| Photos (see all 5 | slideshow) |
| Kati Outinen | ... | Iiris | |
| Elina Salo | ... | Mother | |
| Esko Nikkari | ... | Stepfather | |
| Vesa Vierikko | ... | Aarne | |
| Reijo Taipale | ... | The singer | |
| Silu Seppälä | ... | Iiris' brother | |
| Outi Mäenpää | ... | Iiris' co-worker | |
| Marja Packalén | ... | The doctor | |
| Richard Reitinger | ... | Man in the bar | |
| Helka Viljanen | ... | Office employee (as Helga Viljanen) | |
| Kurt Siilas | ... | Policeman | |
| Ismo Keinänen | ... | Policeman | |
| Klaus Heydemann | ... | Worker | |
| rest of cast listed alphabetically: | |||
| Erkki Friman | ... | Member of dance band | |
| Tapani Ikonen | ... | Member of dance band | |
| Jari Lappalainen | ... | Member of dance band | |
| Lasse Luoto | ... | Member of dance band | |
Directed by | |||
| Aki Kaurismäki | |||
Writing credits(in alphabetical order) | ||
| Aki Kaurismäki | writer | |
Produced by | |||
| Katinka Faragó | .... | producer (as Katinka Farago) | |
| Aki Kaurismäki | .... | producer | |
| Klas Olofsson | .... | producer | |
Cinematography by | |||
| Timo Salminen | |||
Film Editing by | |||
| Aki Kaurismäki | |||
Art Direction by | |||
| Risto Karhula | |||
Set Decoration by | |||
| Kari Laine | |||
Production Management | |||
| Klaus Heydemann | .... | production manager | |
| Jaakko Talaskivi | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Pauli Pentti | .... | assistant director | |
Art Department | |||
| Heikki Ukkonen | .... | property master | |
Sound Department | |||
| Tom Forsström | .... | sound mixer | |
| Juuso Hirvikangas | .... | assistant sound recordist | |
| Nina Jansson | .... | sound synchronisation | |
| Jouko Lumme | .... | sound | |
Camera and Electrical Department | |||
| Marja-Leena Helin | .... | still photographer | |
| Börje Hellen | .... | assistant camera (as Börje Hellén) | |
| Olavi Tuomi | .... | lighting technician | |
| Pekka Uotila | .... | assistant camera | |
| Olli Varja | .... | lighting technician | |
Editorial Department | |||
| Eila Karkkunen | .... | negative cutter (as Eila Karttunen) | |
Music Department | |||
| Erkki Friman | .... | musician | |
| Tapani Ikonen | .... | musician | |
| Jari Lappalainen | .... | musician | |
| Lasse Luoto | .... | musician | |
Other crew | |||
| Haije Alanoja | .... | production secretary | |
| Erkki Astala | .... | publicist | |
| Marja-Leena Helin | .... | script supervisor | |
| M. Laaksonen | .... | title designer | |
| Pirjo Laivuori | .... | color definitions | |
| Jan-Eric Nyström | .... | title designer (as J-E Nyström) | |
| Jaana Puhakka | .... | production assistant | |
| Sinikka Usvamaa | .... | accountant (as Sinikka Telaranta) | |
Thanks | |||
| Willmar Andersson | .... | thanks | |
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| Kauas pilvet karkaavat | I Hired a Contract Killer | Barrio Cuba | Poupées russes, Les | Sedotta e abbandonata |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Finland section | Add this title to MyMovies |
A riveting early masterpiece by Aki Kaurismaki. Kati Outinen is extraordinary as Iris, the long-faced factory worker of the title, who lives with her truly appalling parents in (probably) Helsinki. She cooks the meals and does all the housework, while they completely ignore her, preferring to watch TV and drink. Iris buys a dress and goes to a party - everybody ignores her there as well, and her scandalised mother forces her to take the dress back to the shop. A middle-class man picks her up in a bar and sleeps with her, and then leaves the next morning. She informs him that she's pregnant; he sends her a cheque and a note saying "Get rid of it." She quietly and inexorably starts to revenge herself on the world.
There's not much dialogue, but you don't need it; the camera stays on Outinen's mesmerisingly gloomy face. Iris is possibly the least glamorous heroine in movie history, but without apparently doing anything, Outinen shows all of Iris' hope, despair and the consciousness that it's going to get worse before it gets better. A great movie; since Fassbinder's death, they don't make many like these anymore.