Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
An elderly Jewish widow living in Atlanta can no longer drive. Her son insists she allow him to hire a driver, which in the 1950s meant a black man. She resists any change in her life but, Hoke, the driver is hired by her son. She refuses to allow him to drive her anywhere at first, but Hoke slowly wins her over with his native good graces. The movie is directly taken from a stage play and does show it. It covers over twenty years of the pair's life together as they slowly build a relationship that transcends their differences. Written by
John Vogel <firstname.lastname@example.org>
In the scenes involving the black four door Cadillac sedan, Bruce Beresford used both a 1955 and a 1956 Cadillac. The cars' exteriors are identical, except for the rear exhaust fender flare on the '56. The rear fender on the '55 is flat. See more »
When Daisy is telling Hoke about the first time she went to Mobile, the reflection of his arms and hands in the car door don't match the cuts back to him standing next to the car. See more »
[to Hoke on his first day of work]
I wouldn't be in your shoes if the Sweet Lord Jesus come down and asked me himself.
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A touching film that is a story of ultimate friendship and loyalty.
Driving Miss Daisy is the story of a frienship between a hard to live with Jewish lady and her chauffeur. Morgan Freeman and Jessica Tandy give great performances along with Dan Aykroyd as a loving son to Miss Daisy. Great score and cinamatography add to this films enjoyment. If you're an old car buff like me, note that beautiful 1948 Hudson that is used in the first half of the movie.
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