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Silent Night, Deadly Night 3: Better Watch Out! (1989)

R | | Horror | Video 9 November 1989
The comatose Ricky Caldwell reawakens and begins to stalk a blind woman, with whom he shares a psychic connection.

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Writers:

(story) (as C. Laszlo), (story) (as M. Hellman) | 2 more credits »
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Cast

Cast overview, first billed only:
Samantha Scully ...
...
Richard C. Adams ...
Santa
...
Dr. Newbury
Melissa Hellman ...
Dr. Newbury's Assistant
...
Hospital Receptionist
...
Chris (as Eric Da Re)
...
Laura's Psychiatrist
...
Jerri (as Laura Herring)
Carlos Palomino ...
Truck Driver
...
Granny
Marc Dietrich ...
Gas Station Attendant
...
Newscaster
...
Lt. Connely
...
Detective
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Storyline

Ricky Caldwell, the notorious 'Killer Santa Claus', awakens from a six year coma after being kept alive on life-support by a slightly crazed doctor experimenting with ESP and other special abilities. Ricky targets a young, clairvoyant blind woman, named Laura, whom is traveling with her brother Chris, and his girlfriend Jerri to their grandmothers house for Christmas Eve, and Ricky decides to go after her, leaving a trail of dead bodies in his wake. Written by matt-282

Plot Summary | Plot Synopsis

Taglines:

When Your Nightmare Ends, the Real Terror Begins!

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

9 November 1989 (USA)  »

Also Known As:

Blind Terror  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Actors Richard Beymer, Eric Da Re, and Laura Harring have all appeared in David Lynch productions. Beymer and Da Re in Twin Peaks and Harring in Mulholland drive See more »

Goofs

Ricky was shot in the chest at the end of the previous entry, so he should not have to have the transparent brain dome in the first place. See more »

Quotes

[first lines]
Richard 'Ricky' Caldwell: Laura...
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Connections

Followed by Initiation: Silent Night, Deadly Night 4 (1990) See more »

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User Reviews

 
The Christmas spirit is not for everyone.
9 August 2009 | by See all my reviews

You know things aren't going so well, when you start to think that you rather be watching 'Silent Night, Deadly Night Part 2' again and this indeed was running through my head during the very plodding part 3. Sure it's competently produced and slicker than the first two (way ahead in those stakes), but what a total snooze fest with a bunch of niggling characters. I know the shoddy second film has a bad wrap, but at least it was brainlessly cheesy fun, which this entry completely fumbled. Gone is the wicked dark humor (well it does try with less than flattering results) and forcefully graphic carnage, replaced with a leadenly talkative script (which does on to meander in many scenes), uninterestedly indifferent performances (does Robert Culp know what the movie's about?) and plenty of flat build-ups that lead to off-screen kills with a spurt of blood. Lame!

This straight to video effort (which the next two would follow path) pretty much continues on from 'Part 2', but trying to get away from the randomly standard stalk and slash angle where it adds another idea involving the unusual connection between the comatose Ricky (who survived the head shot with his exposed brain being protected by a Plexiglas cap) and a clairvoyant blind girl Laura, which her doctor was using those physic abilities to get into the mind of Ricky (although unknown to her). However in doing so she gets nightmarish images she rather no talk about, but through these experiments Ricky actually awakens from the coma and because of that attachment he heads after Laura.

Credit for trying some different, but it got completely daft and spineless leading to something routine. At the beginning it started using scenes from the first film in what Laura's character was seeing in her visions and I was thinking… "Here we go again?". Gladly it wasn't the case. The only thing that achieved some sort of energy was the hysterical screaming by Samantha Scully as the stubbornly unlikeable blind heroine, but again that wasn't entirely convincing. Moments within the plot actually reminded me of John Carl Buechler's 'Friday the 13th Part 7: New Blood' (1988). Now that one was better. Popping up as the maniac Ricky is Bill Moseley as his robotic manner goes through it with that plastic bowl on top of his head getting most of the attention. Robert Culp gives a batty performance, while Richard Beymer goes for stiltedly serious temperament. Laura Harring and Eric DaRe also appear. The busily echoing score punches out the electronic cues. The man in the director's chair Monte Hellman ('The Shooting', 'Cockfighter' and 'Two-lane Blacktop') does a stylish, but lethargic job which lacked a sinister bite. Bit of atmosphere in some dreamy parts and camera placement showed some inventiveness, but it triggers no tension, no jolts and no fun.


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