| Dabney Coleman | ... | Stewart McBain | |
| Uma Thurman | ... | Daphne McBain | |
| Joanna Cassidy | ... | Jean | |
| Crispin Glover | ... | Lionel | |
| Suzy Amis | ... | Chloe McBain | |
| Christopher Plummer | ... | Shitty | |
| David Hewlett | ... | Jimmy | |
| Maury Chaykin | ... | Harry | |
| Dylan Walsh | ... | Tom | |
| Ken Pogue | ... | Hamilton | |
| Sheila Kelley | ... | Sheryl | |
| Michael Kirby | ... | Lionel's Father | |
| Dennis Strong | ... | Marvin X | |
| Timothy Stickney | ... | Marcus | |
| Emma Woollard | ... | Olivia | |
| Tabitha St. Germain | ... | Secretary (as Paulina Gillis) | |
| Gary Krawford | ... | Presidential Aide | |
| Albert Schultz | ... | Edgar | |
| Sandi Ross | ... | Woman Speaking in Tongues | |
| George Seremba | ... | Preacher | |
| Ralph Small | ... | Eviction Man | |
| Ann-Marie MacDonald | ... | T.V. Reporter (Stock Exchange) | |
| Frances Flanagan | ... | T.V. Reporter (Dutch House) | |
| Naima Jodin | ... | Porna | |
| Prabha Gandhi | ... | Mya | |
| Juan Ramón Sánchez | ... | Jose | |
| Ida Carnevali | ... | Mrs. Jose | |
| Philip Williams | ... | Man with Writ | |
| Howard Lende | ... | Wall Street Man | |
| Maurice Godin | ... | Stock Exchange Dealer | |
| David Bronstein | ... | Stock Exchange Dealer | |
| Eric Moreau | ... | Cop | |
| Sean Ryerson | ... | Man at Dump | |
| Audrey Smith | ... | Runway Model | |
| Jean Fleming | ... | Runway Model | |
| Catherine Blythe | ... | Runway Model | |
| Jennifer Samarzija | ... | Runway Model | |
| Trish Olsthoorn | ... | Runway Model | |
| Mikki | ... | Runway Model | |
| Jacinta Bradshaw | ... | Runway Model | |
| Sharmain Beddoe | ... | Runway Model | |
| Karyn Wilson | ... | Runway Model | |
| Susan Willemsen | ... | Runway Model | |
| Suzy Johnston | ... | Runway Model | |
| Christine Kossak | ... | Runway Model | |
| Maxine Wasa | ... | Runway Model | |
| rest of cast listed alphabetically: | |||
| Ric Sarabia | ... | Unemployment Clerk | |
| Matt Birman | ... | Stockbroker (uncredited) | |
| Robbie Coltrane | ... | (uncredited) | |
Directed by | |||
| John Boorman | |||
Writing credits(in alphabetical order) | ||
| John Boorman | ||
| Telsche Boorman | ||
Produced by | |||
| John Boorman | .... | producer | |
| Edgar F. Gross | .... | executive producer | |
Original Music by | |||
| Peter Martin | |||
Cinematography by | |||
| Peter Suschitzky | |||
Film Editing by | |||
| Ian Crafford | |||
Casting by | |||
| Bonnie Finnegan | |||
Production Design by | |||
| Carol Spier | |||
Art Direction by | |||
| James McAteer | |||
Set Decoration by | |||
| Elinor Rose Galbraith | |||
Costume Design by | |||
| Linda Matheson | |||
Makeup Department | |||
| Jenny Arbour | .... | key assistant hair stylist | |
| Judi Cooper-Sealy | .... | hair stylist | |
| Shonagh Jabour | .... | makeup artist | |
| Timna Woollard | .... | chole's paintings and body makeup | |
| Thomas Yee | .... | assistant hair stylist | |
Production Management | |||
| Ira Halberstadt | .... | production manager: New York | |
| Daniel J. Heffner | .... | executive in charge of production | |
| Sean Ryerson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Walter Gasparovic | .... | second assistant director | |
| Grant Lucibello | .... | third assistant director | |
| Tony Lucibello | .... | first assistant director | |
Art Department | |||
| Carlos Caneca | .... | set dressing trainee | |
| Kirk Cheney | .... | construction manager | |
| Christopher Geggie | .... | assistant property master | |
| Doug Harlocker | .... | property master (as Douglas Harlocker) | |
| Shelley Nieder | .... | assistant props | |
| Jim Veale | .... | head carpenter | |
| John Dondertman | .... | assistant art director (uncredited) | |
| Keith Wall | .... | assistant property master (uncredited) | |
Sound Department | |||
| Ron Davis | .... | sound editor | |
| John Hayward | .... | sound re-recording mixer | |
| Nicolas Le Messurier | .... | sound re-recording mixer | |
| Sandy Buchanan | .... | post-production sound assistant (uncredited) | |
Special Effects by | |||
| Ted Ross | .... | special effects | |
Visual Effects by | |||
| Tim Segulin | .... | optical effects supervisor | |
Stunts | |||
| Dennis Lundin | .... | stunt double | |
| Branko Racki | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Michael F. Barrow | .... | gaffer: New York City | |
| Carlo Campana | .... | key grip | |
| Attila Dory | .... | still photographer | |
| Richard Gaal | .... | electrician | |
| Duane Gullison | .... | generator operator | |
| Susan Shaw | .... | camera trainee | |
Animation Department | |||
| Peter Hudecki | .... | animator: video game | |
Costume and Wardrobe Department | |||
| Trysha Bakker | .... | assistant costume designer | |
| Jay Du Boisson | .... | set costume supervisor | |
Music Department | |||
| Peter Martin | .... | orchestrator | |
Other crew | |||
| Walter Donohue | .... | creative associate | |
| Susan Haller | .... | script supervisor | |
| Pauline Hume | .... | graphic artist: titles | |
| Julie Jones | .... | production assistant | |
| Jeff Stolow | .... | location manager: New York | |
| Gordon Yang | .... | location manager | |
| Lisa S. Girolami | .... | production executive (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| Has Chloe's calendar ever been published? | hedgehog-13 |
| Would it even be possible to get a recording of the score? | bruisedboxer |
| Help needed on Where The Heart Is | dvich |
| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section |
This film brought out the barracuda in most of the major critics. And did the public take one bit of notion? It did and flocked elsewhere.
But I still remember the overall impact this forgotten little gem had on me when I watched it some 14 odd years ago in one of these little arthouse cinemas that had all but vanished as multiplexes became the latest rage. 'Breathtaking' was the word for it. This reaction was caused by the picture's extraordinary visual beauty: cinematography as an art form has never been more ravishingly demonstrated as in the composition of light, shade and colour. I remember a series of scenes so beautiful I wanted to stop the moving pictures occasionally and just be a picture.
But like other visual masterpieces, its triumph did not extend to the screenplay and dialogues that were often boring, sometimes even downright foolish.