| Photos (see all 13 | slideshow) | Videos (see all 2) |
| Gene Hackman | ... | Robert Caulfield | |
| Anne Archer | ... | Carol Hunnicut | |
| James Sikking | ... | Nelson (as James B. Sikking) | |
| J.T. Walsh | ... | Michael Tarlow | |
| M. Emmet Walsh | ... | Sergeant Dominick Benti | |
| Susan Hogan | ... | Kathryn Weller | |
| Nigel Bennett | ... | Jack Wootton | |
| J.A. Preston | ... | Martin Larner | |
| B.A. 'Smitty' Smith | ... | Keller | |
| Codie Lucas Wilbee | ... | Nicholas | |
| Barbara Russell | ... | Nicholas' Mother (as Barbara E. Russell) | |
| Antony Holland | ... | Elderly Man | |
| Doreen Ramos | ... | Elderly Woman | |
| Kevin McNulty | ... | James Dahlbeck | |
| Andrew Rhodes | ... | Sgt. Nigro | |
| Lon Katzman | ... | Det. Loughlin | |
| Dana Still | ... | Bellman with Message | |
| Lesley Ewen | ... | Larner's Secretary | |
| Barney O'Sullivan | ... | Ticket Agent | |
| Natino Bellantoni | ... | Bartender | |
| Ted Stidder | ... | Conductor #1 | |
| Lindsay Bourne | ... | Club Car Waiter | |
| Robert Rozen | ... | Dining Car Waiter | |
| Tom McBeath | ... | Conductor #2 | |
| Ron Cummins | ... | Hotel Valet | |
| Harris Yulin | ... | Leo Watts |
Directed by | |||
| Peter Hyams | |||
Writing credits(WGA) | ||
| Martin Goldsmith | (earlier story) & | |
| Jack Leonard | (earlier story) | |
| Earl Felton | (earlier screenplay) | |
| Peter Hyams | (screenplay) | |
Produced by | |||
| Mary Eilts | .... | associate producer | |
| Mario Kassar | .... | executive producer | |
| Jerry Offsay | .... | co-producer | |
| Andrew G. Vajna | .... | executive producer (as Andrew Vajna) | |
| Jonathan A. Zimbert | .... | producer | |
Original Music by | |||
| Bruce Broughton | |||
Cinematography by | |||
| Peter Hyams | |||
Film Editing by | |||
| Beau Barthel | (as Beau Barthel-Blair) | ||
| James Mitchell | |||
Casting by | |||
| Lynne Carrow | |||
Production Design by | |||
| Joel Schiller | |||
Art Direction by | |||
| Kim Mooney | |||
| Eric Orbom | |||
| David Willson | (supervising art director) | ||
Set Decoration by | |||
| Kim MacKenzie | |||
Makeup Department | |||
| Leslie Ann Anderson | .... | hair stylist: Ms. Archer (as Leslie Anderson) | |
| Pat Gerhardt | .... | makeup artist: Ms. Archer | |
| Roy Sidick | .... | hair stylist | |
| Margaret Solomon | .... | makeup artist | |
Production Management | |||
| Mary Eilts | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Robert Lee | .... | second assistant director | |
| Mike Rohl | .... | dgc trainee (as Michael J. Rohl) | |
| Jack Frost Sanders | .... | first assistant director | |
| Lisa Weinstein | .... | third assistant director | |
Art Department | |||
| Gary Brooks | .... | head greensman | |
| Phil Gough | .... | assistant property master | |
| Wayne McLaughlin | .... | property master | |
| Mike Rennison | .... | construction foreman (as Michael Rennison) | |
| Ken Wells | .... | head painter (as Kenneth Wells) | |
| Charles Breen | .... | set designer (uncredited) | |
Special Effects by | |||
| Guy Faria | .... | special effects assistant | |
| Roger Lifsey | .... | special effects assistant | |
| Stan Parks | .... | special effects coordinator | |
| Kevin Quibell | .... | special effects assistant | |
| Steve Wolke | .... | special effects assistant | |
Stunts | |||
| Denny Arnold | .... | stunts | |
| Doc Duhame | .... | stunts (as Ronald 'Doc' Duhame) | |
| Lon Katzman | .... | stunts | |
| Curtis Lupo | .... | stunts | |
| Scott Nicholson | .... | stunts | |
| Peter Reynolds | .... | stunts | |
| Gar Stephen | .... | stunts | |
| Amy Stephen Wilder | .... | stunts (as Amy Wilder) | |
| Glenn R. Wilder | .... | stunt coordinator (as Glenn Wilder) | |
| Melissa R. Stubbs | .... | stunt double: Anne Archer (uncredited) | |
Camera and Electrical Department | |||
| David L. Butler | .... | aerial camera operator (as David Butler) | |
| Les Erskine | .... | chief lighting technician | |
| Dale Garrison | .... | rigging gaffer (as Dale 'Tiny' Garrison) | |
| Ralph Gerling | .... | camera operator | |
| John Hyams | .... | company grip | |
| Robin Jobin | .... | best boy grip | |
| Nick Kuchera | .... | key grip | |
| Nathaniel Massey | .... | Steadicam operator | |
| Daniel P. Moore | .... | video assist operator | |
| Steve Peterson | .... | first assistant camera | |
| Jack Rowand | .... | still photographer | |
| Adam Sliwinski | .... | camera trainee | |
| Rick Stadder | .... | dolly grip | |
| Pat Williams | .... | second assistant camera | |
| John Rigg | .... | grip (uncredited) | |
| Brian Thurston | .... | camera remote technician (uncredited) | |
Casting Department | |||
| James Forsyth | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jerry R. Allen | .... | costumer (as Jerry Allen) | |
| Dolores C. Burke | .... | costumer (as Dolores Burke) | |
| Ellen Mirojnick | .... | costumes: Ms. Archer | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Bob Kaiser | .... | color timer | |
| Stephanie Mitchell | .... | apprentice film editor | |
| Beverly Pinnas | .... | first assistant film editor | |
Music Department | |||
| Mark McKenzie | .... | orchestrator | |
| Don Nemitz | .... | orchestrator | |
| Curt Sobel | .... | music editor | |
| Armin Steiner | .... | scoring mixer | |
| Ken Watson | .... | music contractor | |
Transportation Department | |||
| Fred Moroz | .... | transportation captain | |
| Alois Stranan | .... | transportation coordinator | |
Other crew | |||
| Terry Benson | .... | pilot | |
| Adam Druxman | .... | production assistant | |
| Lara P. Fox | .... | script supervisor (as Lara Fox) | |
| Barney France | .... | pilot | |
| Judith French | .... | assistant production accountant (as Judy French) | |
| Penny Gibbs | .... | production office coordinator | |
| Bill Hansard | .... | process coordinator | |
| Don Hansard | .... | process projectionist (as Don Hansard Jr.) | |
| Robert C. Hansard | .... | process projectionist (as Bob Hansard) | |
| Donald Hansard Sr. | .... | process projectionist (as Don Hansard Sr.) | |
| Nick Hyams | .... | quality control | |
| Steven Jongeward | .... | assistant: Mr. Zimbert | |
| Mario Kassar | .... | presenter | |
| Roberta Lewis | .... | assistant: Mr. Hyams | |
| Yvonne Melville | .... | assistant production office coordinator | |
| Don Orlando | .... | production accountant (as Donald Orlando) | |
| Brigitte Prochaska | .... | unit publicist | |
| James Sallis | .... | location manager | |
| René Simoneau | .... | process projectionist | |
| Mike Solecki | .... | train movement supervisor | |
| Andrew G. Vajna | .... | presenter (as Andrew Vajna) | |
| Jeff Wagner | .... | gun handler | |
| Steve Wright | .... | helicopter coordinator | |
| Steve Wright | .... | pilot | |
| Michael Barnes | .... | legal attorney (uncredited) | |
| Greg Jackson | .... | assistant location manager (uncredited) | |
| Todd Lester | .... | security officer (uncredited) | |
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Narrow Margin (1990) is a remake of a fondly remembered B-movie that became a real sleeper hit. It does not match the original for suspense or excitement, but it does boast a truly towering performance by Gene Hackman who takes the Charles MacGraw role and gives it everything he's got.
The story is about a DA from L.A, who travels to a mountain cabin in Canada to pick up a female murder witness. Some baddies follow him (because they want to kill the witness), but he manages to escape with her as far as the local railway station. They board an overnight train, bound for Vancouver, and spend the next day or so evading the killers on the train.
Hackman is quite brilliant, whether delivering panicky dialogue in a whisper or indulging in some violent action atop the speeding express. James B. Sikking makes a chilling assassin. Anne Archer is convincing as the vulnerable and terrified witness who would rather be anywhere other than where she is. Director Peter Hyams packs in some solid action sequences, such as a nerve-jangling car chase through a forest, and a savage fight on the roof of the train.
Where this film falls short is in the suspense department and the pacing. There are moments where Hackman and Archer are allowed to relax too much. One scene in particular involves Hackman and Sikking having a lengthy conversation at a dinner table; when Hackman leaves, you'd expect them to follow him to her, but they don't. There's another bit where the action jumps from about 1 a.m. to the next morning, without any indication of what kind of events have taken place during the night. There's also a lot of long shots of the lovely scenery, but to get the claustrophobic atmosphere the maker's needed to emphasise the inside of the train, not the outside landscapes. It's a pretty good film, but there are just a few things about it which drag it down a peg or two.