CIA analyst Jack Ryan must stop the plans of a Neo Nazis faction that threatens to induce a catastrophic conflict between the United States and Russia's newly elected president by detonating a nuclear weapon at a football game in Baltimore.
A veteran policeman, Murtaugh, is partnered with a younger, suicidal officer, Riggs. They both have one thing in common: hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
Soviets create a new nuclear submarine that runs silent due to a revolutionary propulsion system. Russian sub captain defects, goal of taking it to the U.S.A. to prevent the Russians from using the sub to wreak nuclear (missile) war against the U.S. Lots of plot turns and twists in this high-tech thriller. Written by
Sean Connery's conversation with Sam Neill in the Captain's quarters of the Red October, has a similar feel as the conversation between Mr. Starbuck and Captain Ahab, from Chapter 132 ("The Symphony") of Herman Melville's Moby Dick. Ahab and Ramius both spent forty years at sea, and share the line "I widowed her the day I married her", concerning their wives. See more »
Two cameramen (one in wet jeans and Soviet naval shirt/hat) and equipment (camera covered by plastic) visible during the Red October evacuation. See more »
I can't ask any of these characters to go. One, they don't believe in it. Two, they'd never stake their reputation on a hunch. Whereas you...
Something like that.
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The words "Red October" are first spelled in Russian, with the Cyrillic alphabet, before being replaced with the English words. See more »
After seeing this movie, you'll wonder how Hollywood manages to turn out so many junk-action movies, now that they've figured out the right formula. To be fair, the vast majority of action movies don't have the benefit of Tom Clancy's greatest novel (granted, 'Sum of All Fears' was a very, very close second, for me). High tension and realistic (emphasis on that last word) depictions of modern warfare make for an excellent story.
Nonetheless, there are a few key qualities that shouldn't go unnoticed to today's directors. First (again) is the basis of a good plot that actually captures your attention, makes you think, and puts you on the edge of your seat. Second is the high caliber of actors: James Earl Jones, Alec Baldwin (I'm a Harrison Ford fan, but I still think Baldwin was far better for the role), and - last but certainly not least - Sean Connery. I'm sure this wasn't cheap, but when you look at the product produced by three of the best professional actors, it's worth every penny. Third, is the great music; nothing too over the top, but well-orchestrated, and featuring a great set of pieces by a Russian men's choir (hard to go wrong!). Lastly, the great use of special effects, from which George Lucas himself could use a clue or two: it smoothly supports, and doesn't take the place of or interfere with, the development of the plot.
This is my #2 favorite movie of all-time, but you don't have to take my word for it. See it yourself! You'll be glad you did.
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