The Sheltering Sky (1990)

User Rating:

6.6/10   

Director:

Bernardo Bertolucci

Writers (WGA):

Paul Bowles (book)
Mark Peploe (screenplay) ...

Release Date:

12 December 1990 (USA)

Genre:

Adventure | Biography | Drama

Tagline:

A woman's dangerous and erotic journey...

Plot:

The American artist couple Port and Kit Moresby travel aimlessly through Africa, searching for new experiences that could give sense to their relationship. But the flight to distant regions only leads both deeper into despair.

Plot Keywords:

Travel | Male Frontal Nudity | Market Place | Arab | Passion

Awards:

Won Golden Globe. Another 4 wins & 2 nominations

Cast

Debra Winger	...	Kit Moresby
John Malkovich	...	Port Moresby
Campbell Scott	...	George Tunner
Jill Bennett	...	Mrs. Lyle
Timothy Spall	...	Eric Lyle
Eric Vu-An	...	Belqassim
Amina Annabi	...	Mahrnia
Philippe Morier-Genoud	...	Captain Broussard
Sotigui Kouyaté	...	Abdelkader (as Sotigui Kouyate)
Tom Novembre	...	French Immigration Officer
Ben Smaïl	...	Smail (as Ben Smail)
Kamel Cherif	...	Ticket Seller
Mohammed Afifi	...	Mohamed (as Afifi Mohamed)
Brahim Oubana	...	Young Arab
Carolyn De Fonseca	...	Miss Ferry (as Carolyn de Fonseca)

Also Known As:

Il tè nel deserto (Italy)
Çölde çay (Turkey: Turkish title) [tr]
Den skyddande himlen (Sweden) [sv]
El cielo protector (Spain) [es]
Himmel über der Wüste (West Germany) [de]
O Céu Que Nos Protege (Brazil) [pt]
Oltalmazó ég (Hungary) [hu]
Pod oslona nieba (Poland) [pl]
Refugio para el amor (Argentina) [es]
Suojaava taivas (Finland) [fi]
Tsai sti Sahara (Greece) [el]
Um Chá no Deserto (Portugal) [pt]
Un ceai în Sahara (Romania) [ro]
Un thé au Sahara (France) [fr]

Runtime:

138 min

Country:

UK | Italy

Language:

English | French | Arabic

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby (35 mm prints) | 70 mm 6-Track (70 mm prints)

Certification:

Australia:M | Italy:T | Iceland:12 | Hungary:16 | Argentina:13 | Finland:K-12 | France:U | Sweden:11 | UK:18 | USA:R | South Korea:18 | Germany:12 | Portugal:M/16

Filming Locations:

Ait Benhaddou, Ouarzazate, Morocco

Company:

Warner Bros. Pictures

Trivia:

Paul Bowles, author - and thinly disguised subject - of the autobiographical novel on which the film is based, said, "? it should never have been filmed. The ending is idiotic and the rest is pretty bad." This quote comes from a rare interview that was part of the film Let It Come Down: The Life of Paul Bowles (1998).

Goofs:

Crew or equipment visible: The crew is reflected in the bus window before Port bites his tongue.

Quotes:

[first lines]
Port Moresby: Well, terra firma.
Tunner: We're probably the first tourists they've had since the war.
Kit Moresby: Tunner, we're not tourists. We're travelers.
Tunner: Oh. What's the difference?
Port Moresby: A tourist is someone who thinks about going home the moment they arrive, Tunner.
Kit Moresby: Whereas a traveler might not come back at all.
Tunner: You mean *I'm* a tourist.
Kit Moresby: Yes, Tunner. And I'm half and half.

Movie Connections:

Referenced in "Jeopardy!: (#22.61)" (2005)

Soundtrack:

Goulov Limma

Read the book

This is one of my all time favorite movies. But... and this is a major but... at least part of my appreciation stems from the fact that I watched it several times and that I've also read the book (by Paul Bowles) two or three times. So both works of art (since the book is most definitely a work of great art) tend to blend together in my mind.

I started by watching the movie though, without any previous knowledge on the novel, nor on Paul Bowles. I was impressed by the powerful imagery (theater! not dvd) and chilled by psychological the harshness of the plot. I was charmed the first time I saw the film but I fell in love when I saw it a second time, which was after I'd read the novel. Maybe this means that the film doesn't 'make it on its own', but to me that's not a problem. And if you are, like me, gripped by the movie I can really recommend the novel for more 'in depth' .

Some people here seem to think that there's no plot or just a very thin one. I disagree. It's not directly on the surface though. You'll have to concentrate and pay attention to dig it up. If you don't like that or feel that a movie should just willingly present itself to you, than this is not your movie.