | |
Art Department | |||
| Hsu Wei-Kuo | .... | assistant art director | |
| Sai-Ching Yeung | .... | property master | |
Sound Department | |||
| Siu-Lung Ching | .... | sound effects | |
| Hsue-yui Fung | .... | dubbing editor: mandarin | |
| Yu Ting | .... | dubbing editor: cantonese | |
Stunts | |||
| Siu-Tung Ching | .... | action coordinator (as Ching Siu Tung) | |
| Siu-Tung Ching | .... | stunts | |
| Chi-Ho Lau | .... | action coordinator (as Lau Chi Ho) | |
| Chi-Ho Lau | .... | stunts | |
Camera and Electrical Department | |||
| Kim-Kit Chik | .... | chief electrician | |
| Kam Fook-Shing | .... | electrician | |
| Wai-Ming Ip | .... | still photographer | |
| Tak-Shing Lee | .... | chief electrician | |
| Stephen Shin | .... | still photographer | |
| Lee Wai-Tak | .... | assistant camera | |
| Chun-Wah Yuen | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Tong Ping | .... | wardrobe mistress | |
Editorial Department | |||
| Chin-Kuen Pang | .... | assistant editor | |
Music Department | |||
| Susan Tang | .... | lyricist: theme song | |
| James Wong | .... | lyricist: theme song | |
| David Wu | .... | music editor | |
| Sally Yeh | .... | singer: theme song | |
Other crew | |||
| Billie Chan | .... | unit publicist | |
| Kathy Cheung | .... | production accountant | |
| Janet Chin | .... | continuity | |
| Sylvia Fung | .... | tea lady | |
| Gloria Ho | .... | production security | |
| Wysum Pao | .... | continuity | |
| Chi-Wah Tse | .... | production assistant | |
The Killer (Hong Kong: English title) (UK) (USA)
Bloodshed of Two Heroes (International: English title) (literal title)
Die xue shuang xiong (Hong Kong: Mandarin title)
Blast Killer (West Germany) [de]
El asesino (Spain) (TV title) [es]
Epangelmatias dolofonos (Greece) (TV title) [el]
The Killer (Greece) [el]
The Killer (France) [fr]
The Killer (Italy) [it]
The Killer - O Matador (Brazil) [pt]
more
Rated R for pervasive strong violence and some language.
111 min | Australia:96 min | Taiwan:141 min | USA:104 min (R-rated version) | 124 min (extended version)
1.85 : 1 more
Germany:18 (uncut) | Iceland:16 | Malaysia:18SG | Argentina:16 | Australia:R | Canada:13+ (Quebec) | Canada:R (Ontario) | Chile:18 | France:-16 | Hong Kong:IIB | Ireland:18 | Japan:R-15 | Netherlands:16 | New Zealand:R16 | Norway:18 (video premiere) | Singapore:NC-16 | South Korea:18 | Spain:18 | Sweden:(Banned) | UK:18 | USA:R (edited version) | USA:Unrated | Germany:BPjM Restricted
Jennie's ballads are in her own voice. Sally Yeh was a popular pop star, and her concert schedule conflicted with the filming schedule. This led to a radical change in the storyline, with her blind at the beginning of the movie and telling the story through flashbacks, and a different ending, with Jennie flying to America for a cornea transplant. more
Continuity: When Jeff goes to the back room in the first gun battle at the bar, a man takes aim at him from behind the bar counter with a shotgun. Jeff turns his attention to another man with a gun, and then looks back to the man behind the bar, who is seen putting the shotgun into firing position once more. more
Joe (Cantonese)/Jeffrey (English):
Are you always so determined?
Lee:
Yes, it's my style.
Joe (Cantonese)/Jeffrey (English):
Mine too.
more
Referenced in Kill Bill: Vol. 1 (2003) more
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| Lat sau san taam | Ying hung boon sik | Face/Off | Chik yeung tin si | Kill Bill: Vol. 1 |
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First of all, I am disgusted by some of these reviews. Modern action has been overrun by special effects and stuntmen with death wishes (not that I'm complaining), but one must consider the time and the place. It's not the world of the Matrix or the Human-Cyborg War (or whatever it's called) in the Terminator, it's Hong Kong in the 1980's with counterfeiting, hostile Chinese syndicates. It doesn't have to be a big budget feature to be great. Clerks by Kevin Smith had a minute budget, but it made Smith famous.
I digress. Woo creates a sensitive and emotionally complex... assassin. To make him reconsider his job as a professional killing machine Jeffrey, the killer, blinds a lounge singer, Jenny. He swears to himself that he will end his career after one last job. Woo introduces us to the concept, like you see in A Better Tomorrow, that you can never leave a Triad even if you try your hardest. With an hour of attempting, Jeff realizes the horrible truth. Rarely does Woo bring in this feeling of absolute futility in his work. After losing his best friend, Jeff has crossed the Rubicon in his attempts and must end his ties to it by ending his everyone's but his own, excluding Jenny and Inspector Lee. Some people dislike the final shootout, but the doves and the Christian symbology adds a touch that drives religious and heroic bloodshed to the minds of the audience. On a personal note, I love it. The last few seconds depict a man, perhaps Lee, playing a harmonica in front of the church for reasons I don't know.