5.2/10
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13 user 7 critic

The Girl in a Swing (1988)

A London art broker goes to Copenhagen where he requires the services of a secretary fluent in Danish, English, and German. He falls deeply in love with the woman, despite the fact that he ... See full summary »

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Cast

Cast overview, first billed only:
...
Karin
Rupert Frazer ...
Alan
...
The Vicar
...
Mrs. Dresland
...
Barbara
Jean Boht ...
Mrs. Taswell
Lorna Heilbron ...
Flick
Ljuba Castot ...
Child in Water
Helen Cherry ...
Lady Alice
Mogens Dalsgaard ...
Concert Pianist
Su Elliot ...
Nurse
June Ellis ...
Lady at Auction
...
Coroner
Ebbe Langberg ...
Per Simonsen
Preston Lockwood ...
Man at Sothebys
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Storyline

A London art broker goes to Copenhagen where he requires the services of a secretary fluent in Danish, English, and German. He falls deeply in love with the woman, despite the fact that he knows virtually nothing about her. She insists on not being married in a church, and after they are married, some bad things from her past begin surfacing in subtly supernatural ways, and he must find the best way to deal with them without destroying their relationship. Written by Ed Sutton <esutton@mindspring.com>

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Certificate:

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Release Date:

29 September 1989 (USA)  »

Also Known As:

A Rapariga do Baloiço  »

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Box Office

Gross:

$747,013 (USA)
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(Technicolor)|
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Last cinema role of Helen Cherry. See more »

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User Reviews

 
ludicrous supernatural drama
22 November 2010 | by (United States) – See all my reviews

A repressed Episcopalian antique dealer falls head over heels in love with his beautiful but mysterious German secretary, and is apparently so blinded by emotion that he never thinks to ask her a single question about herself. As played by a miscast Meg Tilly she's meant to be an enigmatic blend of beguiling innocence and animal passion, but what begins as a lumpy Continental romance (highlighted by some of the most banal endearments to be heard since John Gilbert was laughed off the screen) goes from love story to ghost story in one awkward Turn of the Screw. What is femme fatale Karin Forster's dark secret: is she a reformed prostitute? A pagan sorceress? A figment of her lover's overwrought imagination? Don't expect any answers from director Gordon Hessler, whose adaptation of the novel by Richard Adams is even more stiff and lifeless than its protagonist. Hessler shows obvious pride in his ability to make a halfway literate film; but it's the other half that makes no sense whatsoever, and the portentous scenario, alongside the lame dialogue, provokes more laughs than shivers.


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