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Der siebente Kontinent (1989)
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Overview
User Rating:
Release Date:
14 April 1993 (France) morePlot:
Georg and his wife Anna realize how monotonous and isolated their life is when their daughter Eva, in a desperate attempt to get attention... more | add synopsisAwards:
2 wins moreUser Comments:
a controlled freak-out more (26 total)Cast
(Credited cast)| Birgit Doll | ... | Anna | |
| Dieter Berner | ... | Georg | |
| Leni Tanzer | ... | Eva | |
| Udo Samel | ... | Alexander | |
| Silvia Fenz | ... | Costumer at the optician's | |
| Robert Dietl | |||
| Elisabeth Rath | ... | Lehrerin | |
| Georges Kern | |||
| Georg Friedrich | ... | Störungsdienst der Post |
Additional Details
Also Known As:
The Seventh Continent7i ipeiros (Greece) (TV title) [el]
Le septième continent (France) [fr]
Seitsemäs manner (Finland) [fi]
The Seventh Continent (Greece) (DVD title) [el]
more
Parents Guide:
View content advisory for parentsRuntime:
104 minCountry:
AustriaColor:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
MonoFun Stuff
Trivia:
First part of Michael Haneke's "Glaciation Trilogy" also including Benny's Video (1992) and 71 Fragmente einer Chronologie des Zufalls (1994). moreSoundtrack:
The Power of Love moreFAQ
This FAQ is empty. Add the first question.more (26 total)
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Having spent a couple years now browsing thru IMDb, this is the first film I've seen that actually motivated me to leave a comment. I've seen 3 other (more recent) movies by Haneke: "Funny Games," "Code Unknown," and "The Piano Teacher." All of them disturbed me in their own special way--a feeling that I obviously don't mind getting from a film. "The 7th Continent," though, really blew me away in ways that I find difficult but necessary to describe.
This was Haneke's first theatrical film & apparently based on a true story--although I'm always skeptical of such disclaimers (the same was said about "Picnic at Hanging Rock," another great creepy film). It's divided into 3 parts: 1987, 1988, and 1989. Many scenes repeat themselves, and we get a clear sense that the family (dad, mom, daughter) is going through the motions of modern life. The banalities have a bizarre and uneasy edge to them, though, that really piles up by the time Part 3 arrives. All I have to say about the last 40 minutes is: OH MY GOD! I thought Gaspar Noe's "I Can't Sleep" (?) had an excruciating buildup, but that one (with all its explicitness) can't hold a candle to the amount of emotional and physical devastation packed into the conclusion of "Continent."
Fans of Haneke's later work should definitely check this one out to see the origin of his trademarks: no music score, seemingly pointless scenes that linger (often with little or no dialogue), off-putting camera angles (we sometimes see only the actors' hands or feet). While these techniques aren't always successful in his films ("Code" had some interminable moments), they all come together seamlessly in "Continent." A superb work!