| Photos (see all 7 | slideshow) |
| Dóra Szinetár | ... | Laurin (as Dora Szinetar) | |
| Brigitte Karner | ... | Flora Andersen | |
| Károly Eperjes | ... | Van Rees (as Karoly Eperjes) | |
| Hédi Temessy | ... | Olga (as Hedi Temessy) | |
| Barnabás Tóth | ... | Stefan Berghaus (as Barnabas Toth) | |
| Kati Sír | ... | Frau Greta Berghaus (as Katalin Sir) | |
| Endre Kátay | ... | Pastor Van Rees (as Endre Katay) | |
| János Derzsi | ... | Arne (as Janos Derzsi) | |
| Zoltán Gera | ... | Herr Engels (as Zoltan Gera) | |
| Ildikó Hámori | ... | Frau Johansson (as Ildiko Hamori) | |
| Zsolt Szerenyi | ... | Zigeunerjunge | |
| Ottilia Marschek | ... | Zwillingsschwester | |
| Gabriella Marschek | ... | Zwillingsschwester | |
| Attila Hajdu | ... | Enno | |
| Gábor Németh | ... | Nikolas (as Gabor Nemeth) | |
| Zoltán Gyorgy | ... | Van Rees (10 Jahre alt) (as Zoltan Györfy) | |
| Balázs Tardy | ... | Erster Zigeuner (as Balazs Dardi) | |
| Bela Kasi | ... | Zweiter Zigeuner (as Bella Kassi) | |
| Zsolt Lakatos | ... | Zweiter Zigeunerjunge | |
| Katalin Lappath | ... | Wienke | |
| Chris Dalton | ... | Erster Matrose | |
| Karoly Veres | ... | Zweiter Matrose | |
| Robert Sigl | ... | Schäfer / Soldat | |
| Hobo | ... | Schwarzer Hund (dog) | |
| rest of cast listed alphabetically: | |||
| Peter Petrik | ... | Ennos Freund (uncredited) | |
Directed by | |||
| Robert Sigl | |||
Writing credits(in alphabetical order) | ||
| Ádám Rozgonyi | screenplay collaboration (as Adam Rozgonyi) | |
| Robert Sigl | screenplay, idea and book | |
Produced by | |||
| Andreas Bareiß | .... | producer (as Andreas Bareiss) | |
| György Onódi | .... | executive producer (as György Onodi) | |
| Róbert Prokopp | .... | executive producer (as Robert Prokopp) | |
| Bernhard Stampfer | .... | producer (as Bernhardt Stampfer) | |
Original Music by | |||
| Hans Jansen | |||
| Jacques Zwart | |||
Cinematography by | |||
| Nyika Jancsó | (as Nyika Jancso) | ||
Film Editing by | |||
| Teri Losonci | |||
Costume Design by | |||
| Gizella Koppány | (as Gizi Koppany) | ||
Makeup Department | |||
| Edit Basilides | .... | makeup artist | |
| Gabi Várnai | .... | hair stylist (as Gabriella Varnai) | |
Production Management | |||
| Susan Schulte | .... | executive in charge of production | |
| Miklós Szita | .... | production manager (as Miklos Szita) | |
Second Unit Director or Assistant Director | |||
| Péter Barbalics | .... | first assistant director (as Peter Barbalits) | |
| Petra Doba Simkó | .... | third assistant director (as Petra Simko Doba) | |
| Péter Gyõry | .... | second assistant director (as Peter Györy) | |
Art Department | |||
| István Galambos | .... | assistant designer (as Istvan Galambos) | |
| Éva Martin | .... | set design (as Eva Martin) | |
| Gyula Toth | .... | property master | |
Sound Department | |||
| Lajos Ledniczky | .... | sound assistant | |
| István Wolf | .... | sound (as Istvan Wolf) | |
Special Effects by | |||
| György Velezdi | .... | special effects (as György Velezdy) | |
Camera and Electrical Department | |||
| Sándor Császár | .... | chief lighting technician (as Sandor Csaszar) | |
| György Erös | .... | lighting technician | |
| Kornél Fiskovszky | .... | lighting technician (as Kornel Fiskovszky) | |
| Rudolf Graczer | .... | assistant camera (as Rudolf Gratzer) | |
| József Halom | .... | camera operator (as Jozsef Halom) | |
| István Hegedûs | .... | best boy | |
| Ferenc Németh | .... | camera technician (as Ferenc Nemeth) | |
| Peter Sebök | .... | lighting technician | |
| Imre Sisa | .... | lighting technician | |
| László Sudár | .... | lighting technician (as Laszlo Sudar) | |
| András Váradi | .... | assistant camera (as Andras Varadi) | |
Costume and Wardrobe Department | |||
| Klára Gulyás | .... | assistant costumer (as Klari Gulyas) | |
| Bea Hoffmann | .... | wardrobe | |
Editorial Department | |||
| Helga Borsche | .... | editorial advisor | |
| Emese Mészáros | .... | assistant editor (as Emese Meszaros) | |
Transportation Department | |||
| Istvan Erdei | .... | production driver | |
| Jozsef Hoffer | .... | production driver | |
| Jozsef Pethö | .... | production driver | |
Other crew | |||
| Gabriella Antall | .... | script (as Gabriella Antall) | |
| Péter Bacsó | .... | consultant (as Peter Bacso) | |
| Gloria Burkert | .... | production business manager | |
| Ruth Carlson | .... | dialogue coach | |
| Tina Dittlein | .... | coordinator | |
| Peter Dress | .... | production assistant | |
| Andrea Janossy | .... | caterer | |
| Géza Jánossy | .... | caterer (as Geza Janossy) | |
| Tamás Kende | .... | photos | |
| Ági Kökönyei | .... | production secretary (as Agi Kökönyei) | |
| Ildikó Kovács | .... | location manager (as Ildiko Kovacs) | |
| Antonio Morvai | .... | interpreter | |
| Johann Raps | .... | production business manager | |
| Sigrid Reti | .... | production assistant (as Dr. Sigrid Reti) | |
| Péter Rutkai | .... | location manager (as Peter Rutkai) | |
| David Scharfenberg | .... | historical research | |
| Ferenc Tolvaly | .... | production preparation | |
| Imre Varga | .... | opticals | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb West Germany section | Add this title to MyMovies |
This movie turned out to be quite a bit different then I thought it would be but in a good way. The subtitle would lead you to believe that Laurin is a horror movie but after a few minutes you realize it is something completely different. Previous comments refer to this movie as being surreal and I think that is about as close to an explanation as you can get. This is a gorgeously shot movie that utilizes great natural scenery combined with carefully chosen lighting which sets the mood in every scene. The director makes great use of imagery and color and overall this movie has a really ominous and eerie feeling to it all the way through. As I mentioned though, this isn't really a typical American "horror" movie considering the low body count. It is more cerebral then most horror movies and is artfully put together from beginning to end without being pretentious art house crap.
There are a wholllleeeee lot of interesting characters in this movie, many who have issues with repressed sexuality. The lead character Laurin sleeps in a crib and at first seems to be mentally age-regressed or slow...or something. Also present are the local Priest and his son who both seem to have a number of "issues" relating to childhood and sexuality. Don't forget the crossdressing sissy school-boy, the dope smoking granny, and spying on people in the bathtub.
If you're looking for gore or high body count then keep going but if you are open to something a little more in the vein of maybe David Lynch then I highly recommend Laurin.