Revolving around Truvy's Beauty Parlor in a small parish in modern-day Louisiana, STEEL MAGNOLIAS is the story of a close-knit circle of friends whose lives come together there. As the picture opens, we find Drum Eatenton shooting birds in the trees of his back yard in preparation for his daughter's wedding reception that afternoon. Shortly thereafter, M'Lynn and Shelby (Drum's wife and daughter) depart for Truvy's to get their hair done for the wedding. "Just the sweetest thing," Annelle Depuy Desoto (who may or may not be married because her marriage may not be legal) is introduced to Truvy's customers as her new "glamour technician." While in the chairs, the sour-tempered Ouiser Boudreaux shows up and entertains the assemblage with her barbs. It seems that the only one of the group who truly understands Ouiser is Clairee who is recently widowed and looking for a diversion. As she says, later in the picture, "If you can't find anything good to say about anybody, come sit by me." ... Written by
Mark Fleetwood <email@example.com>
Opened on Broadway on Monday, April 4th, 2005 at the Lyceum Theater and ran for 136 performances. See more »
When Clairee, Truvy and Annelle are in church, they are sitting in back of a family whose pew looks full. Ouiser walks in and winks at Owen. We see the family again, and the pew is still looking full with the mother, son and daughter sitting very close together. In the next shot Ouiser is standing next to the pew and suddenly there's a big space between the sister and the brother, where Ouiser sits. See more »
"Steel magnolias" is a chronicle of a small circle of friends .The actresses get the lion's share ,which has become unusual ;that alone is cause for celebration,mainly when the cast includes a grumpy sullen Shirley McLaine who overplays as hell,Sally -never without my daughter-Field,A holier-than- thou but good -hearted Daryl Hannah wearing horrible glasses ,a very young Julia Roberts who was more endearing than she is now in such parts as "Brockovich" and of course Dolly Parton -too bad she does not sing-.
The dramatic plot -Shelby's illness- is kept to the minimum,at least in the first hour.Then when the tragedy strikes,Herbert Ross avoids pathos and melodrama (it's not the return of Douglas Sirk).And the last scene is wonderful,Easter meaning a renaissance .As usual,Georges Delerue's score superbly enhances the film :he's so good a musician that even when the movie bores you (Godard's "le mépris" for instance,as far as I'm concerned),his tuneful work survives.
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