| Adolph Green | ... | Joey Wellman | |
| Laura Benson | ... | Elsie Wellman | |
| Linda Lavin | ... | Lena Apthrop | |
| Gérard Depardieu | ... | Christian Gauthier | |
| Micheline Presle | ... | Isabelle Gauthier | |
| John Ashton | ... | Harry Dempsey | |
| Geraldine Chaplin | ... | Terry Amstrong | |
| Caroline Sihol | ... | Dora Dempsey | |
| rest of cast listed alphabetically: | |||
| Catherine Arditi | ... | La boulangère | |
| Albert Benchamoul | ... | Un vieux villageois | |
| Françoise Bertin | ... | La cliente de la marchande de légumes | |
| Patrick Bonnel | ... | Le boucher | |
| Charlotte Bonnet | ... | La femme chauffeur de taxi | |
| Jean Champion | ... | Le chauffeur de taxi / Taxi driver | |
| Emmanuelle Chaulet | ... | La secrétaire de Gauthier / Secretary of Gauthier | |
| Jean-Marc Cozic | ... | Tintin | |
| Pierre Decazes | ... | Le garagiste | |
| Tony Dias | ... | Valentina | |
| Guillaume Farny | ... | Bateman | |
| Georges Fricker | ... | Roxy Darcel, le compagnon de Terry | |
| Alain Fromager | ... | L'étudiant dans le bureau de Gauthier | |
| François-Eric Gendron | ... | Lionel Cohn-Martin | |
| Raphaëline Goupilleau | ... | L'étudiante dans le bureau de Gauthier | |
| Isabelle Habiague | ... | La jeune femme qui chante | |
| Lucienne Hamon | ... | Mme Roget / Mrs. Roget | |
| Peter Hudson | ... | Le Spectre | |
| Jacques Le Servot | ... | Spirit | |
| Jean Prévôt | ... | Un vieux villageois | |
| Anne Roussel | ... | La jeune femme fatiguée / The tired woman | |
| Ludivine Sagnier | ... | La petite fille de la place du village | |
| Agnès Seelinger | ... | La domestique du manoir | |
| Gisèle Soban | ... | Elektra | |
| Anne Teyssèdre | ... | La jeune femme dans le bureau de Gauthier | |
| Nicolas Trong | ... | Le jeune homme dans l'avion | |
| Isabelle Turpault | ... | Catwoman | |
| Vitaliy Versace | ... | Son | |
| Michel Weinstadt | ... | Corto Maltese | |
| Isabelle Wolfe | ... | Laureline (as Isabelle Canet-Wolfe) | |
| Abbes Zahmani | ... | Le Concombre Masqué | |
Directed by | |||
| Alain Resnais | |||
Writing credits(in alphabetical order) | ||
| Jules Feiffer | writer | |
Produced by | |||
| Christian Ferry | .... | associate producer | |
| Marin Karmitz | .... | producer | |
Original Music by | |||
| John Kander | |||
Cinematography by | |||
| Charles Van Damme | |||
Film Editing by | |||
| Albert Jurgenson | |||
Production Design by | |||
| Claude Moesching | |||
| Jacques Saulnier | |||
Set Decoration by | |||
| Philippe Turlure | |||
Costume Design by | |||
| Catherine Leterrier | |||
Makeup Department | |||
| Nicole Chaubet | .... | hair stylist | |
| Sylvie Lorthiois | .... | makeup artist | |
| Thi-Loan Nguyen | .... | makeup artist | |
| Patrick Villain | .... | hair stylist | |
Production Management | |||
| Yvon Crenn | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Yann Gilbert | .... | first assistant director | |
Art Department | |||
| Philippe Turlure | .... | set dresser | |
Sound Department | |||
| Jean-Claude Laureux | .... | sound | |
| Jean-Paul Loublier | .... | sound | |
| Fred Mays | .... | post-synchronization | |
| Nadine Muse | .... | sound editor | |
Camera and Electrical Department | |||
| Arthur Cloquet | .... | first assistant camera | |
| Gilbert Duhalde | .... | camera operator | |
| Jean-Pierre Lacroix | .... | gaffer | |
| Alain Tanguy | .... | electrician | |
Costume and Wardrobe Department | |||
| Aude Bronson-Howard | .... | costume assistant | |
| Anne-Marie Castaño-Padovan | .... | costumer | |
| Hélène Robin | .... | wardrobe mistress | |
Editorial Department | |||
| Martine Fleury | .... | assistant editor | |
| Elisabeth Guido | .... | assistant editor | |
| Dominique Lefevre | .... | post-production coordinator | |
Other crew | |||
| Sylvette Baudrot | .... | continuity | |
| Sylvette Baudrot | .... | script supervisor | |
| Gérard Beaume | .... | assistant: Depardieu | |
| Derf La Chapelle | .... | choreographer | |
Thanks | |||
| Guido Crepax | .... | thanks | |
| Jean Giraud | .... | thanks (as Moebius) | |
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| 8½ | La science des rêves | Heavenly Creatures | Pierrot le fou | L'auberge espagnole |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
| Add this title to MyMovies |
Before shooting "I want to go home", if Resnais had thought of keeping somebody in mind, it is quite possible that he must have had ruminated about both American and French public. "I want to go home" shows why French fascinate Americans so much. It is a fairly honest portrayal of why French have all the respect for Americans. It is so hard to believe that this comic film was made by Resnais. For the last five decades, he has remained a highly intelligent intellectual cinéaste who has excelled in making difficult films about memories. Watching his films can be likened to a concentrated reading of a "stream of consciousness" oeuvre. Not only will this film charm die-hard francophiles like Paul Auster, Johnny Depp, William Fiedkin, Jim Jarmusch, Hal Hartley and John Malkovich but also fans of comic strips as it is not so often that one comes across a feature film in which there is a happy marriage of cartoons and film. Through this quirky work, Resnais has advocated popular culture as in today's world Mickey Mouse, Snoopy, Charlie Brown and Garfield are as relevant/necessary and useful for everybody as Flaubert, Stendhal and Sartre. "I want to go home" is a light film which provides a multiplicity of meanings for its viewers. On an elementary level it explores cultural differences between French and American people. On another level it is also a tale of an amicable reconciliation process which happens between a father meeting his daughter after many years. This emotional turmoil has been shown in a very dignified indeed subtle manner. Although it might seem odd, this film makes it absolutely clear that French have a penchant for admiring those American artists who have been ignominiously rejected/ignored back home in USA. One classical example is Samuel Fuller. He enjoys a bigger, dedicated fan following in France than in United States of America. "I want to go home" is a film which can be understood by all kinds of artists. It speaks of different arts like cinema, comics etc. This is why Resnais has collaborated with great artists like Enki Bilal, Jules Feiffer and John Kander. The highlight of this film is the fact that it shows how all arts are interrelated as well as mutually beneficial. In "I want to go home" the characters alternate between serious mood and comic mood. This is because people can't always remain funny or serious. Resnais makes us all imbibe a logical lesson that in our daily lives we have to react according to the situation in which we find ourselves. Lastly it is high time that it is said that although Americans might abhor French or vice versa, the truth is that both of them cannot live without each other.