6.2/10
876
12 user 7 critic

Scenes from the Class Struggle in Beverly Hills (1989)

R | | Comedy | July 1989 (USA)
The widow's houseboy and the divorcee's chauffeur bet on which will bed the other's employer first.

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(story), (story) | 1 more credit »
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1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
Clare Lipkin
...
Frank
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Lisabeth Hepburn-Saravian
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Juan
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Peter
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Howard
Arnetia Walker ...
To-Bel
...
...
Sidney
Edith Diaz ...
Rosa
...
...
Willie Saravian
Jerry Tondo ...
June-Bug
...
Kelly
...
Himself
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Storyline

The story of this social satire and soap parody follows two rich white upper class families living in Beverly Hills, California. Recently widowed Claire is a once popular sitcom star, who dreams of a Hollywood comeback. She and her daughter Zandra are not very close, even though they live in the same house, so she turns to her best friend Lisbeth for comfort. Lisbeth is a socialite with her own set of problems. Her alcoholic husband Howard left her for another woman. Her son Willie is terminally ill and hopelessly in love with Zandra, who doesn't even notice him. Lisbeth's poor playwright brother Peter is in love with Claire, even though he just got married in Vegas to sassy To-Bel, a woman he barely knows. Meanwhile, Claire's houseboy Juan and Lisbeth's bisexual chauffeur bet on which of the two will seduce his cougar boss first. Several other plot points make things even more complicated. It turns out that To-Bel has a secret past. The ghost of Claire's husband Sidney starts ...

Plot Summary | Add Synopsis

Plot Keywords:

bet | doctor | ghost | chauffeur | houseboy | See All (67) »

Genres:

Comedy

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

July 1989 (USA)  »

Also Known As:

A játék neve: Beverly Hills  »

Box Office

Opening Weekend:

$25,635 (USA) (4 June 1989)

Gross:

$2,156,471 (USA)
 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

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Did You Know?

Trivia

This was Barret Oliver's final role before his retirement from acting. See more »

Quotes

Howard: Oh my balls! I have no balls Liz! All I have is a fat set of petty dictators sewn up in cheap leather.
Lisabeth Hepburn-Saravian: Howard I am really worried about you.
Howard: A couple of greedy monsters dangling in a smarmy woman's purse. the kind you buy at Q-Mart. Monogamy was my kingdom and they have exiled me!
See more »

Crazy Credits

After the introductory credits the following can be found: 'for L.B. who might have smiled' See more »


Soundtracks

Piano Music
(uncredited)
Music by Melissa Verde
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User Reviews

 
Let Me Take Care of That Sweet Tooth, Clare.
8 August 2001 | by (Santa Clara, California) – See all my reviews

This film showcases so much talent from actors and performers that have now passed into Hollywood Valhalla: Paul Bartel, Ray Sharkey, and tragically, Rebecca Schaeffer who died at the tender age of 21, and would probably have blossomed into a graceful and beautiful actor. The cast is unlikely, however they work well together and seem to have fun doing it. There is harmony and refinement as they interact, making it seem as a dance. The make-out scene with Jacqueline Bisset, Ray Sharkey and a chocolate cake is passionate and sexy. Wallace Shawn is smug and manipulative as a troubled gynecologist. Arnetia Walker is a show stealer as the former porn star wife of a self-deluded playwright played by Ed Begley Jr.. Edith Diaz plays Rosa, the Aztec-descended maid who spouts the meaning of life with a cultural twist and, according to Beltran's character, has a dustpan loose. Then there is Darren the West Highland White starring as Bo-Jangles, the terrier with an affinity for black women. The scenes are well edited, and not the least bit clunky or contrived. I don't think this is Paul Bartel's best film, but certainly it has its moments. A must see for anyone interested in off-color sexy films. Paul Bartel's works are certainly not voluminous, but he gets an A+ for effort on this one. Paul, I read recently, was a little disappointed with the film. It didn't live up to his expectations, and the gay relationship between Beltran and Sharkey, which Paul had said he wanted to bring out more, is minimally, but expertly alluded. It is an amicable film, unpretentious despite its subject matter, and almost innocent in its portrayal of an elitist LA establishment. I will never turn down a screening.


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